British author Benjamin Myers says he likes to be on the margins as a writer and his latest novel, The Perfect Golden Circle, is about the crop circles that appeared in 1989 in the English countryside and explores the type of people who created them. Also Ceridwen Dovey and Eliza Bell explain their genre-bending book, Mothertongues and Noongar author, Claire G Coleman's mysterious and unsettling book, Enclave, set in a walled Australian city.

For NAIDOC Week, three Aboriginal writers who are grappling with the past: Anita Heiss takes the 1852 Gundagai flood as the starting point for her novel Bila Yarrudhanggalangdhuray, Tony Birch explores his family history in Dark as Last Night and SJ Norman's, Permafrost, a collection of haunted short stories.

American author Madeline Miller has found a new audience for her prize winning novel Circe on #BookTok and now she has a new offering based on Greek mythology called Galatea.

Also, Lauren Chater's real life inspiration for her third historical novel, The Winter Dress and Carrie Cox asks whether relationships are really meant to go the distance in her latest novel, So Many Beats of the Heart.

Pulitzer Prize-winning author Geraldine Brookes says she "didn't grow up as a horse obsessed girl" but rather her interest in horses was a result of a midlife crisis which led her to the history of a famous American thoroughbred that was the inspiration for her latest novel, simply called Horse.

Also, John Purcell talks about his second official novel, The Lessons, and reveals his brief career writing erotica and Karen Manton explains the inspiration for her evocative novel, The Curlew's Eye, set in remote Northern Territory.

Meg Mason thought her second novel, Sorrow and Bliss wouldn't be published, it was and is now shortlisted for this year's Women's Prize for Fiction, which will be announced this week.

Also Australian writer Ennis Ćehić on his playful collection, Sadvertising, and American writer Leila Motley's debut novel, Nightcrawling, which she wrote at just 17.

Booker-winning writer Damon Galgut wasn’t always aware of his privilege, growing up as a white man in South Africa. Instead, he describes a ‘slow-shifting of consciousness’, that culminated in The Promise, a book he calls ‘my most South African novel'.

Also, The Rosie Project author, Graeme Simsion, gives a tour of his writing space and Hilde Hinton on her second novel, A Solitary Walk on the Moon.

British Booker winner Julian Barnes's latest novel, Elizabeth Finch, is about a life-changing teacher and he tells the audience at the Sydney Writers Festival that "you become a writer by not being the child of a writer".

Canadian author, Emily St John Mandel, says the pandemic changed her as a writer. Her latest, Sea of Tranquility, was written during lockdown in New York and while it's a standalone novel, also features links to her previous books, Station Eleven and The Glass Hotel.

Also, Goan-Anglo-Indian Australian writer Michelle Cahill's novel, Daisy and Woolf, is a literary homage and post-colonial critique of Virginia Woolf’s classic Mrs Dalloway.

Here Goes Nothing is the last in what Steve Toltz calls his trilogy of fear which began with A Fraction of the Whole. This latest book is narrated by a ghost who discovers there is an afterlife hierarchy and he is at the bottom.

Also, Irish writer Audrey Magee on her second novel The Colony which is colonisation in microcosm and Toni Jordan's sixth novel, Dinner with the Schnabels, billed as a family dramedy.

Booker winner Douglas Stuart's second novel, Young Mungo, is again set in gritty working class Glasgow, but also explores blossoming queer love.And, two debut novels also exploring queer identity with Indyana Schneider's 28 Questions and Omar Sakr's Son of Sin.