A culture that flourished 3,500 years ago in Thailand. They made jewellery and ceramics, not war.  You may never have heard of Ban Chiang —That’s possibly because the objects that tell the story of this fascinating archaeological site are in limbo, caught between voracious collectors, tomb-raiding locals and undercover federal agents. Art historian Dr Melody Rod-ari tells Daniel the story. 

For four decades Judy Watson has been making layered, ethereal art about profound and difficult subjects: frontier violence, dispossession and ecological destruction. From her beginnings with the famed Boomalli Aboriginal Artists Co-operative, to lithographs and her monumental public artworks, Daniel speaks to Judy Watson at her largest survey show at the Queensland Art Gallery, ‘mudunama kundana wandaraba jarribirri: Judy Watson’. The stories in this episode were first broadcast in 2023 and March 2024.

Great conversations with visual artists, gallery and museum directors and curators.

Big-name conceptual artist - four words you don’t often hear together. But Jeremy Deller is one - he’s a household name in Britain, but a few years back he sparked controversy here when he made giant wax candles of Rupert Murdoch and son Lachlan, and let them burn. The Turner Prize-winning artist also orchestrates mass public spectacles that bridge the worlds of contemporary art and pop culture.

Daniel catches up with Archibald Prize winner Laura Jones, who painted author Tim Winton. Painter and sitter share a passion for WA's Ningaloo reef and its survival amid climate crisis. Unusually, Laura's own portrait is also on display  –  she entered it in the concurrent Sulman Prize, on at the Art Gallery of NSW. 

Brent Harris' psychologically-driven artworks are often described as haunting and even ‘brooding’. So, if you haven’t ever seen his paintings– would it surprise you to know they’re also colourful and cartoonish? More Betty Boop than Edvard Munch’s The Scream. He takes producer Rosa Ellen through his studio, in preparation for his survey show, which is soon to tour  the Art Gallery of South Australia.

We remember the life of the iconic artist Destiny Deacon, with curator Natalie King, and a cast of friends who sent us voice memos. She was the first artist to creatively reuse Aboriginal kitsch - and to make it the stuff of high art. A cultural icon, she was an outlier - a quirk of the artworld - whose strikingly original vision and prolific output found her an international audience.

Plus, a studio visit with Alexander Brown, an artist who gave up interior design to focus on sculpture made from only recycled material – and minimal intervention. He's part of an exhibition about Aluminium at Craft Victoria.

Kimberley Moulten, an adjunct curator at  Britain's Tate gallery, specialising in First Nations art and Kate ten Buuren, a Taungurung curator, walk us through the public installation Blak Infinite for Melbourne's winter arts festival, RISING.

The artist Destiny Deacon, who passed away last week, first coined 'Blak' to reclaim a word often weaponised against Aboriginal people in Australia. Rosa speaks with the Art Show's own Daniel Browning, who knew Destiny, about the artist's influential work and daring humour. Work mentioned include Whitey's Watching  and Eva Johnson -- Portrait .

In the 1930s Grace Crowley taught at a private painting school and met Ralph Balson, a house painter. The two struck up a lifelong painting practice that moved into 'pure abstraction', together playing an important role in the art movement in Australia. We look at their work and still-undefined relationship with curator Beckett Rozentals, for a new exhibition placing them side by side.

Cressida Campbell and Margaret Preston (1875-1963): two beloved printmakers inspired by Ukiyo-e, the Japanese woodcut genre whose influence swept through western art. Rosa speaks to Cressida and Geelong Gallery senior curator Lisa Sullivan about Ukiyo-e and Preston, for a new exhibition connecting all three printmaking styles.

Art History professor Roger Benjamin joins us to talk about the Gina Rinehart portrait drama. 

Khaled Sabsabi moves fluidly between the genres of music and visual art, but his art always has the same goal: to make meaningful work, to make society better. After many years of community development  work and thought-provoking installation artwork made from his studio in Western Sydney, Khaled was honoured with a 2023 Creative Australia award, and a residency at the prestigious American Academy in Rome.

Daniel meets the British filmmaker and artist Sir John Akomfrah, who is representing the UK at the Venice Biennale with his work Listening All Night to Rain.

Mentors can have many guises. For Miriwoong artist Jan Griffiths, Tiwi artist Johnathon World Peace Bush and Gomeroi Yinarr  artist Sophie Honess, they each chose someone who could offer them artistic guidance as well as cultural knowledge. The resulting works were commissioned by the National Gallery of Victoria for a show called My Country.

Producer Stacy Gougoulis visits the home studio of children's book illustrator Zeno Sworder, whose book My Strange Shrinking Parents was a hit of 2023.

Damien Linnane was serving a prison sentence when he took up art as mental health therapy, going on to edit the magazines for prisoners Paper Chained  and working on a PhD. Damien is the curator of a new art exhibition at Boom Gate Gallery at Sydney's Long Bay gaol, showing art from people incarcerated around the world.

My Thing...is using art to talk about gambling harm. All his life,  Nelson Nghe has seen up close the harm caused by gambling on poker machines, or 'tiger machine' in Chinese language. It's cost members of his family and his wider community a lot -- even homes. Nelson explores this in his powerful installation artwork I Bet You, on display at The Institute for Australian and Chinese Arts and Culture (IAC).

Triple J's Stacy Gougoulis visits an exhibition of the late Gunditjmara, Yorta Yorta and Barkindji artist Josh Muir, who died at age 33 in 2022. In his neon street art-style prints and projections, Muir spoke a visual  language that shone bright and bold. Stacy speaks with Josh's partner Shanaya Sheriden and Koorie Heritage Trust curator Tom Mosby.

Saudi-Palestinian artist Dana Awartani studied at a famously conceptual art school, before learning traditional Islamic crafts and principles, like sacred geometry. Now Dana is exploring the destruction of build heritage in the Arab world, most recently the devastated city of Gaza. Her work is being shown at Adelaide's Samstag Museum of Art and at the Venice Biennale.

Rosa visits the Melbourne studio of ceramic artist Georgia Harvey. Taking influences from Mesopotamian art and our cross-cultural obsession with lions, Georgia tells us about her 'cauldron' of inspiration.

Artist Anna Park was first exposed to American culture through Disney. By the time her family migrated from Korea to Utah, USA, she was a keen observer and prodigiously talented drawer. Anna's satirical and masterful charcoal drawings capturing online life, are the focus of Look, Look. Anna Park, at the Art Gallery of Western Australia.

Archie Moore has won the top honour at one of the world's most prestigious and oldest art festivals – the Venice Biennale--  for a monumental work showing thousands of years of family lineage, and invoking lives lost under the colonial state.

Monsignor Alberto Rocca is an Italian priest and art curator who has a singular job: accompanying pages from Leonardo Da Vinci's Codex Atlanticus, to the other side of the world. This Codex is the largest collection of Leonardo's drawings and notes, made up of thousand pages.  After spending so much time with Leonardo's works  as curator of the Ambrosiana Library in Milan, Rocca has some theories about the Renaissance polymath.

'Unshakable destiny' was how democracy and self-rule was supposed to manifest for the people of Hong Kong, according to the last British Governor. Nikki Lam has been working on a trilogy of art films about that promise, as personal tragedy and the impact of the city's new laws alter her relationship to her homeland. The unshakable destiny is on at the Centre for Contemporary Photography.