Over six decades and counting, the postmodern choreographer and dancer Lucinda Childs has built an exceptional, category-defining body of work grounded in a style that draws as much from “pedestrian,” everyday movements as it does from her foundational ballet training. Emerging out of the 1960s Judson Dance Theater in New York City, Childs founded her namesake company in 1973 and has created more than 50 works since. This year will see two major New York presentations of her pieces—the first, from March 14–15, 2026, at the Guggenheim as part of Van Cleef & Arpels’s Dance Reflections Festival, will restage five of her early dances, most of them silent; the second, titled “Momentary Reprise,” will be showcased at Bard College’s Fisher Center from June 26–28 and include her collaborations with the likes of Frank Gehry, Philip Glass, and Robert Wilson.

On this episode—our Season 13 opener—Childs reflects on her various experimental collaborations with Glass and Wilson; her profound perspectives on time through the lens of choreography and performance; and how she has remained unapologetically steadfast in refining her highly distinctive approach to dance.

Special thanks to our Season 13 presenting partner, L’ÉCOLE, School of Jewelry Arts.

Show notes:

Lucinda Childs

[06:23] Philip Glass

[12:46] Merce Cunningham Dance Company

[10:02] John Cage

[12:17] “Pastime” (1963)

[12:36] Judson Dance Theater

[13:19] Yvonne Rainer

[14:04] Robert Ellis Dunn

[15:34] “Calico Mingling” (1973)

[15:38] “Untitled Trio” (1973)

[17:01] Babette Mangolte

[17:29] “Reclining Rondo” (1975)

[17:29] Robert Morris

[29:44] Hanya Holm

[22:59] “Radial Courses” (1976)

[22:08] “Katema” (1978)

[32:30] “Shoulder” (1964)

[37:44] Robert Wilson

[37:44] Einstein on the Beach (1976)

[33:59] Susan Sontag

[33:59] Against Interpretation (1966)

[34:28] Marguerite Duras

[36:34] “Description (of a Description)” (2000)

[46:07] “Dance” (1979)

[48:36] “Available Light” (1983)

The Swiss-born, London-based curator, art historian, and Serpentine Galleries artistic director Hans Ulrich Obrist moves through his life and work with a deep internal sense of urgency. Among the most prolific and everywhere-all-at-once people in the world of art—whose peripatetic path has taken him from a sheltered upbringing in a small Swiss village to his current post in London at the Serpentine—Obrist has been curating shows for more than three decades. During this time, he has recorded conversations with thousands of artists, architects, and others shaping culture and society. He’s also the author of dozens of books, most recently Life in Progress, released in the U.K. this fall, with the U.S. edition coming out next spring.

On this episode, Obrist reflects on 25 years of the Serpentine Pavilion, which has become a defining annual moment in culture globally and a springboard for many of today’s leading voices in architecture, including Lina Ghotmeh (the guest on Ep. 129 of Time Sensitive) and Frida Escobedo, and his firm belief that we all need to embrace more promenadology—the science of a stroll—in our lives.

Special thanks to our Season 12 presenting sponsor, Van Cleef & Arpels.

Show notes:

Hans Ulrich Obrist

[03:37] Brutally Early Club

[06:05] Frank Gehry

[06:35] Bettina Korek

[06:51] Luma Arles

[08:26] Pierre Boulez

[11:35] Etel Adnan

[18:03] Giorgio Vasari

[19:41] Ludwig Binswanger

[25:45] “Life in Progress”

[30:50] Peter Fischli & David Weiss

[31:27] Kasper König

[37:30] Maria Lassnig

[39:45] Serpentine Galleries

[40:30] Musée d’Art Moderne de Paris

[45:15] Serpentine Pavilion

[48:12] Frida Escobedo

[49:00] Lina Ghotmeh

[53:14] The FLAG Art Foundation

[53:38] Play Pavilion

[54:11] Serpentine General Ecology

[55:10] Serpentine Arts Technologies

[58:35] “Peter Doig: House of Music”

[1:00:34] “Danielle Brathwaite-Shirley: The Delusion”

