Through her sharp and biting political commentary—whether as host of the podcast Fast Politics, as a special correspondent for Vanity Fair, or as a political analyst on MSNBC—Molly Jong-Fast has, over the past decade, become something of a household name. But, as the daughter of the once-famous author and second-wave feminist Erica Jong—whose 1973 novel Fear of Flying catapulted her into the literary limelight—she has actually been in the public eye for much longer, decades before this more recent notoriety of her own making. Jong-Fast’s latest book, the searing, heartbreaking (but also, at times, hilarious) memoir How to Lose Your Mother, is in some sense an effort to take her story back after being in the shadow of her narcissistic, too often out-of-reach mother for so long. It’s also a book about aging and frailty, and an extremely difficult, gut-wrenching year: In 2023, Erica was diagnosed with dementia, right around the same time that Molly’s husband learned he had a rare cancer.

On the episode, Jong-Fast talks about her own actual fear of flying, in addition to her mother’s book of the same name; 27 years of sobriety and how her time in A.A. has transformed her life; and the importance of confronting the vicissitudes of aging and one’s passage through time.

Special thanks to our Season 11 presenting sponsor, Van Cleef & Arpels.

Show notes:

Molly Jong-Fast

[4:28] “Fear of Flying” (1973)

[4:28] Erica Jong

[4:49] “How to Lose Your Mother: A Daughter’s Memoir”

[7:53] “Spartacus” (1951)

[7:53] “April Morning” (1961)

[7:53] “The Immigrants” (1977)

[9:15] Lee Krasner

[10:04] Susan Faludi

[10:04] “Backlash” (1991)

[12:09] “Fear and Flying Erica & Erotica in Connecticut” (1980)

[12:09] “Fanny” (1980)

[14:57] Marty Seif

[18:26] Special Guest: Erica Jong (2023)

[19:39] Pan Am Flight 001

[21:11] “The Year of Magical Thinking” (2005)

[21:11] “Notes to John” (2025)

[26:54] “The Sex Doctors in the Basement” (2005)

[36:46] “Normal Girl” (2000)

[38:52] Jacob Bernstein

[38:52] Carl Bernstein

[38:52] Stalin Peace Prize

[46:05] Michael Tomasky

[48:55] Hazelden

[49:57] “How Molly Jong-Fast Tweeted Her Way to Liberal Media Stardom”

Few artists aim to make sense of the subjectivity and complexity of time and space quite like the Polish-born, Berlin-based artist Alicja Kwade. In each of her works, ranging from sculptures and large-scale public installations to films, photographs, and works on paper, Kwade displays an astute sense of temporality and the ticking hands of the clock. Her practice, in a literal and figurative sense, is a quest to understand time as a ruler and shaper of our lives and of our world. For her latest exhibition, “Telos Tales,” on view at Pace Gallery in New York’s Chelsea neighborhood through August 15, Kwade has created three monumental steel-frame sculptures with treelike limbs alongside new mixed-media works in an effort to engage the intangible nature of time. As with all her work, “Telos Tales” is philosophical, illusionistic, and inspires wonder: Long after a viewer has seen it, it will leave them questioning.

On the episode, Kwade considers the unfathomability of all things, finds humor in being human, and explains what a relief it is to know that some questions have no clear answers—and never will. 

Special thanks to our Season 11 presenting sponsor, Van Cleef & Arpels.

Show notes:

Alicja Kwade

[13:19] “Alicja Kwade: Telos Tales” at Pace Gallery

[16:56] “Hiroshi Sugimoto on Photography as a Form of Timekeeping”

[18:41] “Alicja Kwade: Pretopia” (2025)

[24:42] On Kawara’s Date Paintings

[25:04] “Alicja Kwade & Agnes Martin: Rhythm, Equilibrium, and Time” (2024)

[25:04] “Gegen den Lauf” (2012-2014)

[29:48] “Stellar Day” (2013)

[31:44] “Against the Run” (2015)

[31:44] “Against the Run” (2019)

