The Heroes of Hovel’s Way is an epic fantasy story about two young heroes, Odie and Eremon. These heroes have the potential to deal with a dire threat from an ancient time that is poised to return to the world. A titan destroyer, Valhalmorris the Mountain Strangler, stirs. The fate of the Barony of Kastakin may be in their hands. We play the game to find out. We invite you to join us on the journey.

Music and Sound effects are from Envato and Storyblocks and are under a royalty free license

Welcome to THAC0 . . . with Advantage! We’re two friends that have been playing D&D a long time. While we both love lots of other RPGs, D&D knows where we’ve buried the bodies.

Sometimes you run the entire night with the assumption that a spell works the way it did from two editions ago, and some poor PCs pay the price. Sometimes the player characters spend three hours exploring something based on what they thought you said, instead of what you actually said. Or maybe what you actually said, instead of what you meant to say. We’re going to talk about mistakes at the table, what they look like, and how to roll with them.

Sage Advice was a column in Dragon Magazine that first appeared in issue #31, in 1979, with the first author being Jean Wells. TSR hired Jean Wells as an editor in 1978; after editing adventures like White Plume Mountain, they gave her the job of officially clarifying rules—a task she enjoyed because she wanted the game to be accessible to new, younger gamers. One of the best rules clarifications she made was probably in response to a query about the damage caused by a bow. She clarified that the bow itself doesn’t cause damage, but the arrow inflicts 1d6 damage, and then she outlined the damage that would result from hitting someone with a bow and explained what would happen to the bow. I don’t really have much else to say, I’m just going to sit here quietly and listen to heads explode at the notion that a woman was the first Sage of Sage Advice, the go-to column for decades to determine if you were doing D&D right.

The Heroes of Hovel’s Way is an epic fantasy story about two young heroes, Odie and Eremon. These heroes have the potential to deal with a dire threat from an ancient time that is poised to return to the world. A titan destroyer, Valhalmorris the Mountain Strangler, stirs. The fate of the Barony of Kastakin may be in their hands. We play the game to find out. We invite you to join us on the journey.

Music and Sound effects are from Envato and Storyblocks and are under a royalty free license

Welcome to THAC0 . . . with Advantage! We’re two friends that have been playing D&D a long time. While we both love lots of other RPGs, we keep needing to hit the reset button to get another chance to conquer D&D.

Not every fantasy adventure story ends with a big fight, but many of them do. During major conflicts, it’s typical for fantasy heroes to face a singular embodiment of their antagonists: a dragon, demon lord, lich, or a conceptual representation (thanks JRPGs). We’re going to talk about what makes a boss battle interesting and challenging and explore ways to use the concept in your games.

*The Lost City*, a 1982 Dungeons & Dragons adventure, introduced the entity known as Zargon. Zargon’s description harkens back to pulp mythos stories from the 30s, and an ancient, unique monster living under a lost society is almost like something Robert E. Howard would have put in a Conan story. The adventure names Zargon the story’s “villain,” blaming him for destroying the titular lost city and providing his stats, but it doesn’t directly lead to him. Instead, it advises using information about Zargon to craft a higher-level adventure where player characters are ready to fight him. The 2014 Player’s Handbook offers Zargon as an example of a Great Old One Warlock patron, if you wish to channel your inner Zargon without going to the lost city of Cynidicea. That’s Sin i DEE see ah.

The Heroes of Hovel’s Way is an epic fantasy story about two young heroes, Odie and Eremon. These heroes have the potential to deal with a dire threat from an ancient time that is poised to return to the world. A titan destroyer, Valhalmorris the Mountain Strangler, stirs. The fate of the Barony of Kastakin may be in their hands. We play the game to find out. We invite you to join us on the journey.

Music and Sound effects are from Envato and Storyblocks and are under a royalty free license

Welcome to THAC0 . . . with Advantage! We’re two friends that have been playing D&D a long time. While we both love lots of other RPGs, D&D still encourages us to spend our currencies.

Multiple classes have resources they can use, but what happens when you want to manipulate the narrative outside of what your character can do? What happens when you’re running a game, and your combat just isn’t unfolding in a satisfying manner, but you don’t quite want to rebuild an encounter on the fly. That’s where metacurrencies can come in handy.

In 1977, David Hargrave created the Arduin series of RPG products, which were technically their own RPG, but also looked a lot like supplements to D&D. TSR didn’t exactly like some of the wording that implied you could copy parts of that one “existing” RPG, so Hargrave removed the section that said to copy other RPGs, and used white out on his remaining copies to get rid of any references to Dungeons & Dragons. Thankfully, Hargrave made sure to make it clear that Arduin was its own RPG and, by some accounts, made a combat system so complicated that people reverted to using the supplements with D&D all over again.

The Heroes of Hovel’s Way is an epic fantasy story about two young heroes, Odie and Eremon. These heroes have the potential to deal with a dire threat from an ancient time that is poised to return to the world. A titan destroyer, Valhalmorris the Mountain Strangler, stirs. The fate of the Barony of Kastakin may be in their hands. We play the game to find out. We invite you to join us on the journey.

Music and Sound effects are from Envato and Storyblocks and are under a royalty free license

Welcome to THAC0 . . . with Advantage! We’re two friends that have been playing D&D a long time. While we both love lots of other RPGs, D&D has too many fiddly bits to leave it alone.

What happens when you want just a little bit more game material to fit in between two other scenes you’ve already got in mind for your game? What can you do if you can only snag half the time you usually have for your regular game night? What if you have a great idea for a scene, but it doesn’t fit into what you’re doing right now? We’re going to look at modular encounters, building blocks you can store and pull out when you have just the right place to put them.

In 1986, the AD&D product called the Book of Lairs came out, followed up by a second volume in 1987. These had short, often two-page, adventures that were largely about encountering a monster in its home terrain, with some additional context. One particular encounter involves 876 undead of various types in a mythical lost graveyard, including a gate that summons more undead, which for some reason has an alignment of lawful good. This may also be the simplest puzzle in all of D&D for characters to solve, because it involves taking every single gemstone out of the gate. Remember, sometimes looting IS the answer!

The Heroes of Hovel’s Way is an epic fantasy story about two young heroes, Odie and Eremon. These heroes have the potential to deal with a dire threat from an ancient time that is poised to return to the world. A titan destroyer, Valhalmorris the Mountain Strangler, stirs. The fate of the Barony of Kastakin may be in their hands. We play the game to find out. We invite you to join us on the journey.

Music and Sound effects are from Envato and Storyblocks and are under a royalty free license

Welcome to THAC0 . . . with Advantage! We’re two friends who have been playing D&D for a long time. While we both love lots of other RPGs, D&D keeps us trying to find new ways to start over again.

We’ve talked about starting campaigns from the perspective of setting expectations, getting buy-in, and incorporating information from your session zero, but what about one step beyond that? What does the actual beginning of the campaign look like, and how can you frame your beginnings in new and different ways? That’s what we’re going to look at today on the show.

The original Dark Sun campaign setting boxed set suggested that at the beginning of the campaign, players make character trees. AD&D 2e didn’t actually want you to play plants–character trees were a group of four characters that the player managed, which they could swap out between adventures or when one of the characters died. Each time the active character gained a level, they could pick one of the other characters in that tree for an additional level, which also encouraged you to rotate active characters. While AD&D 1e didn’t want you to share items with other party members, AD&D 2e didn’t want you to share with yourself. I wonder if characters in a character tree need followers to protect them from the other characters of the same player.