On episode 299 of the AwardsWatch Podcast, it's an all editors show as Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello look at the wealth of fall festival lineup announcements that came in this week from Venice and Toronto.

In the pod, the trio start with Venice, which will be the kickoff of no less than three Netflix titles: Guillermo del Toro's Frankenstein, Noah Baumbach's Jay Kelly and the return of Kathryn Bigelow with A House of Dynamite. With a few other Netflix titles rolling around, we talk about the impact of these three titles starting off here and where else we'll see them this season. Yorgos Lanthimos' newest collab with Emma Stone, Bugonia, will also bow at Venice, leaving Focus Features' other top title Hamnet, rip for Telluride. Mona Fastvold, fresh off The Brutalist last year (with her partner Brady Corbet), has The Testament of Ann Lee with Amanda Seyfried, something has all of us buzzing. Then there's The Smashing Machine from Benny Safdie and starring Dwayne Johnson and Emily Blunt. We also dig into the Out of Competition titles, specifically Luca Guadagnino's After the Hunt, which has some internet folks thinking it means something more than it does.

Onto TIFF, always the most helpful as specific designations are listed for each film, we talk about Rental Family starring Brendan Fraser, Sydney Sweeney in Christy and where the big Cannes winners from NEON and MUBI, like Sentimental Value, It Was Just an Accident, The Secret Agent, Sirāt and Sound of Falling landed.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 1h14m. We'll be back next week with an Oscar retrospective of the 63rd Academy Awards, covering the films of 1990. Till then, let's get into it.

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 109 of the Director Watch Podcast, the boys are joined by AwardsWatch contributor Trace Sauveur discuss the latest film in their Paul Verhoeven series, Starship Troopers (1997).

After making a cult classic with Showgirls, Verhoeven took to space to go back to his political, social satire with an adaptation of Robert A. Heinlein’s novel, Starship Troopers. The director readapted the book heavily, not liking the politics of the book, making his film more aware that these characters were fascists in a fascist country that didn’t know that they are fascists. By using this tool, he made a masterpiece grilling the military industrial complex, and our countries obsession with concurring other nations. Ryan, Jay, and Trace break down their thoughts on the film, their thoughts on the films politics, the casting in the film, the visual effects that have aged well and are horrific, the spin-off sequels, how relevant the film is in the modern era, and how clever Verhoeven is able to mix the horror of war with his usual, twisted humor found in his films.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 2h08m. The guys will be back next week to continue their series on the films of Paul Verhoeven with a review of his film, Hollow Man. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 298 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributor Griffin Schiller to review the latest film in the MCU, The Fantastic Four: The First Steps.

You can also read the published review from Trace Sauveur on the website here.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 1h27m. We will be back soon to talk about the fall festivals and give a preview to the upcoming Oscar season. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 297 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, AwardsWatch Associate Editor Sophia Ciminello and AwardsWatch contributors Dan Bayer, Josh Parham, and Jay Ledbetter to go back 50 years and take a look at the 48th Academy Awards, covering the films of 1975.

On this retrospective, the AW team take a look back at what might’ve been the greatest Best Picture lineup of all time, featuring the films One Flew Over the Cuckoo’s Nest, Barry Lyndon, Nashville, Dog Day Afternoon, and Jaws. This group of five films collectively encapsulate the type of films audiences clamored for fifty years ago and are all considered all-time classic in their own right, some being the best film within their respected director’s filmography. But the interesting exercise with this line-up is looking at the lackluster films surrounding these masterful films. But this is the fun part of the process of looking back and talking about a year like this, if it is a landmark year like others in the 1970s or if it just top heavy.

In their in-depth discussion, the AW team talked about the film year of 1975, briefly discuss talk about One Flew Over the Cuckoo’s Nest as a Best Picture winner, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to three films to make up the final set of five nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren’t normally talked about and more that we all hope you enjoy.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h40m. We will be back in next week for a review of the latest film from Marvel, The Fantastic Four: First Steps. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 108 of the Director Watch Podcast, the boys are joined by AwardsWatch Editor-In-Chief Erik Anderson discuss the latest film in their Paul Verhoeven series, Showgirls (1995).

Following the massive cultural, commercial success of Basic Instinct, Verhoeven and screenwriter Joe Eszterhas turned their eye to the world of professional dancing as a young, ambitious girl, with a mysterious past, sets her sights on becoming a star as the main showgirl in over-the-top production set on the Las Vegas strip. The film was set up with massive expectations and the largest budget ever for an NC-17 film ($45m), Showgirls was hailed as one of the worst films of the 1990s, a box office bomb, and ruined star Elizabeth Berkley chances at becoming a star on the big screen like she was on television. But the film became a cult classic, and has now been fully reevaluated as a “masterpiece” of excess and the dangers women face within the entertainment industry; Verhoeven’s The Red Shoes. Ryan, Jay, and Erik breakdown their relationship with the film, their favorite lines within the movie, the definition of “camp,” Berkley’s rocky relationship with the film, how horrifying the sex is within the film, the legendary performance given by Gina Gershon, which characters they relate to, and which modern day pop-star Jay says has had a better 21st century success on the Billboard Charts than Madonna; a move that might see the end of the co-host as we know. Listen now to find out who mentions.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 2h45m. The guys will be back next week to continue their series on the films of Paul Verhoeven with a review of his film, Starship Troopers. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

It's still warm from the heat of the nominations this morning for the 77th Primetime Emmy Awards, where Apple dominated the competition, leading both the drama and comedy fields with the long-awaited second season of Severance (27) and the first season of The Studio (a record-setting 23). On episode 296 I am joined by The Ankler's Katey Rich to break down this year's nominees.