[31:44] Pinacoteca Agnelli Art Center

[35:04] “88 Seconds”  (2017)

[35:04] Eadweard Muybridge

[39:24] Hiroshi Sugimoto

[49:00] Salvador Dalí

[49:00] Harry Houdini

[49:00] Kazimir Malevich

[59:27] “iPhone” (2017)

[59:27] “Computer (PowerMac)” (2017)

[01:04:47] “LinienLand” (2018)

[01:04:47] “Alicja Kwade: Parapivot” (2019)

[01:04:47] “Alicja Kwade: Viva Arte Viva” (2017)

[01:08:30] “L’ordre des Mondes (Totem)” (2024)

[01:13:50] Jason Farago

[01:13:50] “Celestial Visions on the Met Roof”

With one small, clever—and now-trademark—idea in 1990, the chef Thomas Keller turned not only the notion of the ice-cream cone on its head, but the fine-dining world, too. Now, 35 years later, his hospitality group comprises 10 restaurants, including The French Laundry in Yountville, California, and Per Se in New York City—both of them three-Michelin-starred—as well as Bouchon Bistro and Bouchon Bakery in Las Vegas and The Surf Club Restaurant in Miami. Across his entire hospitality operation, a highly refined, expertly tuned set of standards feeds his “one-guest-at-a-time” philosophy and culture. In many respects, Keller was at the forefront of a local-focused cooking movement. He was also a pioneer in making fine dining more relaxed and approachable—and decidedly less fussy. The food world today would not be the same were it not for his wide-spanning influence.

On the episode, Keller reflects on how it took two decades of failing and learning from mistakes before at last, in 1994, he opened The French Laundry, which instantly received rave reviews and remains one of the most celebrated restaurants in the world. He also discusses his recent Chef’s Table episode on Netflix and his cameo on the FX show The Bear, memory-making as a key part of his operation, and why persistence is the greatest form of pleasure.

Special thanks to our Season 11 presenting sponsor, Van Cleef & Arpels.

Show notes:

Thomas Keller

[4:57] “Chef’s Table: Legends” (2025)

[4:57] The French Laundry

[4:57] Per Se

[7:24] Grant Achatz

[7:24] Bobby Flay

[7:24] Tom Colicchio

[7:24] Emeril Lagasse

[7:24] Le Pavillon

[10:13] “The Bear”: Season 3, Episode 10 (2024)

[10:13] Christopher Storer

[10:13] “Sense of Urgency” (2013)

[10:13] Hans Zimmer

[10:13] Bouchon Bistro

[10:13] “Thomas Keller’s Roasted Chicken” (2020)

[17:26] “Chef Thomas Keller on Finding Professional Success After 40” (2022)

[23:55] “The French Laundry Cookbook” (1999)

[25:57] Daniel Boulud

[28:24] Graham Kerr

[28:24] “The Galloping Gourmet” (1968)

[32:27] Roland Henin

[33:47] Florence Fabricant

[33:47] “Food; Flights of Fancy” (1988)

[33:47] “Checkers Has Lost Its Chef” (1992)

[38:08] “Sally Schmitt, Trend-Setting Restaurateur, Is Dead at 90”

[40:12] The French Laundry Kitchen

[40:12] Snøhetta

[40:12] “Thomas Keller, an Exacting Chef at a Crossroads”

[48:47] “The Reach of a Restaurant” TED Talk

[48:47] “The French Laundry, Per Se” (2020)

The drummer and percussionist Billy Martin, whose name many Time Sensitive listeners may recognize—he created the Time Sensitive theme song—defies any boxed-in or limiting definitions of his work. Best known as a member of the band Medeski Martin & Wood (MMW), he’s spent the past three-plus decades making experimental, boundary-pushing, and uncategorizable instrumental jazz-funk-groove music, shaping sounds that feel as expansive as they are definitive and distinctive. Across all his artistic output, Martin continually, meditatively searches for harmony. He is also a composer, a teacher, a visual artist, and a builder and craftsman. His expansive creative practice comes most alive at his home in Englewood, New Jersey, where he has cultivated a bamboo garden, crafted his own Japanese-style teahouse, and constructed a music studio. Martin is someone for whom rhythm is not just something heard, but also seen and felt.

