Send us a text

The 2026 book list revealed and discussed. What was selected and why? Do you agree? Disagree? Have authors to add?

Get your copy of all of our History of Mystery book selections here! (including even some 2027 selections)

Watch clips from our conversations with guests!

January 2026

Publication: 1943

THE MINISTRY OF FEAR by Graham Greene is a thrilling blend of espionage and psychological mystery set in wartime London. 

Publication: 1944

GREEN FOR DANGER by Christianna Brand is a masterful wartime mystery set in a British hospital during the Blitz.  It’s a standout in Golden Age detective fiction.

March 2026

Publication: 1944

DEATH COMES AS THE END by Agatha Christie is a groundbreaking historical mystery set in ancient Egypt.  It’s the first full-length historical whodunit.

April 2026

Publication: 1944

HOME SWEET HOMICIDE by Craig Rice features a trio of resourceful siblings who set out to solve a murder in their neighborhood. The novel exemplifies Rice’s talent for blending lighthearted storytelling with intricate puzzles, earning her acclaim in the genre — and a Time Magazine cover.

May 2025

Publication: 1945

DIED IN THE WOOL by Ngaio Marsh is a compelling mystery set on a remote New Zealand sheep farm. Marsh was one of the Queens of Crime, and this novel is among her best.

June 2025

Publication: 1946

THE MOVING TOYSHOP by Edmund Crispin is an ingenious mystery featuring eccentric Oxford professor Gervase Fen.  Celebrated for its wit and inventive plot, it’s a crime fiction classic.

July 2026

Publication: 1946

THE HORIZONTAL MAN by Helen Eustis is a psychological mystery set in an Ivy League women’s college.  But as the investigation unfolds, the line between sanity and madness begins to blur.

August 2026

Publication: 1946

THE BIG CLOCK by Kenneth Fearing is a thriller-noir about a man trapped inside the machinery of a powerful publishing empire. This classic inspired the film No Way Out.

September 2026

Publication: 1947

THE FABULOUS CLIPJOINT by Fredric Brown is a gritty mystery about the search for truth. Their investigation takes them through the burlesque houses, bars, and back alleys of Chicago.

October 2026

Publication: 1947

IN A LONELY PLACE by Dorothy B. Hughes is a haunting psychological noir told from the perspective of a charming but deeply disturbed war veteran. As a series of L.A. stranglings terrifies the city, the truth about the protagonist’s volatile desires and violent impulses slowly unravel.

November 2026

Publication: 1947

THE BLANK WALL by Elisabeth Sanxay Holding a suspenseful psychological thriller about an ordinary woman who becomes entangled in a man’s suspicious death while protecting her daughter from inside her seemingly quiet home. 

December 2026

Publication: 1948

THE FRANCHISE AFFAIR by Josephine Tey is a mystery centered on a disturbing accusation. The novel is celebrated for its nuanced psychology and dismantling of false

Support the show

https://www.instagram.com/teatonicandtoxin/
https://www.facebook.com/teatonicandtoxin
https://www.teatonicandtoxin.com

Stay mysterious...

Send us a text

Tea, Tonic & Toxin is a history of mystery book club and podcast. We’re reading the best mysteries ever written and interviewing some of the world’s best contemporary mystery and thriller writers.

LAURA by Vera Caspary (1943) is a sophisticated mystery that blends romance and psychological intrigue. Told through shifting perspectives, it follows a detective investigating the murder of a glamorous ad exec. It remains a cornerstone of noir fiction.

Otto Preminger’s 1944 film version is also a stunner. The American Film Institute named it one of the 10 best mystery films of all time.

Get your copy of Laura and all of our History of Mystery book selections here!

Watch clips from our conversations with guests!

Waldo Lydecker in Laura by Vera Caspary

He met the “lovely child” eight years earlier when she tried to get him to endorse a Byron fountain pen. He describes her as a “fawn and fawn-like,” a “Bambi.”

