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Anora (2024) was hailed by critics as a movie about the empowering nature of sex work (spoilers below and in the episode). Rob Henderson and Tyler Tone join me to discuss. We just don’t see it. This seems to be one of those films where there’s a politically correct interpretation that is divorced from the actual content of the movie. That conclusion seems inevitable from the last scene, in which Ani has sex with Igor and then breaks down. I was afraid there would be a cheesy heartwarming ending where she doesn’t have sex with him but wants him to take her out on a date. That’s how a rom-com would’ve finished. But this was much darker.

I knew we were supposed to feel sorry for Ani, but I saw her as a gold digger. Rob and I debate whether she was “really” in love with Ivan. He convinces me that she fell in love in the way someone like her would. The fact that she liked him for his money did not make the relationship any less real. This made sense. I guess the thing I struggle with is that Ivan just sucks so much as a person, so it’s hard for me to sympathize with a woman caring about him.

Speaking of which, Russians come off poorly here. We discuss the role of Russians in pop culture, and whether the movie could have worked if the rich family were American instead. I thought the father was the worst character of all, but Rob and Tyler convinced me that there was another way to interpret his behavior. Rather than being cold and aloof, chiming in only to laugh at Ani, he was taking a backseat to his wife, and enjoyed seeing her taken down a peg.

One of the more interesting debates we have is over how the audience is supposed to feel about Igor. He came into Ani’s life as a thug there to restrain her. If he could be redeemed by a few nice gestures, it indicates a more forgiving attitude towards male misbehavior than we saw at the height of the MeToo era.