In a collaboration between PRI’s The World and The FRONTLINE Dispatch, we follow a 15-year-old boy from El Salvador who joined the large migrant caravan last fall and is determined to enter the United States. But his quest is anything but certain. Meanwhile, a loved one is desperately waiting for him on the other side of the border. Reporter Monica Campbell follows his story.

In a collaboration between PRI’s The World and The FRONTLINE Dispatch, we follow a 15-year-old boy from El Salvador who joined the large migrant caravan last fall and is determined to enter the United States. But his quest is anything but certain. Meanwhile, a loved one is desperately waiting for him on the other side of the border. Reporter Monica Campbell follows his story.

The Boy in the Caravan

FRONTLINE Editor-in-Chief and Executive Producer Raney Aronson-Rath sits down with journalists and filmmakers for probing conversations about the investigative journalism that drives each FRONTLINE documentary and the stories that shape our time.This work matters. At a time when deep-dive reporting is more vital than ever, your support ensures FRONTLINE can continue to hold power accountable. Join our community of supporters <a href="https://frontline.donorsupport.co/page/listenandgive">here</a> by making a contribution to keep this work going.  Produced by Joel Patterson at FRONTLINE’s headquarters at GBH and powered by PRX. The FRONTLINE Dispatch is made possible by the Abrams Foundation Journalism Initiative.

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FRONTLINE Editor-in-Chief and Executive Producer Raney Aronson-Rath sits down with journalists and filmmakers for probing conversations about the investigative journalism that drives each FRONTLINE documentary and the stories that shape our time. This work matters. At a time when deep-dive reporting is more vital than ever, your support ensures FRONTLINE can continue to hold power accountable. Join our community of supporters here by making a contribution to keep this work going. Produced by Joel Patterson at FRONTLINE’s headquarters at GBH and powered by PRX. The FRONTLINE Dispatch is made possible by the Abrams Foundation Journalism Initiative.

FRONTLINE Editor-in-Chief and Executive Producer Raney Aronson-Rath sits down with journalists and filmmakers for probing conversations about the investigative journalism that drives each FRONTLINE documentary and the stories that shape our time.This work matters. At a time when deep-dive reporting is more vital than ever, your support ensures FRONTLINE can continue to hold power accountable. Join our community of supporters <a href="https://frontline.donorsupport.co/page/listenandgive" rel="noopener noreferrer">here</a> by making a contribution to keep this work going.&nbsp; Produced by Joel Patterson at FRONTLINE’s headquarters at GBH and powered by PRX. The FRONTLINE Dispatch is made possible by the Abrams Foundation Journalism Initiative.

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The Boy in the Caravan

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