[Warning] This episode contains explicit language and explicit themes. Listener discretion is advised.
To defeat the Huns! Danny gears up for another history review with one of the most misunderstood historical figures. Fact, truth, mythological evil? Who was the Scourge of God really? Danny explores Hunnish history from origin to Hungary and heavily critiques the author's sporadic attention to detail. Is it possible for any historical narrative to stay on track? Maybe? But certainly that doesn't give correct cadence to meandering to dissociated history and blatantly forgetting your core subject. Not so many laughs on this episode, just straight up critique!
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~Credits~
Original Sound Cloud image provided by Amazon.com at www.amazon.com/Attila-King-Huns-…yth/dp/0760700338
Original cover art owned by Patrick Howarth and Barnes & Nobles publishing.
The Broken Shelf icon created and published by "The Broken Shelf" and Danny Archive.
Podcast Opening recorded by Delayne Archive and edited by Danny Archive.
Accompanying Opening music:
Title - "Dreams Electric"
Artist - Geographer
Provided free from YouTube Audio Library
Intro Song - 'The New Order'
Artist - Aaron Kenny
Provided free from YouTube Audio Library
Interlude Song - 'Cavalry'
Artist - Aakash Gandhi
Provided free from YouTube Audio Library
Outro Song - 'Fallen Soldier'
Artist - Biz Baz Studio
Provided free from YouTube Audio Library
Sound Clip: '300'
Original creator - Frank Miller
Directed - Zack Snyder
Produced - Gianni Nunnari, Mark Canton, Bernie Goldmann, Jeffrey Silver
Screenplay - Zack Snyder, Kurt Johnstad, Michael B. Gordon
Production Studios - Legendary Pictures, Virtual Studios, Atmosphere Pictures, Hollywood Gang Productions
Distributed - Warner Bros. Pictures
Release date - December 9, 2006
Podcast edited by Danny Archive using Audacity.
Download Audacity here: https://www.audacityteam.org/
This podcast is fair use under U.S. copyright law because it is (1) transformative in nature, the audio is a journalistic commentary on popular media (2) uses no more of the original work than necessary for the podcast's purpose, the claimed duration is an edited clip for rhetoric, and (3) does not compete with the original work and could have no negative affect on its market.
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