He’s an omniscient narrator and interpreter. He describes scenes he never saw and dialogues he never heard. “My written dialogue will have more clarity, compatness, and essence of character than their spoken lines, for I am able to edit while I write, whereas they carried on their conversations in a loose and pointless fashion with no sense of form or crisis in the building of their scenes” (19).

Waldo saw everything through the lens of his own emotions. He thought of Laura as a perfect innocent protégée, Shelby as the false hero, and Mark as a little boy he could toy with. McPherson about Waldo: “You’re smooth all right, but you’ve got nothing to say” (9).

The restaurant he and Laura dined at is Montagnino’s. Slum smells mix with the smells of luscious Italian food and a rising storm. Waldo and Mark eat mussels cooked with mustard greens in a chianti, along with a chicken fried in olive oil, laid on a bed of yellow taglierini, garlanded with mushrooms and red peppers. They drink wine Lacrymae Christi (“Christ’s tear”) (produced on the slopes of Mt. Vesuvius, it’s the nearest equivalent of the wine drunk by ancient Romans).

Waldo sees in Claudius’s window a duplicate of the vase made of mercury glass that he had given Laura. Learning the piece has been sold, he breaks it. “He stood in the rain, looking back at Claudius’s shop and smiling. Almost as if he’d got the vase anyway” (105).

At the end of Laura by Vera Caspary, in the ambulance and at the hospital, Waldo keeps talking about himself in the third person. “He was like a hero a boy had always worshipped” (171).

Detective Mark McPherson

“A two-timing dame gets murdered in her flat. So what? … I’m a workingman, I’ve got hours like everyone else. And if you expect me to work overtime on this third-class mystery, you’re thinking of a couple other fellows” (8). Soon thereafter, Waldo sees the light on in Laura’s apartment. “I knew that a young man who had once scorned overtime had given his heart to a job” (39).

He walks with a limp from a shootout (The Siege of Babylon, Long Island). How he lives: “The steel furniture in my bedroom reminded me of a dentist’s office. There wasn’t a comfortable chair in the room” (65). Waldo thinks he’s a misogynist and thinks “his

Support the show

https://www.instagram.com/teatonicandtoxin/
https://www.facebook.com/teatonicandtoxin
https://www.teatonicandtoxin.com

Stay mysterious...

Send us a text

Mike Ripley joins Tea, Tonic & Toxin to discuss Margery Allingham’s Albert Campion novels, along with his latest novel in the series, Mr Campion’s Christmas.

Mike Ripley completed the third Albert Campion novel left unfinished on the death of Pip Youngman Carter (Margery Allingham’s husband) in 1969. Mr Campion’s Farewell was published in 2014, and Mike has continued the Campion series annually with the twelfth and final book in the series, Mr Campion’s Christmas, appearing in 2024.

Check out Mike Ripley's work here.
Watch clips from our conversations with guests!
Join our  Patreon community here! It's free to join, with extra perks for members at every level.

Mike Ripley joined Carolyn Daughters and Sarah Harrison to discuss the Margery Allingham Campion novels and his latest book in the series, Mr Campion’s Christmas.

Mike is the author of 28 novels, including the award-winning ‘Angel’ series of comedy thrillers and one of the few authors to win the Crime Writers’ Last Laugh Award twice. From 1989 to 2008, he was a crime fiction critic for The Daily Telegraph and then The Birmingham Post, reviewing more than 950 crime novels. He co-edited three volumes of Fresh Blood stories by new British writers, including Ian Rankin, Lee Child, Ken Bruen, Charlie Higson, and Christopher Brookmyre. He was also a scriptwriter on the BBC’s series Lovejoy.

Mike Ripley completed the third Albert Campion novel left unfinished on the death of Pip Youngman Carter (husband of Margery Allingham) in 1969. Mr Campion’s Farewell was published in the UK and the US in 2014, and Mike has continued the Campion series annually with the twelfth and final book in the series, Mr Campion’s Christmas, appearing in 2024. 