From the ongoing strength of The White Lotus, continuing to dominate the acting categories, to buzzy new shows like The Pitt, Rich and we look at how and why certain shows remain strong in the minds of Emmy voters, why The Bear fell dramatically, and talk about some of the biggest snubs and surprises of the day.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 34m. We will be back in next week for an Oscar retrospective on the 48th Academy Awards and the films of 1975. Till then, let’s get into it.

On episode 295 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributor Griffin Schiller to review the latest film from director James Gunn, Superman, starring David Corenswet as the Last Son of Krypton (and Clark Kent, of course), Rachel Brosnahan as intrepid reporter Lois Lane and Nicholas Hoult as evil real estate tycoon turned government-overthrowing villain Lex Luthor.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 1h38m. We will be back in next week for an Oscar retrospective on the 48th Academy Awards and the films of 1975. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 107 of the Director Watch Podcast, the boys are joined by film critic Brandon Streussnig discuss the latest film in their Paul Verhoeven series, Basic Instinct (1992).

We enter a new chapter in the Verhoeven series, as the guys talk about one of the most iconic erotic-thrillers of all time with the most iconic image of the genre. But beyond that one scene lies an ode to Hitchcock, as we follow a sleazy detective down a rabbit hole of deception, sex, and murder as he investigates the death of a wealthy rock star, and the prime suspect is his old girlfriend, a writer whom wrote about his death in her latest book. Purposive, wild, and slightly progressive and regressive at the same time, Basic Instinct is the crown jewel of a type of film that audiences used to obsess over, perfectly made by a director at the height of his powers, featuring an all-time performance from Sharon Stone. Ryan, Jay, and Brandon breakdown their thoughts on the film, the history of the erotic thriller, the controversy over the iconic scene, how sex is weaponized throughout, the introduction to Joe Eszterhas as a writer to the world, the laughable sequel made several years later, ice picks, and just how good of a cop is Michael Douglas’ Nick Curran.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more.

This podcast runs 1h56m. The guys will be back next week to continue their series on the films of Paul Verhoeven with a review of his film, Showgirls. You can rent it via iTunes and Amazon Prime rental or stream on HBO Max in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

On episode 294 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Josh Parham and Jay Ledbetter to play the Director Stock Market Game.

Two years ago, the AW podcast team talked about the state of modern movie stars and discussed who might be the future movie stars of films. Given how the trend of the film industry is leaning more towards IP driven films and becoming a director’s medium, it’s only right the team did a follow-up episode to talk about some of the bright talent from behind the camera, and who could become the premiere visionary directors that we will follow for years of releases to come.

With this in mind, Ryan, Josh, and Jay put together a list of directors under the age of fifty who they believe have the potential to join the rank of some of the greatest filmmakers of the modern era of cinema. The list of names included a wide range of talent like Emerald Fennell, Damien Chazelle, Ryan Coogler, Ari Aster, Celine Song, Jordan Peele, The Daniels, The Safdie Brothers, and many more the team had to decide if they were going to buy, sell, or hold the stock of these directors. It was a lot of fun doing this episode, we hope you enjoy it.

You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 2h19m. We will be back in next week to review the latest release, Superman. Till then, let’s get into it.

Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema’s greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you’ve got yourself a podcast we truly hope you love. On episode 106 of the Director Watch Podcast, the boys are joined by the host of The Waffle Press Movie Podcast, Diego Crespo discuss the latest film in their Paul Verhoeven series, Total Recall (1990).

Following up the massive success of RoboCop, Verhoeven turned his attention to another world, the planet Mars and the work of Philip K. Dick to make another commentary on our military obsessed culture with Total Recall. Following the story of a construction worker who finds out he is actually a super spy who has been planted with false memories of his past and who he is, setting off a chain of events that leads he into a war between the powerful elites of our world and the newly formed colony on Mars. Thought provoking then as it is now, Verhoeven taps into our ongoing paranoia of who is in-charge of our world, and questions whether their leadership is more relevant than a body of citizens willing to fight for their place in the world. Ryan, Jay, and Diego breakdown their thoughts on the film, if its commentary is as strong as RoboCop, the visual effects, Arnold Schwarzenegger’s performance, the meaning of the film’s ending, and so much more.

You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more.

This podcast runs 2h3m. The guys will be back next week to continue their series on the films of Paul Verhoeven with a review of his film, Basic Instinct. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let’s get into it.

Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).