‘I’m Spartacus!’ In the field of epic film making, the 1960 historical drama ‘Spartacus’, is legendary. Directed by Stanley Kubrick, adapted from the Howard Fast novel by Red Scare blacklisted screenwriter, Dalton Trumbo, and starring Kirk Douglas, Laurence Olivier, Peter Ustinov and Jean Simmons; it is a classic. But how much of the plot has emerged from the true story of a Thracian gladiator and slave who escaped his Roman captors and led an unsuccessful but impressive rebellion against their oppressors? How much of the film’s message was formed by the personalities involved in its creation, and the context in which it was made.

In her own words, Dr Fiona Radford devoted years of her life to the man with the most memorable chin cleft in the world - Kirk Douglas, specifically as Spartacus. Her thesis traced the production history of this film, examining in particular the effect that the turbulent process had on the portrayal of female characters. Having taught at Macquarie University, ANU and the University of Sydney, she currently teaches history at secondary school level, and her conversation with Tristan in this episode is an eye-opener to 1950s film making as well as the legend of Spartacus.

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When we think of Pompeii, we remember the city which became frozen in time after a natural catastrophe. Well, in 1920, exactly 100 years ago, another 'frozen city' was rediscovered. This time it was Dura-Europos, and rather than falling victim to a volcano, this city was destroyed after a bloody siege in 256 AD. Whilst there is no historical record of life in the Hellenistic, Parthian and Roman border city and garrison, its remains have proven to be a rich source for archaeologists since the 1920s. Between the only complete example of the semi-cylindrical Roman legionary shield and the perfect oval shields with beautiful paintings of Greeks and Trojans or Greeks and Amazons; beyond the regimental records and complete horse armour and the Palmyrene Gate; archaeologists have uncovered the story of the city.

Tristan was joined on the podcast by Simon James from the University of Leicester, who talked through what we now know about life in Dura-Europa and the relationships between the Roman garrison, their dependents and the other inhabitants. He also offers a play-by-play of the battle which brought this city to a halt, and possibly one of the earliest examples of chemical warfare, all discovered through archaeology.

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Pompeii is back in the news. An extraordinary new, touching discovery, found during the Great Pompeii Project of Professor Massimo Osanna and his team. Roughly 700 metres northwest of Pompeii, in the remains of a suburban Roman villa, archaeologists have unearthed the incredibly-preserved remains of two men, victims of the infamous eruption of Mount Vesuvius that occurred almost 2,000 years ago in 79 AD.

So what do we know about the eruption? What do we know about this terrible event that has left Pompeii with this astonishing legacy? Daisy Dunn came back on the show for this special, emergency podcast to talk through what we know about the eruption and those who witnessed it.

Daisy is the author of In The Shadow of Vesuvius: A Tale of Two Plinys. She has also appeared on the Ancients podcast earlier this year, talking about Rome’s most erotic poet Catullus.

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The House of the Faun in Pompeii is known for being one of the largest and most impressive private residences in the ancient city. Among its many works of art is a depiction of Alexander the Great in battle. In previous episodes we have discussed Alexander’s rule and empire, but this time, let’s focus on his armour, as shown in this mosaic on the floor of the House of Faun, the only contemporary portrayal of linothorax on a known figure. For, instead of wearing bronze or iron armour as one might expect, Alexander is going into battle wearing a breastplate of linen.

Gregory Aldrete has spent 12 years studying the composition and effectiveness of this ancient armour used by many nations around the Mediterranean. To do so, he recreated the armour from scratch, using authentic materials. In this episode Gregory, Professor Emeritus from The University of Wisconsin, Green Bay, speaks with Tristan about how this armour protected one of the most powerful conquering armies of all history, despite being made of a soft fabric.