Described by The Times as “England’s funniest crime writer,” Mike is a respected critic of crime fiction, writing for the Guardian, Daily Telegraph, and The Times. He writes the monthly “Getting Away With Murder” column on Shots Magazine. He was the series editor of the Ostara Crime and Top Notch Thrillers imprints, rescuing and reviving more than a hundred crime novels and thrillers that did not deserve to be forgotten. He also became known as the unofficial historian of the British thriller after the publication of “Kiss Kiss Bang Bang,” which won the 2018 H.R.F. Keating Award for non-fiction.

Mike Ripley first learned of the final unfinished Albert Campion novel when he was a guest speaker at the Margery Allingham Society’s annual convention. He offered – and received the Margery Allingham Society’s blessing – to complete the manuscript on the adventures of Albert Campion, who Ripley describes as “one of the brightest stars in the rich firmament of British crime writing.”

Support the show

https://www.instagram.com/teatonicandtoxin/
https://www.facebook.com/teatonicandtoxin
https://www.teatonicandtoxin.com

Stay mysterious...

Send us a text

Tea, Tonic & Toxin is a history of mystery book club and podcast. We’re reading the best mysteries ever written and interviewing some of the world’s best contemporary mystery and thriller writers.

Traitor’s Purse (1940) by Margery Allingham is a mystery thriller classic that masterfully combines psychological tension with a high-stakes plot. Suffering from amnesia, amateur sleuth Albert Campion races to stop a wartime national security threat.

Known for its psychological depth, the book blends espionage with a classic whodunit. Allingham’s exploration of identity, loyalty, and duty cements the book’s status as a timeless classic in the genre.

Get your book here!

Or check out Mike Ripley's work here.
Watch clips from our conversations with guests!
Join our  Patreon community here! It's free to join, with extra perks for members at every level.

Mike Ripley joins Tea, Tonic & Toxin to discuss Margery Allingham’s Albert Campion novels, along with his latest novel in the series, Mr Campion’s Christmas.

Mike Ripley completed the third Albert Campion novel left unfinished on the death of Pip Youngman Carter (Margery Allingham’s husband) in 1969. Mr Campion’s Farewell was published in 2014, and Mike has continued the Campion series annually with the twelfth and final book in the series, Mr Campion’s Christmas, appearing in 2024.

Mike Ripley joined Carolyn Daughters and Sarah Harrison to discuss the Margery Allingham Campion novels and his latest book in the series, Mr Campion’s Christmas.

Mike is the author of 28 novels, including the award-winning ‘Angel’ series of comedy thrillers and one of the few authors to win the Crime Writers’ Last Laugh Award twice. From 1989 to 2008, he was a crime fiction critic for The Daily Telegraph and then The Birmingham Post, reviewing more than 950 crime novels. He co-edited three volumes of Fresh Blood stories by new British writers, including Ian Rankin, Lee Child, Ken Bruen, Charlie Higson, and Christopher Brookmyre. He was also a scriptwriter on the BBC’s series Lovejoy.

Mike Ripley completed the third Albert Campion novel left unfinished on the death of Pip Youngman Carter (husband of Margery Allingham) in 1969. Mr Campion’s Farewell was published in the UK and the US in 2014, and Mike has continued the Campion series annually with the twelfth and final book in the series, Mr Campion’s Christmas, appearing in 2024. 

Support the show

https://www.instagram.com/teatonicandtoxin/
https://www.facebook.com/teatonicandtoxin
https://www.teatonicandtoxin.com

Stay mysterious...

Send us a text

TRAITOR’S PURSE (1940) by Margery Allingham is a mystery thriller classic that masterfully combines psychological tension with a high-stakes plot. Suffering from amnesia, amateur sleuth Albert Campion races to stop a wartime national security threat.

The novel’s unique premise and tightly woven narrative create a sense of urgency and intrigue. Known for its psychological depth, it showcases Allingham’s skill at blending espionage with a classic whodunit. Allingham’s exploration of identity, loyalty, and duty cements the book’s status as a timeless classic in the genre. 

Get your book here!
Watch clips from our conversations with guests!
Join our  Patreon community here! It's free to join, with extra perks for members at every level.