On the episode, he talks about his MMW journey at length, his concept of “rhythmic harmony,” and why he views sound creation as a sacred act.

Special thanks to our Season 11 presenting sponsor, Van Cleef & Arpels.

Show notes:

Billy Martin

[7:31] Medeski Martin & Wood

[7:31] John Medeski

[7:31] Chris Wood

[7:31] “Not Not Jazz” (2024)

[10:12] Iggy Pop’s “Avenue B” (1999)

[10:12] Don Was

[11:27] “The Lover” (1995)

[11:27] “Friday Afternoon in the Universe” (1995)

[11:27] “Old Angel Midnight” (1973) by Jack Kerouac

[13:44] Ra-Kalam Bob Moses

[13:44] John Scofield

[13:44] David Baker

[15:57] “Shuck It Up” (1993)

[15:57] “It’s a Jungle in Here” (1993)

[18:12] “Latin Shuffle” (1998)

[18:12] “Combustication” (1998)

[18:12] Frankie Malabe

[18:12] Art Blakey

[33:25] Thelonious Monk

[33:58] “Life on Drums” (2011)

[38:32] John Bonham

[38:32] Charlie Watts

[38:32] Stewart Copeland

[38:32] Elvin Jones

[38:32] Max Roach

[38:32] Danny Richmond

[38:32] Charles Mingus

[38:32] Jack DeJohnette

[38:32] Joe Morello

[38:32] Roy Haynes

[38:32] Stan Getz

[38:32] Airto Moreira

[38:32] Naná Vasconcelos

[38:32] Babatunde Olatunji

[39:58] Gus Johnson

[39:58] “Whatever Happened to Gus” (1998)

[39:58] Steve Cannon

[40:54] “Chubb Sub” (1995)

[40:54] ”Uncle Chubb” (1992)

[46:41] “Shack-man” (1996)

[47:06] “Drumming Birds” (2004)

[54:48] “Bamboo Rainsticks” (1999)

[54:48] Amulet Records

[1:00:23] Creative Music Studio

For the British architect John Pawson, minimalism isn’t just a design philosophy, but a life philosophy—with his 1996 book, Minimum, serving as a defining jumping-off point. Over the course of more than four decades, Pawson has quietly amassed a global following by distilling spaces, objects, and things down to their most essential. With projects ranging from his career-defining Calvin Klein Collection flagship store on Madison Avenue in New York City, completed in 1995, to a remote monastery complex in the Czech Republic he’s been building for Cistercian monks of the Trappist order for more than 25 years; from hotels in Los Angeles, Madrid, and Tel Aviv to London’s Design Museum; from private homes in Colorado, Greece, Japan, Sweden, and beyond, to a chair and cookware; from lamps and linens to doorknobs, bowls, to even a steak knife, Pawson’s tightly focused yet seemingly boundless practice places him in a category all his own.

On the episode—our fourth “site-specific” taping of Time Sensitive, recorded at Pawson’s country home in the Cotswolds—he discusses the problems he sees with trying to turn minimalism into a movement; his deep-seated belief in restraint, both in life and in architecture; and his humble, highly refined approach to creating sacred spaces.

Special thanks to our Season 11 presenting sponsor, L’École, School of Jewelry Arts.

Show notes:

[08:06] Tetsuka House (2005)

[08:06] “John Pawson’s Approach to Making Life Simpler”

[08:06] Shiro Kuramata

[08:06] Katsura Imperial Villa

[08:06] North York Moors

[12:41] “Minimum” (1996)

[12:41] Sen no Rikyū

[17:35] Calvin Klein Collections Store (1995)

[17:35] Ian Schrager

[17:35] Paul Goldberger

[17:35] Cathay Pacific (1998)

[20:59] “Elements of Style” (1959) by William Strunk Jr. and E.B. White

[20:59] “Plain Space” (2010)