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An ancient town, buried and preserved beneath volcanic ash, Pompeii is a gift to archaeologists and historians seeking to find out more about the lives of the civilians in a regular Roman town. Beyond the well recognised plaster casts of the bodies of people and animals alike, and the structures and artwork maintained in situ, however, is evidence of a very specific system. That is the system of the cultivation of grapes and the process of extracting every usable substance from them to make wine. Positioned in the Campania region of Italy, Pompeii shared fertile soils, perfect climatic conditions and proximity to a busy sea port. The grapes of Pompeii may have ended up on the tables of the house at which they were grown; they might have been made into low quality wine for manual workers or better quality wine valued at more than the wages of many; or, they might have been shipped far and wide.

Emlyn Dodd is a Fellow at the Australian Archaeological Institute in Athens and is currently directing a survey project across Cycladic islands which, among other things, is investigating the production of wine and oil in the Classical to Late Antique eras. He spoke to Tristan about what the evidence from Pompeii tells us about grape growth and wine production there, and whether this can be scaled out to other settlements in the Roman Mediterranean.

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Its been used for nationalist propaganda across the ages and its just been dramatised for Netflix, but what do we actually know about the Battle of Teutoburg Forest? For a start, where was it? Dr Joanne Ball, from the University of Liverpool is a battlefield archaeologist. In this episode she takes Tristan through this story of the betrayal and destruction of three of Emperor Augustus’ Roman legions - under the leadership of Varus - by a Germanic alliance led by Arminius, a Germanic auxiliary officer brought up as a hostage of the Roman Empire. Together they explore the circumstances which led the Roman leaders to trust a Germanic subject against his fellow Germanic nationals. They also go through the evidence which places the ambush at Kalkriese and the battle’s extensive legacy, some of which stems from conflicting accounts of its location.

Presented by Tristan Hughes (@ancientstristan)

Featuring Jo Ball (@DrJEBall)

Edited by Sophie Gee (@SophieGee12)

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Alexander the Great. One of the most recognisable names in history. In his short lifetime he conquered the mighty Persian Empire and marched his army as far as the Indus River Valley. But it is important to remember that Alexander’s achievements were only possible because of his father Philip. It was Philip who transformed the Kingdom of Macedon from a backward domain into the dominant power in the Central Mediterranean. It was Philip who reformed the army and created the force that would serve as the nucleus of Alexander’s famous victories. Both were extraordinary leaders. Both embodied a charismatic style of leadership that helped transform them into semi-legendary conquerors.

Anyone who knows me knows that I have a soft spot for the story of Alexander, his successors and the Hellenistic Period in general, and so I was delighted to be joined by the one and only Adrian Goldsworthy to talk all things Philip and Alexander. One of Britain’s most renowned ancient historians, Adrian has written countless books on ancient Rome, while his most recent work covers the stories of Philip and Alexander.

This was a great chat and I hope you enjoy.

Adrian is the author of Philip and Alexander: Kings and Conquerors.

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If you're looking for a raunchy Roman poet, look no further than Catullus. Born into one of the most exciting periods in Roman history, in the early 1st century BC as the Roman Republic started to sing its swansong, Catullus was an aristocrat who moved in powerful circles. He was known to Cicero; he dined with Julius Caesar even after he’d mocked the great leader in verse. Catullus was well-connected, but it was his abiding love for a woman he called Lesbia (probably Clodia Metelli, a powerful woman herself) that inspired much of his poetry, which survived in a single manuscript of 116 verses.

Catullus was revolutionary, bringing a new type of poetry to the fore in ancient Rome. Often his poems were deeply personal, filled to the brim with emotion. Rarely did the young man hold back when pouring his heart out into his verses. Friends and enemies were targeted in sexy and scurrilous poems that continue to shock readers to this day. Nevertheless Catullus' legacy was far-reaching. From Ovid to Byron, Catullus has inspired many of those famous romantic poets that followed him.

To talk through the life of Ancient Rome's 'bad boy poet' (to quote our current Prime Minister Boris Johnson), it was an honour to interview Daisy Dunn, a leading classicist and Catullus' 21st century biographer. In this podcast Daisy brilliantly talks through the life of Catullus and his remarkable legacy. This was a brilliant chat and I hope you enjoy as much as Daisy and I did recording it.

Daisy is the author of Catullus: Rome's Most Erotic Poet.

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