Amnesia as a Literary Trope in Traitor’s Purse by Margery Allingham

What has happened to the amnesiac? Why is he in a county hospital? Has he killed a police officer? Will he be hanged? Why did he have a lot of money on him when he was found? “There was danger behind him and something tremendously important ahead” (1).

“Everyone was turning to himself for assurance. He dared not reveal the dreadful emptiness of his mind. Somehow he must struggle on, blind and halfwitted though he was. There was to be no outside help. He was quite alone” (17).

Amnesia is a commonly used storytelling plot device in thrillers and romances. Amnesia offers a fresh perspective: characters can re-evaluate their actions and motivations. Amnesia creates conflict, forcing characters to re-evaluate their lives and relationships. Amnesia creates suspense and mystery as the character tries to piece together their past. The amnesiac often regains memories after being hit on the head.

In Traitor’s Purse by Margery Allingham, Campion is knocked unconscious at the police station. When he wakes, he recalls the events before his arrival at the hospital. 

Other Examples: The Girl on the Train by Paula Hawkins: Rachel suffers from amnesia related to alcohol consumption and wakes up with no memory of what happened the night before. In the Woods by Tana French, Robert Ludlum’s Bourne Identity, The English Patient, The Time Traveler’s Wife, Memento (Christopher Nolan), Wolverine (Marvel), Ursula Le Guin’s City of Illusions, Severance

Peter Wimsey (Dorothy Sayers) vs. Albert Campion (Margery Allingham)

Lord Peter WimseyAlbert CampionWoos mystery novelist Harriet Vane.Meets aircraft engineer Amanda Fitton.Spent time overseas on secret government missions.Spent the war years overseas on a mission so secret that he never discovered what it was.Loyal butler (and occasional Watson) Bunter, a stickler for traditional, propriety, and detail.Friend of reformed burglar Lugg, who “in spite of magnificent qualities, has elements of the Oaf about him.”Second son of the Duke of Denver. Inherited wealth (as the second son) has made him independent and free. Collector of literature, music, wine, and men’s fashion.“Educated at Rugby and St. Ignatius College, Cambridge. Embarked on adventurous career 1924. Name known to be a pseudonym. Clubs: Puffin’s, The Junior Greys. Hobbies: odd.”

Support the show

https://www.instagram.com/teatonicandtoxin/
https://www.facebook.com/teatonicandtoxin
https://www.teatonicandtoxin.com

Stay mysterious...

Send us a text

Tom Epperson, a native of Arkansas, headed west to Los Angeles with his boyhood friend Billy Bob Thornton to pursue a career in show business.  Epperson’s co-written the scripts for One False Move, A Family Thing, The Gift, A Gun, a Car, a Blonde, and Jayne Mansfield’s Car.  His L.A. noir The Kind One was nominated for both the Edgar Award and the Barry Award for Best First Novel.  Three more books followed, Sailor, Roberto to the Dark Tower Came, and Make Believe.  His most recent book is Baby Hawk, a novel in verse.  He lives in Santa Fe, New Mexico, with his wife, Stefani, two pampered cats, and two frisky dogs.

Get your book here!
Watch clips from our conversations with guests!
Join our  Patreon community here! It's free to join, with extra perks for members at every level.

Called simply “the female,” she is seventeen, one of the few survivors of a worldwide plague known simply as the Sickness—and quite possibly the last woman on Earth.

She lives in the mountains and forests of northern California, protected by her father.  Life is hard, but they’re happy.

Until one chilly autumn morning when a violent, racist band of males, led by an elite ex-soldier called Braydon, finds them.  Overjoyed at discovering a female they can “enjoy,” the men kill the female’s father and take her prisoner.  Life becomes intolerable for the female.  Delighted to be in possession of the last woman on Earth—or so they believe— they keep her isolated in a cabin of her own, for them to take turns with.  Braydon sets up a strict rotation to avoid any unrest within the camp—but his own intention is to make her the new Eve, to breed with her and repopulate the Earth.

Throughout the winter, the female trains—making herself as strong and fit as she can for the spring.  She is determined to escape, or die trying.

