Today on Art of the Cut we speak with Dávid Jancsó, the editor of The Brutalist. 

David’s been busy! He also edited last year’s Monkey Man as well as films like Evolution and Pieces of a Woman as well as the TV series The Crowded Room and Treadstone.

This discussion includes - among other things - how editing is like Brutalist architecture, the purpose behind fracturing time, and the decisions on what to keep in a movie that runs three and a half hours.

You can read along with this interview and see clips and images at:

borisfx.com/blog/aotc