Daniel chats with artist brothers Abdul-Rahman and Abdul Abdullah, who are close in life but not so much in their art. However, thorny issues unite them in Land Abounds, their new joint exhibition.

Hear how Filipino sculptor Leeroy New builds his large-scale sci-fi installations made from 100% recycled materials. He's in Australia for Melbourne's RISING festival.

And how did an 1897 painting by the Wurundjeri clan leader William Barak, end up at a Sotheby's auction house in New York? Last week Wurundjeri people successfully bid for the works.

The American artist Kiki Smith talks about tapestry and her long career.My Art Crush: painter and printmaker Kirtika Kain makes tactile work about the oppression  and unrecorded history of Dalit people.Step inside the Palais de Tokyo (in Paris), Europe's largest centre for contemporary art, for a tour of the exhibition Reclaim The Earth.

How often does a political artwork fall into the national spotlight during a federal election? Hear from Archibald portrait prize winner Blak Douglas.Plus, an Italian art exhibition that puts NFT juggernaut Beeple alongside European masters and Australia's Richard Bell.

And enter the studio of weaver, printmaker and textile artist Ema Shin.

Greetings from the 22nd La Biennale di Venezia, in Italy!

The Venice Biennale is known as the Olympics of the art world, complete with golden awards, stunning achievement and sometimes, disappointment. This year has seen more female artists, Black artists and minority cultures representing national pavilions than even before. Take a tour with Daniel around the storied pavilions and canals of the world’s most prestigious art event, speaking with participants, former Australian representatives and punters.

What do artists think about when making huge public art? Lindy Lee is making the most expensive work commissioned by the NGA, and Judy Watson's bara will grace Sydney's harbour with a giant Gadigal fish hook.Then, the US art lab addressing the problem of confederate monuments to racist causes... and Indigenous artists Julie Gough, Nicholas Galanin and Yhonnie Scarce on Australia's own colonial memorialising.

Rebecca Belmore is one of Canada's most important artists and is now having her first Australian solo show.Plus, visit Sally Smart's studio, inspired by one of the most influential dance companies of the twentieth century.

And Yuki Kihara's Venice Biennale entry Paradise Camp, where the artist reimagines tropes used by Paul Gauguin and Samoan tourism brochures, with a Fa’afafine cast.

Marco Fusinato is representing Australia at the 2022 Venice Biennale with work for 'monstrous times'.Plus, artworks that tell queer stories selected from the collection of the National Gallery of Victoria, for NGV Queer.And who was Lala Deen Dayal? The pioneering Indian photographer who documented a vast nation.

Victor Ehikhamenor is one of Nigeria’s most prominent artists and calls for the Benin bronzes, the looted cultural treasures of Edo State, to be repatriated. So what did he do when he was asked to make an artwork in response to the memorial to the 19th C. British leader of the looting?Plus, South Australian artist Helen Fuller turns her hand to unconventional ceramic pots -- and an original way to exhibit them.And why tropical fruit, low-cost bejewelling and a Thai auteur inspire artist Nathan Beard.

David Noonan makes intriguing black-and-white collage of people in often liminal states. But despite their evocative drama, his pictures don't tell a story.Plus, Hoda Afshar's photographic project Speak the Wind, about people in the Persian Gulf who believe that humans can be possessed by the wind.And spotlight on the Australian artist and feminist Erica McGilchrist, whose painting series in the 1950s was based on her experiences teaching art at a mental hospital.

Ian Strange uses entire houses -slated for demolition- as his canvas, exploring the symbolism of 'home' through eras of unaffordability and urban development.Plus, meet Irish artist Sean Lynch onsite at his new public artwork in inner-city Melbourne.Sera Waters uses old English needlework techniques and crafts to examine the legacy of her settler forbears.And celebrating the work of feminist artist Frances Phoenix, whose doilies and embroidery packed a punch to the patriarchy.