Support the show

https://www.instagram.com/teatonicandtoxin/
https://www.facebook.com/teatonicandtoxin
https://www.teatonicandtoxin.com

Stay mysterious...

Send us a text

Farewell, My Lovely (1940) by Raymond Chandler is a cornerstone of the noir genre and the Philip Marlowe books, showcasing Marlowe in one of his most memorable cases. The novel’s richly atmospheric prose vividly captures the seedy underbelly of Los Angeles, immersing readers in its gritty, dangerous world. Chandler’s exploration of moral ambiguity and flawed characters adds depth to the mystery, elevating it beyond a simple whodunit.

With its sharp dialogue, intricate plotting, and evocative style, the book solidified Chandler’s reputation as a master of noir and influenced generations of crime writers.

Get your book here!
Watch clips from our conversations with guests!
Join our  Patreon community here! It's free to join, with extra perks for members at every level.

Owen Hill joins Tea, Tonic & Toxin to discuss Farewell, My Lovely by Raymond Chandler.

Owen is a novelist and a poet, and The Giveaway: The Clay Blackburn Story, an omnibus of his crime fiction, was recently published by PM Press. It includes three novels and a short story. Owen coedited The Annotated Big Sleep (Vintage, 2018) with Pamela Jackson and Anthony Dean Rizzuto.

Owen Hill joined us as our guest to discuss Farewell, My Lovely by Raymond Chandler. Owen is the author of three crime novels, two books of short fiction, and many collections of poetry. He has reviewed crime novels for the Los Angeles Times and the East Bay Express.

In 2005, Owen Hill was awarded the Howard Moss residency at Yaddo. He is co-editor (with Jerry Thompson) of Berkeley Noir for Akashic Press. A memoir, Hands on a Mirror, is also available from Bootstrap Press.

Owen was a buyer at a second-hand bookstore for many years in Berkeley. He is currently an organizer for the Industrial Workers of the World (IWW). He lives in Oakland.

Owen Hill is also the author of The Giveaway: The Clay Blackburn Story (PM Press), an omnibus of his crime fiction. It includes three novels and a short story.

Clay Blackburn—poet, book scout, and sometimes detective—cruises the mean, and sometimes not so mean, streets of Berkeley. With his accomplices, a soldier of fortune, a “defrocked” FBI agent, and a smooth and sexy con man, he lives a life of bisexual sensation with a little crime solving on the side. As such, Blackburn is a sly, witty, and more or less reliable raconteur of the last thirty something years of the Bay Area’s radical bohemia and bookselling.

And in the tradition of Ian Rankin’s Edinburgh, and Jean-Claude Izzo’s Marseilles, bears uncomfortable witness to Berkeley’s descent from countercultural paradise to neoliberal inferno.

This omnibus collection collects the novels The Chandler Apartments (2002), The Incredible Double (2010), and the previously unpublished Mayakovsky’s Bugatti (2025), and includes the Blackburn short story “Righteous Kill” (2021).

Support the show

https://www.instagram.com/teatonicandtoxin/
https://www.facebook.com/teatonicandtoxin
https://www.teatonicandtoxin.com

Stay mysterious...

Send us a text

Farewell, My Lovely (1940) by Raymond Chandler is a cornerstone of the noir genre and the Philip Marlowe books, showcasing Marlowe in one of his most memorable cases. The novel’s richly atmospheric prose vividly captures the seedy underbelly of Los Angeles, immersing readers in its gritty, dangerous world. Chandler’s exploration of moral ambiguity and flawed characters adds depth to the mystery, elevating it beyond a simple whodunit.

With its sharp dialogue, intricate plotting, and evocative style, the book solidified Chandler’s reputation as a master of noir and influenced generations of crime writers.

Get your book here!
Watch clips from our conversations with guests!
Join our  Patreon community here! It's free to join, with extra perks for members at every level.

Owen Hill joins Tea, Tonic & Toxin to discuss Farewell, My Lovely by Raymond Chandler.