[20:59] Raymond Carver

[23:08] Bruce Chatwin

[23:08] “Wabi”

[23:08] Chatwin Apartment (1982)

[26:26] Deyan Sudjic

[28:12] Ryōan-ji

[31:11] “John Pawson: Making Life Simpler” (2023)

[30:16] Neuendorf House (1989)

[30:16] Tilty Barn (1995)

[37:19] Claudio Silvestrin

[37:51] Philip Johnson

[40:49] Home Farm (2019)

[40:49] “Home Farm Cooking” (2021)

[47:18] Bill Brandt

[55:46] Hester van Royen Apartment (1981)

[56:36] Casa Malaparte

[56:36] Mies van der Rohe

[56:36] Barcelona Pavilion

[59:356] The Design Museum (2016)

[59:356] Farnsworth House

[59:356] “Inside the Brick House, Philip Johnson’s Private Playground”

[1:02:26] Pawson House (1999)

[1:05:53] The Feuerle Collection (2016)

[1:10:33] Abbey of Our Lady of Nový Dvůr (2004)

[1:21:54] Pieter Jansz. Saenredam
 

Through her “archaeology of the future” design approach, the Lebanese-born, Paris-based architect Lina Ghotmeh has firmly established herself as a humanist who brings a profound awareness of past, present, and presence to all that she does. In the two decades since winning her breakthrough commission—the Estonian National Museum in Tartu—her practice has taken off, with Ghotmeh swiftly becoming one today’s fastest-rising architectural stars. Just a week after we recorded this episode of Time Sensitive, she was named the winner of a competition to design the British Museum’s Western Range and, shortly after that, she was announced as the architect of the new Qatar Pavilion in the historic Giardini of Venice; she is also the designer of the Bahrain Pavilion at the just-opened 2025 Osaka Expo. Across her high-touch, high-craft projects, whether a brick-clad Hermès leather-goods workshop in Normandy, France, completed in 2023; the timber-framed 2023 Serpentine Pavilion in London; or the concrete-walled Stone Garden apartment tower (2020) in Beirut, Ghotmeh celebrates the hand.

On the episode, Ghotmeh reflects on the long-view, across-time qualities of her work and outlines what she believes is architecture’s role in shaping a better world ahead.

Special thanks to our Season 11 presenting sponsor, L’École, School of Jewelry Arts.

Show notes:

Lina Ghotmeh

[5:01] “The Shape of Time: Remarks on the History of Things”

[5:01] George Kubler

[5:01] Trevor Paglen

[8:41] “The Long View: Why We Need to Transform How the World Sees Time”

[8:41] Tim Ingold

[11:15] “Windows of Light”

[11:15] “Lecture: Lina Ghotmeh”

[12:06] Beatriz Colomina

[12:06] “Are We Human?”

[19:58] Gaston Bachelard

[24:04] Olga de Amaral

[24:04] Cartier Foundation

[24:04] Juhani Pallasmaa

[24:04] “The Eyes of the Skin”

[26:39] Luis Barragán

[31:09] Stone Garden (2020)

[31:09] Hermès Workshops (2023)

[36:36] Peter Zumthor

[36:36] “Atmospheres”

[41:53] Khalil Khouri

[44:51] Jean Nouvel

[44:51] Norman Foster

[44:51] Estonian National Museum (2016)

[46:41] Renzo Piano

[46:41] Richard Rogers

[46:41] Maya Lin

[46:41] Dan Dorell

[46:41] Tsuyoshi Tane

[50:45] “The Poetic, Humanistic Architecture of Lina Ghotmeh”

[51:40] Rimbaud Museum

[54:48] “Light in Water” (2015)

[54:48] The Okura Tokyo

[59:22] Les Grands Verres, Palais de Tokyo (2017)

[59:44] Zero-Carbon Hotel Concept (2019)

[59:42] Serpentine Pavilion (2023)

[1:04:11] Osaka Expo Bahrain Pavilion (2025) 

