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A prince arrives in town and sets his sights on Daphne, but how can she be interested in him when Simon is constantly seductively licking spoons in front of her? Eloise is once again shouting to anyone who will listen about how much it sucks to be a woman, while Mama Feather shows Marina what horrors her future holds, like standing in puddles! Things get really interesting when Daphne discovers she can lock her bedroom door and Simon has a change of heart.
– Tiffany and Kelly
– Song credit – Scott Holmes – “Hotshot”
Throughout this episode, we get the Duke’s backstory. It’s terribly sad but makes him one of those damaged, hot guys that are irresistible to girls who are into that kind of thing (cough, cough Daphne cough). Someone is knocked up, and Eloise and Penelope want answers like, yesterday – at least before Penny takes another bite of cake. There is a lot of “boxing” happening and speaking of punching bags, Nigel is now the typical 1800s incel creep and is out to ruin Daphne’s good name. The rumor mill is a buzz and we are here for all the spilled tea.
– Tiffany and Kelly
– Song credit – Scott Holmes – “Hotshot”
You asked for it so we’re doing it! This week and for the next few weeks to come, we have tightened our corsets, laced our bodices and stepped into the world of Bridgerton. The story starts with women being paraded around like cattle at auction. Gross. Mary Poppins herself, Miss Julie Andrews, tells us to cheer for pretty, blonde, chaste, and desperate-to-marry Daphne. But we’re here for her straight-shooting, far more interesting sister, Eloise, and their sweet neighbor, Penelope. The story is complicated, everyone looks alike and has a super long, British name. It’s going to be great!
– Tiffany and Kelly
– Song credit – Scott Holmes – “Hotshot”
What do a whorehouse, Flat Stanley, and a fishermen choir have in common? We have absolutely no idea and neither do the writers of Blow The Man Down, but it didn’t stop them from cramming them all together! This one is…something. We’re not sure what that something is, but it’s definitely something.
– Tiffany and Kelly
– Song credit – Scott Holmes – “Hotshot”
We did it, you guys. We got through it all. In the last two episodes, Claire and Eric are still dealing with their issues in totally, completely healthy ways. All these people need therapy; we should shoot it out of a T-shirt cannon at them according to Kelly. Then we make a significant time jump only to discover that Creeper has turned into a really scary version of Mr. Rogers and everyone has invested in bad wigs. Stay tuned for the ending and an epic mic drop!
– Tiffany and Kelly
– Song credit – Scott Holmes – “Hotshot”
Episodes 7 and 8 are split into Eric’s story and Claire’s story and both pick up about 6 months after Claire’s arrest. We quickly discover that Eric has developed some really horrible coping skills, and Claire is still a spoiled brat. Tiffany has lots of thoughts on the prison system, and we’re both really worried about Creeper’s knees and back.
– Tiffany and Kelly
– Song credit – Scott Holmes – “Hotshot”
Episode 5 can be summed up in 4 words – boring, boring, awkward, boring. Literally nothing happens until the last 3 minutes. But OMG, Katherine is our god damn hero! In Episode 6, everything has gone to shit. Claire has taken to her bed chamber like a basic ass princess, Eric is collapsing on himself like a dying star, Matt is the arguably the dumbest person on the planet, and somehow Creeper is the voice of reason. Wtf is happening?
– Tiffany and Kelly
It’s finally Homecoming! Josh is wearing an awesome bolo tie and Eric proves to be the worst date ever, like, worse than Creeper Logan. Claire is super jealous of the high school girls and decides to prove she’s a completely healthy adult by sexually assaulting a child. She lays down some ground rules so her ass doesn’t end up in jail, then quickly breaks them all. The next day after the dance buzz has worn off, Josh is on a juice cleanse, Logan and Mary are on the outs, and Eric decides to leave his brothers in the care of the neighborhood crackhead? None of this can end well.
– Tiffany and Kelly
– Song credit – Scott Holmes – “Hotshot”
What do a 30-year-old high school student, a possible skin growth, and a rogue green chili have in common? Well, you’re going to have to listen our coverage of the first two episodes of FX on Hulu’s “A Teacher” to find out. To say we hate the show’s premise of a relationship between a student and a teacher would be an understatement. Come be uncomfortable with us.
– Tiffany and Kelly
– Song credit – Scott Holmes – “Hotshot”
It’s the final episode of Ratched, and we pick up one month after Nurse Bucket took over the hospital and things are looking great. Mildred and Gwendolyn are together, Betsy is killing it as a boss bitch, and even Louise has a new career. Unfortunately there are a few loose ends, like Eddie’s execution and Charlotte being in the wind. It all comes together in a WTF conclusion that might just inspire you to go on a road trip to Mexico and make apple head dolls. Listen for the childhood crush stories but stick around for the lame dad jokes. It’s all a good time.
– Tiffany and Kelly
– Song credit – Scott Holmes – “Hotshot”
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