Owen is a novelist and a poet, and The Giveaway: The Clay Blackburn Story, an omnibus of his crime fiction, was recently published by PM Press. It includes three novels and a short story. Owen coedited The Annotated Big Sleep (Vintage, 2018) with Pamela Jackson and Anthony Dean Rizzuto.

Let’s Talk About the Philip Marlowe Books

Insubordination: Marlowe is 33 and went to college once. He’s a bit of a cynic, and his manners are bad. He was fired for insubordination. “I test very high on insubordination.” (The Big Sleep)

American hero: “Chandler seems to have created the culminating American hero: wised up, hopeful, thoughtful, adventurous, sentimental, cynical and rebellious” (NYT Book Review).

A detective always has a code: “Marlowe is Prometheus [of American myth]: the noble outsider, sacrificing and enduring for a code he alone upholds.” [The Annotated Big Sleep, Raymond Chandler (eds. Owen Hill, Pamela Jackson, and Anthony Rizzuto)]

Tough guy: He’s tough, clever, and a good judge of character. He’s brash and witty.

At his tiny apartment, he goes to a chessboard on a card table. “There was a problem laid out on the board, a six-mover. I couldn’t solve it, like a lot of my problems” (The Big Sleep ch. 24). 

In the Philip Marlowe books, Marlowe doesn’t have a backstory, a love interest, or family drama.

“Look,” I said. “This room is eighteen floors above ground. And this little bug climbs all the way up here just to make a friend. Me. My luck piece.” I folded the bug carefully into the soft part of the handkerchief and tucked the handkerchief into my pocket. Randall was pie-eyed. His mouth moved, but nothing came out of it.

“I wonder whose lucky piece Marriott was,” I said.

“Not yours, pal.” [Randall’s] voice was acid—cold acid.

“Perhaps not yours either.” My voice was just a voice. I went out of the room and shut the door.

I rode the express elevator down to the Spring Street entrance and walked out on the front porch of City Hall and down some steps and over to the flower beds. I put the pink bug down carefully behind a bush.

I wondered, in the taxi goin

Support the show

https://www.instagram.com/teatonicandtoxin/
https://www.facebook.com/teatonicandtoxin
https://www.teatonicandtoxin.com

Stay mysterious...

Send us a text

Arvind Ethan David joins Tea, Tonic & Toxin to discuss Trouble Is My Business by Raymond Chandler.

Arvind is a writer and and producer who tells stories and builds accidental businesses around them.

Most recently, he released Douglas Adams: The Ends of the Earth (Pushkin). The Boy with Wings (based on Sir Lenny Henry’s book) premiered in summer 2025 at The Polka Theatre London.

Get your gorgeous illustrated book here! And check out the rest of our storefront for more by Arvind and our other guests.
Watch clips from our conversations with guests!

What an interview! Arvind Ethan David joined Carolyn Daughters and Sarah Harrison to discuss Trouble Is My Business, a new graphic novel version of Raymond Chandler’s classic tale. We could have talked to him for hours!

Arvind Ethan David is a Stoker Award nominated graphic novelist who has also written chart-topping audiodramas (The Crimes of Dorian Gray, Earworms), television (Anansi Boys), and plays (The Boy with Wings). Arvind is also a producer of film and theater, including the Emmy & Grammy award winning musical Jagged Little Pill.

Arvind’s career as a writer and producer started when he adapted the Douglas Adams novel Dirk Gently’s Holistic Detective Agency as a college play. The great science fiction author came to see it and took the young writer under his wing. (Years later, Arvind brought Dirk Gently to a global audience as a Netflix/AMC TV series.)

Since then, Arvind has written for page, stage, screen, audio and everywhere else one can tell a story. In addition to Trouble is my Business, his graphic novels include the Dirk Gently’s Holistic Detective Agency series (also with art by Ilias Kyriazis), Darkness Visible (Stoker nominated, written with Mike Carey) and Gray, his reimagining of Oscar Wilde’s The Picture of Dorian Gray.