For as long as he can remember, Leonard Koren has been searching for beauty and pleasure. Throughout his career, the author and artist—he prefers the term “creator”—has spent considerable time putting to paper expressions and conceptual views that architects, artists, designers, and others have long struggled to find the proper framing of or words for. In 1976, when he launched the counterculture publication WET: The Magazine of Gourmet Bathing, he ushered in the idea of “gourmet bathing,” which has maintained a potent cultural niche in the nearly 50 years since. With Wabi-Sabi for Artists, Designers, Poets & Philosophers, published in 1994, Koren introduced the Japanese expression for “beautiful, imperfect, and impermanent” to the West, where it quickly took on a life of its own. Perhaps one of Koren’s greatest talents is his rare ability to translate philosophical meditations on seemingly esoteric subjects into accessible, approachable texts about ways of being, seeing, thinking, making, and feeling. 

On the episode, Koren details his best—and worst—baths, and explains why he views his life as one long aesthetic experience.

Special thanks to our Season 11 presenting sponsor, L’École, School of Jewelry Arts.

Show notes:
Leonard Koren

[4:01] “Undesigning the Bath”

[7:30] Century Tower

[7:30] 7132 Hotel (Therme Vals)

[9:26] “WET: The Magazine of Gourmet Bathing”

[9:26] Max Palevsky

[9:26] Craig Elwood

[13:32] “From ‘WET’ to ‘Wabi-Sabi’: Leonard Koren’s Adventurous Aesthetic Journey”

[13:32] Mick Jagger

[13:32] Richard Gere

[13:32] Debbie Harry

[17:09] Charlie Haas

[18:25] “The Slow Lane”

[18:25] Pilar Viladas

[21:49] “How to Take a Japanese Bath”

[21:49] “Wabi-Sabi for Artists, Designers, Poets & Philosophers”

[21:49] “Wabi-Sabi: Further Thoughts”

[28:23] Okakura Kakuzō’s “The Book of Tea”

[31:38] Glenn Adamson

[31:38] Sen no Rikyū

[39:29] “Noise Reduction: A 10-Minute Meditation for Quieting the Mind”

[42:32] “The Haggler’s Handbook”

[44:22] “283 Useful Ideas from Japan”

[46:56] “The Flower Shop”

[46:56] Blumenkraft

[46:56] “On Creating Things Aesthetic”

[46:56] “Which “Aesthetics” Do You Mean?”

Since publishing his debut essay collection—Video Night in Kathmandu, featuring far-flung reportage from 10 Asian countries—in 1988, the prolific travel writer Pico Iyer has gone on to write more than a dozen books exploring themes ranging from displacement and identity to globalization and technology, as well as contribute to publications such as The New York Times, Time, and Condé Nast Traveler. Over the years, Iyer’s travels have taken him to some of the world’s most remote destinations—North Korea, Bhutan, and Iceland, to name a few—but it’s his hundred-plus visits to a Benedictine hermitage in Big Sur, California, that form the heart of his latest book, Aflame: Learning From Silence. Connecting with his inner stillness during these various sojourns in solitude has left him wholly transformed, opening him up to discover the thrumming, ineffable joy of being truly awake to the world and wonderfully alive. 

On this episode of Time Sensitive, Iyer explores the purpose and joy of travel, and shares deeply moving reflections about what he finds most essential in life.

Special thanks to our Season 11 presenting sponsor, L’École, School of Jewelry Arts.

Show notes:

Pico Iyer

[4:25] “Aflame”

[4:25] “Autumn Light”

[4:25] Philip Larkin

[4:25] “The Art of Poetry No. 30”

[7:18] Bashō

[7:18] Leonard Cohen

[10:21] New Camaldoli Hermitage

[10:21] Post Ranch Inn 

[16:25] “Postmodern Tourism: A Conversation with Pico Iyer”

[17:08] “The Eloquent Sounds of Silence”

[21:48] “The Joy of Quiet”

[31:42] “What Ping-Pong Taught Me About Life”

[33:14] “Walden”

[37:28] “The Open Road”

[41:37] “Video Night in Kathmandu”

[41:37] “The Lady and the Monk”

