We're closing out 2022 with one final foray into big budget spectacle with Andrew Adamson's 2005 epic adaptation of C.S. Lewis' 1950 British classic The Lion, The Witch and the Wardrobe.

Up for discussion: the uncomfortable racial aspects of the film, CGI vs practical effects, the wartime elements, religious propaganda, which Pevensie child we identify as, and why it's ok to hate Edmund and Turkish Delight.

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> Brenna: @brennacgray

> Joe: @bstolemyremote

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