Arvind’s audio work includes the chart-topping Audible Originals: The Neil Gaiman at the End of the Universe, the science fiction Anthology series Earworms and The Crimes of Dorian Gray.

Arvind Ethan David also works in television, including serving as an Executive Producer on Dirk Gently’s Holistic Detective Agency for Netflix and BBC America and writing on Neil Gaiman’s Anansi Boys for Amazon Studios.

His theater experience includes writing the stage adaptations of the Douglas Adams novels Dirk Gently’s Holistic Detective Agency (with James Goss) and Lenny Henry’s The Boy with Wings. He is also a lead producer of the Tony & Grammy winning musical Jagged Little Pill.

Arvind Ethan David runs Prodigal, an entertainment business, with producer Tarquin Pack (KICKASS, X-MEN: FIRST CLASS, STARDUST) and entrepreneur Scott Kay. Together, they work across TV, film, theater, publishing, gaming, and escape rooms — anywhere there is a good story to be told.

Trouble Is My Business is a new graphic novel by Raymond Chandler and Arvind Ethan David. The book is illustrated by Ilias Kyriazis. The forward was written by Ben H. Winters. The colorist is Cris Peter.

Support the show

https://www.instagram.com/teatonicandtoxin/
https://www.facebook.com/teatonicandtoxin
https://www.teatonicandtoxin.com

Stay mysterious...

Send us a text

THE BIG SLEEP (1939) is a seminal work in the hardboiled detective genre, and it’s among the best of the Raymond Chandler books. It showcases Chandler’s masterful use of sharp dialogue, complex characters and his gritty depiction of 1930s Los Angeles.

This classic hardboiled detective novel introduces private eye Philip Marlowe. Hired to resolve a blackmail scheme, Marlowe uncovers a web of corruption and murder. It revolutionized crime fiction, establishing a template for noir storytelling that continues to influence literature and film.

Get your book here! Or Anthony's  annotated version here!
Watch clips from our conversations with guests!
Join our  Patreon community here! It's free to join, with extra perks for members at every level.

Pulp Magazines and Black Mask

English detective stories “are too contrived, and too little aware of what goes on in the world. … The boys with their feet on the desks know that the easiest murder case in the world to break is the one somebody tried to get very cute with; the one that really bothers them is the murder somebody thought of only two minutes before he pulled it off. But if the writers of this fiction wrote about the kind of murders that happen, they would also have to write about the authentic flavor of life as it is lived.” (The Simple Art of Murder, Raymond Chandler)

Pulp magazines (printed on wood-pulp paper) were a cheap source of popular entertainment that sometimes mixed in subversive social commentary. The format was invented in 1882 as a vehicle for children’s adventure stories. By the 1920s, pulps specialized in detective stories, love stories, westerns, …. During the Depression, they provided a sense of escape. [The Annotated Big Sleep, Raymond Chandler (eds. Owen Hill, Pamela Jackson, and Anthony Rizzuto)]

“In 1931 my wife and I used to cruise up and down the Pacific Coast in a very leisurely way, and at night, just to have something to read, I would pick a pulp magazine off the rack. It suddenly struck me that I might be able to write this stuff and get paid while I was learning.” [The Annotated Big Sleep, Raymond Chandler (eds. Owen Hill, Pamela Jackson, and Anthony Rizzuto)]

“It took me a year to write my first story. I had to … learn to write all over again.” [The Annotated Big Sleep, Raymond Chandler (eds. Owen Hill, Pamela Jackson, and Anthony Rizzuto)]

The emotional basis of the standard detective story had always been that justice will be done. Its technical basis was the relative insignificance of everything except the final denouement. What led up to that was more or less passagework. The denouement justified everything. (Trouble Is My Business, Raymond Chandler)

The technical basis of the Black Mask type of story, however, was that the scene outranked the plot. The ideal mystery was one you would read if the end was missing. (Trouble Is My Business, Raymond Chandler)

Support the show

https://www.instagram.com/teatonicandtoxin/
https://www.facebook.com/teatonicandtoxin
https://www.teatonicandtoxin.com

Stay mysterious...