[1:01:25] Édouard Glissant

[1:02:17] Umberto Eco

[1:08:56] Lucius Burckhardt

[1:09:33] Cedric Price

[1:08:13] Robert Walser

When the artist Jennie C. Jones listens closely to a piece of music, she’s particularly attuned to its pauses, in-between moments, and breaks. Widely celebrated for her abstract works in painting, sculpture, and sound art that, in many instances, incorporate architecture or space—through which she often elevates undersung or little-known Black artists and musicians—her practice is largely informed by minimalism and color field painting, as well as by jazz and avant-garde music. Jones currently has two exhibitions on view at the Pulitzer Arts Foundation in St. Louis (through Feb. 1, 2026): “A Line When Broken Begins Again,” which features a selection of new and existing paintings, sculptures, works on paper, and sound pieces, and “Other Octaves,” a group show she curated of works by artists who have been formative to her practice. She was also commissioned to create the 2025 rooftop installation at New York’s Metropolitan Museum of Art.

On this episode of Time Sensitive, she discusses what listening as a conceptual practice looks like in action, the art of putting together a playlist, and her deep love of things tactile and analog.

Special thanks to our Season 12 presenting sponsor, Van Cleef & Arpels.

Show notes: 

[03:00] “Jennie C. Jones: A Line When Broken Begins Again” (2025)

[03:00] “Other Octaves” (2025)

[03:21] Carmen Herrera

[03:21] Agnes Martin

[03:21] Martin Puryear

[03:21] Alma Thomas

[03:21] Mildred Thompson

[03:35] A Free and Shifting Tonal Center (2024)

[05:43] Ellsworth Kelly

[10:07] Fred Moten

[10:07] “Dynamics” (2022)

[11:26] Trisha Brown’s “Leaning Duets” (1970)

[13:04] Tadao Ando

[13:16] “These (Mournful) Shores” (2020)

[15:38] Moses Williams

[15:38] Louis Dotson

[16:37] Richard Tuttle

[28:41] Olly Wilson

[29:52] Maryanne Amacher

[29:52] Arthur Russell

[35:23] Jennie C. Jones: Compilation (2015)

[36:54] “The Theater of Refusal: Black Art and Mainstream Criticism” (1993)

[40:48] “Slow Birds” (2004) 

[40:48] "Slowly in a Silent Way, Caged” (2010)

[40:48] Charlie Parker

[1:06:00] “Jennie C. Jones: RPM (revolutions per minute)” (2018)

[1:08:37] “Ensemble” (2025)

As the CEO of Art Basel, Noah Horowitz has made it his mission to ensure that the international art platform is seen, valued, and experienced—far beyond its art-fair roots—as a cultural catalyst and “opportunity accelerator.” Over the past 55 years, beginning with its tight-knit origins in Basel, Switzerland, in 1970, Art Basel has evolved into an international juggernaut, with best-in-class fairs also in Miami Beach, Hong Kong, and Paris—and soon, under Horowitz’s leadership, Qatar, with an edition debuting there in February 2026. With more than two decades of experience, and as a tireless advocate and enthusiast for all things art, from artists and galleries to collectors and institutions, Horowitz is exactly the right person for the job.

On this episode of Time Sensitive, Horowitz details his ambitious agenda to stretch Art Basel’s reach into realms far beyond what would traditionally be considered the art world; shares his long-view perspective on the economics of art; and considers the centuries-old history that, in a roundabout way, helped lead to—and continues to inform and shape—today’s art market.

Show notes: 

[03:36] Art Basel Paris

[03:36] Art Basel Qatar

[03:36] Art Basel Miami Beach

[03:36] Art Basel Hong Kong

[06:07] Frida Escobedo

[08:51] The Art Basel and UBS 2025 Survey of Global Collecting

[08:51] Art Basel Awards

[19:35] Rei Naito

[20:55] Art of the Deal: Contemporary Art in a Global Financial Market (2011)

[24:40] Rirkrit Tiravanija

[29:51] KAWS

[26:21] Princeton Record Exchange

[38:36] High Art Lite: The Rise and Fall of Young British Art (2020)

[39:27] Frieze

[40:01] Hans Ulrich Obrist

[40:01] Okwui Enwezor

[41:54] Rem Koolhaas

[43:15] Kirk Varnedoe

[43:15] Pictures of Nothing: Abstract Art Since Pollock (2006)

