The Church Sound Podcast with Prentiss L. Thompson

Prentiss L. Thompson takes short trip through some miking techniques on the snare drum.
amplifying drums over a sound system are similar to those that an engineer would use in the studio, there is one key difference: in the studio, the engineer is trying to capture the sound of the kit (and often also the environment it is being recorded in), whereas in a live situation, the drums are being miked in order to reinforce their sound in the venue for the audience. The key word here is 'reinforce.  For snare drums there has been one microphone that has pretty much dominated for almost 50 years. The Shure SM57 dynamic has held on as most people's go-to snare mic, as it adds just the right amount of weight, while its slight presence peak adds some crack to the drum, the Beyerdynamic M201 has also always been a popular choice. I tend to mic about four inches away from the snare, which gives the sound from both sides of the drum to chance to be heard, and also places the microphone a reasonable distance away from the stick danger area. 

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The Recap series young master musician Glen Gibson joins the conversations as we walk through the life of a young music minister and how to move the gospel industry. Glenn Gibson Jr was born and raised In Queens New York He started playing drums at the age of 1 then transferred to the keyboard and organ at the age of 8 9. Over the years he has shared the stage with many artists such as Leandria Johnson, Bebe Winans, Jonathan Nelson, Kierra Sheard, Karen Clark Sheard, Ricky Dillard, Vincent Bohanan, Pastor David Wright, Avant and many other artists. His influences are variety of artists and musicians such as Travis Sayles, Cory Henry, Darryl Woodson, Stevie Wonder, Chick Corea, Yellowjackets, Elton John, Phil Collins just to name a few. At this present time He is currently working on his music and trying to hit other genres of music. His passion for music will never die

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Prentiss L. Thompson takes short trip through some miking techniques on the kick drum.
The in and out concept - Putting a mic in front of the outer head is the most common kick drum mic placement, but there are still plenty of variables. Whether you put an E-V RE20, AKG D112, or Shure Beta 52A on the outside of the kick, you’ll find lots of variability in the sound depending on where on the head you position it and the distance away from the head.
 
Placing a boundary mic on a pillow inside the kick is the simplest option if you have a hole in the resonant head. It keeps the bleed from other drums and cymbals to a minimum and will give you lots of impact. 

Shure beta 91a boundary mic

Beyerdynamic TG- D71c 

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SHOW LESS

The CSP crew talk with Pastor Louie Gibbs Jr of Radical City Church and CEO of Blackstonia Capital.
in this Recap episode about the obstacles and challenges of being a Young Black Pastor. Sure they may be challenges with leading God's people, but most of the problems in my ministry are not external, but internal.
Liste, Laugh and Learn.

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Prentiss L. Thompson breaks down how to plan to purchase a digital mixer in 2022 and why. Did you know there is a supply shortage and that may delay your purchase. However, the most important topic for a successful move to the digital realm is training. 

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Enjoy this Recap Show with the amazing Loren Dawson the Executive director of music at Agape Family Worship Center and master musician joins the CSP crew Prentiss l. Thompson and Pastor Caleb Windley as they discuss worship from the musical perspective. Mr Dawson has an amazing resume as a touring musician ( Mary J. Blige - Erica Badu) Producer and musician (Whitney Houston - Donnie McClurkin - Gwen Stefani) and more. Enjoy this conversation about worship, band preparation, church administration and funny stories of church. You will laugh and learn.

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Prentiss L. Thompson talks through the trials and tribulations of Covid within a AVL Ministry and to navigate this agent and stay safe. 

Stay the course keep going strongly to the end of a race or contest
https://www.personcountync.gov/home/showdocument?id=14100

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Frank Brown Jr. the lead engineer at Agape Family Worship Center he is considered your favorite engineer's, engineer.  From CNBC, W.N.E.T., MTV, VH1, ESPN, SCI-FI Network, Access Hollywood.  He started touring as an audio engineer for hip hop artist such as Zhiggie, Grand Puba, Onyx, SuperCat. After seeing his work, R&B artist such as Joe, 3LW, Imajin and Destiny’s Child hired Brown to work on their tours. From TV, to Touring to the church this a of man great knowledge as he breakdown the art of being a problem solver.

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Prentiss L. Thompson breaks down the importance of a year end assessment for your Audio Video Livestream (AVL) Ministry. The Year End Assessment is a tool that enables you to assess the recent past and use the information gleaned to inform your thinking about what's next. Use this tool for yearly reflection and planning as part of an iterative process: Plan, Act, and Reflect. 

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Our RECAP show guest is Jon Taylor  he is the  Technical Sales Lead at Presonus. The CSP crew engage an a solution based discussion around Presonus products and how it applies to a church of any size and its growth. We discuss Live-streaming and manufacturer fulfillments in 2021 centered around the new world of Covid-19. So sit back grab a cup of joe and Listen, Laugh and Learn.

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