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Jamie, Melissa and Naomi are back. Naomi's shares her first FantasyCon experience before they get into the publishing news, which this week features curious revenue increases, political red tape and AI controversies.
In this episode:
Book Sales vs. Revenue: Fresh data shows UK book market revenue increased by 1.5% in the first half of 2026, but the actual volume of books sold fell by 1.1%. The hosts discuss how expensive special editions are driving profits and debate whether buying books and reading books have become two completely separate hobbies.
Playing It Safe in Publishing: With Hachette UK attributing a 4% revenue growth largely to mega-authors like Rebecca Yarros and Freida McFadden, the hosts explore how publishers are abandoning the "shiny debut" in favour of risk-averse, established IP. They also look at how this trend is bleeding into retail, with Waterstones increasingly opting for older, proven hits for their Book of the Month.
Defining "New Adult": Following Grace Walker's win of the inaugural New Adult Book Prize for The Merge, the hosts try to pin down exactly what the "New Adult" genre actually is. They explore how it differs from YA and whether it serves as a "second coming of age" for characters navigating independent life.
AI Accusations & The Caine Prize: A prestigious African short story prize has instituted human-centered vetting after its recent winner faced high-profile AI accusations. Melissa highlights the near impossibility of proving AI usage and the danger of these accusations being weaponised for racial profiling.
The Sally Rooney & Faber Controversy: The hosts untangle the complicated bureaucratic mess surrounding Faber ceasing the UK distribution of Sally Rooney's books. They discuss the anti-terrorist charter that sparked the mutual decision after Rooney pledged financial support to Palestine Action, a group designated as a terrorist organization by the UK government.
Author Q&A - Are Writing Courses Worth It?: A listener asks for the hosts' collective opinion on paid writing courses like Curtis Brown Creative. Naomi and Melissa share their experiences, concluding that while courses are wonderful for building community and finding structure, they are absolutely not a mandatory expense for securing a traditional publishing deal.
Naomi Gibson, author of Every Line of You, Game Over Girl, Man Muse Monster
Melissa Welliver, author of The Undying Tower, My Love Life and the Apocalypse, Soulmates and Other Ways to Die, To the Death
Jamie Greenwood, creator & host of The Write and Wrong Podcast
This week, Jamie and Melissa hold down the fort while Naomi attends FantasyCon. They dive straight into a massive week of publishing industry news, exploring how the balance of power is shifting for modern authors.
In this episode:
Naomi Gibson, author of Every Line of You, Game Over Girl, Man Muse Monster
Melissa Welliver, author of The Undying Tower, My Love Life and the Apocalypse, Soulmates and Other Ways to Die, To the Death
Jamie Greenwood, creator & host of The Write and Wrong Podcast
The podcast returns with a new weekly, news-led format as we get into whether Booker Prize books are brilliant or just intimidating, why Amazon has slashed KDP upload limits, and whether fixed book prices would actually protect authors and indie bookshops. We also round up some publishing oddities, from Netflix library donations to ย a pair of shoes that plays audiobooks for some reason.
A deep dive into literary agents, meeting them, signing with them and the continued relationship.
We are chatting about book covers, being asked to make mood boards, cover art "leaking" early online and Naomi gives an exclusive reveal about which of her covers she really doesn't like!
We are talking about acquisitions, how they happens, who is involved and which bits authors are let in on and which bits they are not.
We chat about the realities of doing events, launch parties and just walking into bookshops and asking to sign your books. A great episode for authors who are in the process of publishing and aren't sure how interfacing with booksellers works.
It's all marketing and PR this week as we get into the realities of it, talk about how different books get different budgets and the things that authors can do themselves to help spread the word about their books and themselves.
It's time to chat about editorial, the relationship between editor and author and how much power editors have over an author's manuscript.
PSA: Kesia Lupo is discussed in this episode who was previously an editor with Chicken House, she then became a literary agent in the US and after recording this she has actually returned to editorial in the UK (and Naomi has a new agent for her adult writing).
We're diving into what it means to be a full-time author, the realities of reaching that point and why most authors have another source of income.
From the publisher's feed
Bookish, writer friends Jamie, Melissa and Naomi talk about their favourite tropes, their least favourite tropes and everything in between!
Music courtesy of Lud and Schlatts Musical Emporium

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