[47:01] Talking Prices: Symbolic Meanings of Prices on the Market for Contemporary Art (2005)

[48:58] Clare McAndrew

[51:10] The Experience Economy (2019)

[52:12] Vincenzo de Bellis

[59:02] Pérez Art Museum

Over the past two decades, the artist Theaster Gates has poured himself into his multifaceted practice that spans pottery, painting, sculpture, urban development, performance, archival research, and arts administration. Along the way, he has risen to become one of the most widely celebrated figures in the world of art, transforming abandoned, dormant buildings in Chicago’s Grand Crossing neighborhood, on the city’s South Side, into dynamic third spaces for social, cultural, and spiritual communion; linking his hometown of Chicago with Japan, where in 2004 he trained with master potters in the coastal city of Tokoname and has maintained a deep connection ever since; and effectively rescuing, recontextualizing, and resuscitating culturally significant archives.

On this episode of Time Sensitive, our latest “site-specific” recording, Gates sits down with Spencer inside his personal library in Chicago to talk about his current exhibition, “Unto Thee,” at the University of Chicago’s Smart Museum of Art (on view through Feb. 22, 2026); his forward-looking vision for his latest project, The Land School, which he and his Rebuild Foundation have reshaped into an arts incubator; and the vast, alchemic impacts of music on his life and work.

Special thanks to our Season 12 presenting sponsor, Van Cleef & Arpels.

Show notes: 

Theaster Gates

[01:21] Dorchester Art and Housing Collaborative

[03:33] The Land School (2025)

[05:22] St. Laurence Elementary School

[05:56] Solange Knowles

[07:33] Stony Island Arts Bank

[07:33] Rebuild Foundation

[07:33] Black Cinema House

[07:33] The Listening House

[11:09] Jane Addams

[11:09] Jane Jacobs

[11:09] Jesse Jackson

[11:49] Frederick Law Olmsted

[11:49]  Huey P. Newton

[12:09] Chicago Transit Authority

[18:01] Cicero

[21:50] Søren] Kierkegaard

[21:50] Georg Wilhelm Friedrich Hegel 

[22:43] “Unto Thee” (2025)

[26:15] Fred Moten

[26:41] “Art Histories” (2020)

[32:22] Tokoname

[39:33] “The Listening House” (2022)

[45:54] “Afro-Mingei" (2024)

[45:54] Mingei

[47:55] Black is Beautiful and Black Arts movements

[1:03:34] Theaster Gates’s record collections

[1:11:39] Martin Puryear

[1:13:24] László Moholy-Nagy

[1:13:24] Josef Albers

[1:13:24] Carrie Mae Weems

The British designer Jay Osgerby believes in designing rigorously simple objects that are deeply felt and, hopefully, appreciated for generations to come. As the co-founder of the London-based industrial studio Barber Osgerby, Jay and his partner in the firm, Edward Barber, emphasize experimentation, innovation, and a material- and craft-forward design approach to their products, furniture, architecture, and interiors. Across their nearly 30-year history as a studio, Barber Osgerby has taken a “fewer, better things” approach and along the way built a rich and varied body of work that includes the 2012 London Olympics torch, a commemorative £2 coin (2012), a Victoria and Albert Museum installation with BMW (2014), Vitra’s Tip Ton chair (2011), and paper lanterns crafted by Ozeki & Co. in Gifu, Japan. Each project exudes clarity, calm, and consideration—and always a sense of character. 

On this episode of Time Sensitive, Osgerby shares his optimistic views on A.I. as a means toward more people engaging in craft and handwork; considers what his years inside factories and surrounded by craftspeople have taught him about human ingenuity; and reflects on objects as vessels for memory, history, and soul.

Special thanks to our Season 12 presenting sponsor, Van Cleef & Arpels.