[41:37] “Lonely Places”

[41:37] The Global Soul

[44:40] “In the Realm of Jet Lag”

[52:35] “Culture: The Leading Hotels of the World”

[55:17] Potala Palace

[55:17] Naoshima, Japan

[55:17] Teshima, Japan

[55:17] Narita, Japan

[01:00:43] “The Half Known Life”

[01:10:10] “No Time”

Faye Toogood is perhaps best known for her Roly-Poly chair, among the more famous pieces of furniture to come out of the 2010s and take over the zeitgeist, but the London-based designer’s artistry and craft runs much deeper and spans much wider. She began finding, collecting, cataloging, producing, and editing her “assemblages” long before she ever had a name for them, and her design career has been marked by exactly that, beginning with the debut of Assemblage 1 (2010) and through to her latest, Assemblage 8: Palette (2024). On the whole, Toogood’s creations serve as material investigations and discipline-defying attempts to better understand herself. Without formal training in design, Toogood—who was the Designer of the Year at the Maison&Objet design fair in Paris this past January and the Stockholm Furniture Fair’s Guest of Honor in February—uses what she describes as the feeling of being “a fraud in the room” to her advantage. Through her work, she is an enigma; with projects across furniture, interiors, fashion, and homewares, she’s unwilling to be defined by a single output and has instead built a multilayered practice and belief system that allows her to be “all heart and hands.” 

On this week’s Time Sensitive—our debut of Season 11—Toogood talks about the acts of creation and connection, and how each underscores the enduring play that’s ever-present in her work.

Special thanks to our Season 11 presenting sponsor, L’École, School of Jewelry Arts.

Show notes:

Faye Toogood

Toogood

[3:49] Assemblage 1

[7:43] Assemblage 7

[13:28] Seamus Heaney

[14:50] Isamu Noguchi

[14:50] Kan Yasuda

[17:23] Roly-Poly chair

[18:06] Rachel Whiteread

[20:07] Barbara Hepworth Museum and Sculpture Garden

[22:45] Matisse Chapel

[25:40] “Ways of Seeing”

[29:57] “Womanifesto!”

[36:55] Assemblage 8

[52:17] “The World of Interiors”

Malcolm Gladwell may be one of the most widely read—and, with his Revisionist History podcast, listened to—journalists of our time. A New Yorker magazine staff writer and the author of seven New York Times bestsellers, including The Tipping Point (2000), Blink (2005), and Outliers (2008), he has myriad awards and honors to his name. But this impressive trajectory has never been some planned-out or preordained journey; in fact, as Gladwell says on this episode of Time Sensitive, he has never been one to try to overly plan for or divine the future—of his career, of his life, or of anything, really. “Expectations are a burden and wherever possible should be abandoned,” he says. Gladwell’s radical receptiveness is perhaps what has led him to become one of today’s most prolific and eclectic writers, reporting on topics ranging from office design and french fries, to dog fighting and Steve Jobs, to automobile engineers and marijuana. Across all of his writing, Gladwell exhibits a rare sleight-of-hand ability to take certain intellectual or academic subjects and leap-frog them into popular culture, and, in doing so, make seemingly esoteric phenomena entertaining and widely accessible.

On the episode—recorded in the Pushkin Industries outpost in Hudson, New York—Gladwell talks about the disappearance of what he calls “the critical enterprise in America”; and how A.I. is complicating his famous “10,000-Hour Rule.”

Special thanks to our Season 10 presenting sponsor, L’École, School of Jewelry Arts.

Show notes:

Malcolm Gladwell

[4:36] Revenge of the Tipping Point

[5:06] The Tipping Point

[13:43] Unsafe at Any Speed

[22:52] Anand Giridharadas

[24:00] Revisionist History

[25:39] Blink

[31:07] The Holocaust in American Life

[43:16] “10,000-Hour Rule”

[43:16] Outliers

[56:06] The Bomber Mafia (Podcast Mini Series)

[56:06] Pushkin Industries

[59:56] John Grisham

[1:06:56] The Bomber Mafia  (Book)