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"West African culture is starting to become the future" says Phillip Ihenacho, the director of the newly established Museum of West African Art. What if you built a new museum in West Africa, where a glorious ancient history contrasts with a brutal colonial one? What if we really considered the full meaning of restitution and repair? Can a cultural organisation build a stable financial future by becoming its own landlord? Phillip and his team are building not just a new museum — but an entire neighbourhood set within the ancient walls of Benin City in Edo. Phillip talks to us about how talent and creativity are thriving in West Africa, where 70% of the population is under 30 and he talks frankly about the challenges of developing opportunities and infrastructure. This is an "incredibly important moment", Phillip says. "We need to try and grab it with both hands, and take full advantage of it."
By Allan Schwartzman and Charlotte Burns4.8
134134 ratings
"West African culture is starting to become the future" says Phillip Ihenacho, the director of the newly established Museum of West African Art. What if you built a new museum in West Africa, where a glorious ancient history contrasts with a brutal colonial one? What if we really considered the full meaning of restitution and repair? Can a cultural organisation build a stable financial future by becoming its own landlord? Phillip and his team are building not just a new museum — but an entire neighbourhood set within the ancient walls of Benin City in Edo. Phillip talks to us about how talent and creativity are thriving in West Africa, where 70% of the population is under 30 and he talks frankly about the challenges of developing opportunities and infrastructure. This is an "incredibly important moment", Phillip says. "We need to try and grab it with both hands, and take full advantage of it."

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