Jay Osgerby

[03:32] Flos

[07:01] 2012 London Olympics torch

[07:01] £2 coin (2012)

[07:01] Victoria and Albert Museum

[07:01] London Design Biennale

[12:41] Design Museum in Tallinn, Estonia

[12:41] Isokon

[14:13] Dieter Rams

[14:13] Ettore Sottsass

[14:13] Memphis Group

[14:13] Rationalism

[18:48] Pitt Rivers Museum

[22:06] Vitra

[25:59] Arts and Crafts Movement

[26:19] Glenn Adamson

[22:06] Bill McKibben

[33:33] Blueprint

[33:33] Paul Smith

[35:03] Galerie Kreo

[36:10] Tyler Brûlé

[38:30] Venini

[48:04] Vico Magistretti

[48:04] Achille Castiglione

[49:35] Ozeki & Co.

For the James Beard Award–winning writer and culinary historian Michael W. Twitty, kitchens provide a multitude of significant purposes that stretch far into the past and carry through to the present. Beyond being places where people cook, share, and eat food, they also serve as vital spaces in which to gather in community, to grieve and process trauma, to teach and learn, to dance, to heal, and to experience Black love and joy. Twitty’s multilayered cooking draws on his family roots, his personal history, and his deep culinary knowledge of the American South. His latest title, the cookbook Recipes From the American South (Phaidon), brings his skill as a home cook and historically informed recipe-maker to the fore, allowing ingredients and dishes to transform into cultural and temporal touchpoints. 

On this episode of Time Sensitive, Twitty reflects on what researching and uncovering his ancestry has taught him about Southern cooking and himself, and shares why, for him, food functions as a tangible form of cultural reclamation and emotional healing.

Special thanks to our Season 12 presenting sponsor, Van Cleef & Arpels.

Show notes:

Michael W. Twitty

[06:07] Saidiya Hartman

[07:08] Their Eyes Were Watching God (1937) and Mules and Men (1935) by Zora Neale Hurston

[08:07] Gonze Lee Twitty

[15:15] Brer Rabbit 

[12:58] National Museum of African American History and Culture

[17:33] “Amazing Grace”

[27:47] Gullah Geechee

[51:15] Recipes From the American South (2025)

[52:07] Southern Discomfort Tour

[1:00:43] Koshersoul: The Faith and Food Journey of an African American Jew (2023)

[1:00:43] Rice: A Savor the South Cookbook (2021)

[1:00:43] The Cooking Gene: A Journey Through African-American Culinary History in the Old South (2018)

[1:04:50] Ryan Coogler

[1:15:45] James Hemings

[1:15:45] Edith Fossett and Fanny Hern

[1:15:45] Ursula Granger

[1:16:00] Gage & Tollner

[1:16:00] John Birdsall

[1:16:00] Tennessee Williams

[1:16:00] Truman Capote

For the Paris-born, New York–based artist Camille Henrot, time practically never stands still. Across her work in film, drawing, painting, sculpture, installation—and soon, live performance—Henrot has developed ways of stretching and distorting time, seamlessly shifting from moments of potent, rapid-fire intensity to quiet reflection. While her work carries a theory-driven ferocity and intelligence, it’s also incredibly playful. Hers is serious art that manages—often with a knowing, subtle wink—to not take itself too seriously.

On this episode of Time Sensitive, Henrot considers the subjectivity of speed and slowness; previews her upcoming first-ever performance-art piece, slated to premiere in 2026 and a collaboration with the nonprofit Performa; and reflects on why, for her, a work is technically never finished. She also shares her fraught fascination with animals, childhood, and the climate crisis—the intersection of which she examines in-depth in her soon-to-debut film “In the Veins.”

Special thanks to our Season 12 presenting sponsor, Van Cleef & Arpels.

Show notes:

Camille Henrot

[02:56] RoseLee Goldberg

[02:56] Performa Biennial

[05:03] Buster Keaton

[05:03] Tex Avery

[05:36] Estelle Hoy

[05:36] Adam Charlap Hyman of Charlap Hyman & Herrero

[14:40] “In the Veins” (2026)

[16:04] “Grosse Fatigue”

[16:04] Massimiliano Gioni

[36:03] Roland Barthes

[42:48] Pierre Huyghe

[44:24] Ikebana Sogetsu

[48:58] Okwui Enwezor

[52:15] Hypernormalisation by Adam Curtis (2016)

[57:03] Jacob Bromberg

[57:03] Akwetey Orraca-Tetteh

[1:06:02] Adrienne Rich

[1:06:02] Ursula K. Le Guin

[1:06:02] Annie Ernaux

[1:06:02] Mother Reader by Moyra Davey (2001)

[1:06:02] Jenny Schlenzka

[1:07:25] Maggie Nelson

[1:08:19] Mothers: An Essay on Love and Cruelty by Jacqueline Rose (2019)

[1:08:19] Representation of Motherhood by Donna Bassin (1994)

[1:10:11] Louise Bourgeois

The cook and food writer Alison Roman frequently emanates and celebrates a certain spilled-milk imperfectionism. Her on-camera candor and laid-back cooking style have both contributed to growing her devoted audience of home cooks as well as the food-curious, many of whom have followed her and her singular recipes over the past decade-plus, from her prior media roles (Bon Appétit and The New York Times) to the independent-platform path she’s now on. That’s not to mention her three best-selling cookbooks, Dining In (2017), Nothing Fancy (2019), and Sweet Enough (2023), as well as her forthcoming fourth title, Something from Nothing, out Nov. 11. For Roman, there’s joy and wisdom to be found in embracing a certain amount of honest-to-goodness mess, all while maturing into different versions of herself, in and out of the kitchen.

On the episode, she reflects on the diaristic quality of her dishes, how time and money have shaped her cooking style and recipe-writing approach throughout her life, and the beauty of prioritizing tangible things in our ephemeral digital age.

Special thanks to our Season 12 presenting sponsor, Van Cleef & Arpels.

Alison Roman

[03:19] Something From Nothing (2025)

[04:04] Dining In (2017)

[04:04] Sweet Enough (2023)

[09:03] Nothing Fancy (2019)

[14:31] First Bloom

[20:29] The Tenth Muse by Judith Jones (2007)

[20:29] Home Cooking by Laurie Colwin (1988)

[20:29] Books by Anthony Bourdain

[20:29] Blood, Bones & Butter by Gabrielle Hamilton (2011)

[29:10] Chris Bernabeo

[44:58] Solley’s

[52:26] Christina Tosi

[53:44] Bon Appétit

For the British writer and cultural critic Olivia Laing, restoring and tending to their backyard garden has prompted complex questions of power, community, and mystery, concepts that they beautifully excavate in their latest book, the fascinating and mind-expanding The Garden Against Time: In Search of a Common Paradise. Whether in their nonfiction works, including the critically acclaimed The Lonely City (2016), their art and culture writing and criticism (2020’s Funny Weather: ​​Art in an Emergency), or their novels (2018’s Crudo and the forthcoming The Silver Book, out this November), Laing turns an incisive eye to examining what it will take for people—our “temporal selves,” as they put it—to forgo loneliness and isolation, reconnect with nature and one another, and flourish on a planet in crisis.

On this episode, recorded in their apartment at the Barbican in London, Laing explores gardening and writing’s symbiotic relationship; the act of rebelling against a reactive culture by embracing slowness; and the importance of imagining, in vivid detail, the kinds of utopias we could one day very well live in.

Special thanks to our Season 12 presenting sponsor, Van Cleef & Arpels.

Show notes:

Olivia Laing

[02:59] The Barbican

[06:02] “The Garden Against Time” (2024)

[06:16] Mark Rumary

[12:15] “The Lonely City: Adventures in the Art of Being Alone” (2016)

[16:37] Piet Oudolf

[17:57] Middleton Place

[17:57]The Sackler family

[21:24] “Modern Nature” (1991)

[22:20] “Paradise Lost” (1667)

[24:02] “The Secret Garden” (1911)

[24:02]“Tom’s Midnight Garden” (1958)

[26:38] “The Garden” (1681)

[27:38] “Everybody: A Book About Freedom” (2021) 

[32:15] “The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma” (2014)

[37:06] David Wojnarowicz’s "Magic Box"

[37:06]Ana Mendieta

[38:01] Agnes Martin

[40:17] “Funny Weather: ​​Art in an Emergency” (2020) 

[40:52] “Crudo” (2018) 

[44:48] “A Dance to the Music of Time” (1951–1975) 

[46:57] “The Silver Book” (2025)

[49:10] Federico Fellini

[49:10] Pier Paolo Pasolini

[51:44] “News from Nowhere” (1890)