By The Creative Process - Books, Film, Music, TV, Art, Writing, Education, Environment, Theatre, Dance, LGBTQ, Social Justice, Spirituality, Feminism, Technology, AI
Exploring the fascinating minds of creative people. Conversations with writers, artists and creative thinkers across the Arts and STEM. We discuss their life, work and artistic practice. Winners of
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The podcast currently has 299 episodes available.
John Patrick Shanley is from The Bronx. His plays include Prodigal Son, Outside Mullingar (Tony nomination), Danny and the Deep Blue Sea, Savage in Limbo, Italian-American Reconciliation, Welcome to the Moon, Four Dogs and a Bone, Dirty Story, Defiance, and Beggars in the House of Plenty. His theatrical work is performed extensively across the United States and around the world. For his play, Doubt, he received both the Tony Award and the Pulitzer Prize. In the arena of screenwriting, he has ten films to his credit, most recently Wild Mountain Thyme, with Emily Blunt, Jamie Dornan, and Christopher Walken. His film of Doubt, with Meryl Streep, Philip Seymour Hoffman, Amy Adams, and Viola Davis, which he also directed, was nominated for five Academy Awards, including Best Adapted Screenplay. Other films include Five Corners (Special Jury Prize, Barcelona Film Festival), Alive, Joe Versus the Volcano (which he also directed), and Live From Baghdad for HBO (Emmy nomination). For his script of Moonstruck he received both the Writers Guild of America Award and an Academy Award for best original screenplay. In 2009, The Writers Guild of America awarded Mr. Shanley the Lifetime Achievement In Writing.
"You grow up wherever you grow up. And there are things there, and there are other things that are not there, and the things that are not there, you can imagine. And I did a lot of imagining in the Bronx because there were a lot of things that I gravitated toward that just weren't there: the fantastic, The Thief of Baghdad, magic, beautiful clothes, beautiful places, the exoticism of that. And then at another later point, I thought, I am missing my whole life from my work. I am writing about all these things that are not my life. Because I think everything that I actually saw and heard and felt is so ordinary that it's not worth repeating. And I think most of us feel that way, and we're dead wrong. That in fact, those things are gold. Those are the things that we actually have to write about. And you can write about anything when you start with those things and embrace them. Embrace your own life."
www.imdb.com/name/nm0788234
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Listen to Part 2 of this Special Series with music courtesy of composer Max Richter.
All voices on this episode are from our interviews for The Creative Process & One Planet Podcast:
MANUELA LUCÁ-DAZIO - Executive Director, Pritzker Architecture Prize - Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.
BRITT WRAY - Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis”, Researcher Working on Climate Change & Mental Health, Stanford University
WALTER STAHEL - Architect, Economist, Founding Father of Circular Economy - Founder-Director, Product-Life Institute
MATHIS WACKERNAGEL - Founder & President of the Global Footprint Network - World Sustainability Award Winner
JAY FAMIGLIETTI, Fmr. Senior Water Scientist at NASA Jet Propulsion Laboratory, Exec. Director, Global Institute for Water Security, Host of "What About Water?" Podcast
RICHARD VEVERS - Founder & CEO of The Ocean Agency
ARMOND COHEN - Executive Director of Clean Air Task Force
PAULA PINHO - Director of Just Transition at the European Commission Directorate-General for Energy
MARTIN VON HILDEBRAND - Indigenous Rights Activist - Winner of Right Livelihood & Skoll Awards - Founder of Fundacion Gaia Amazonas, named #40 NGOs of the World by The Global Journal
HAROLD P. SJURSEN - Professor of Philosophy - Science, Technology, the Arts - NYU, Beihang University, East China University
BILL HARE - Founder & CEO of Climate Analytics, Physicist, Climate Scientist
SIR ANDY HAINES - Tyler Prize Award-winner for Environmental Achievement - Professor of Environmental Change & Public Health
LISA JACKSON PULVER - Deputy Vice-Chancellor of University of Sydney's Indigenous Strategy & Services
Max Richter’s music featured in this episode:
“Spring 1” from The New Four Seasons – Vivaldi Recomposed
Vladimir’s Blues” from The Blue Notebooks
"Lullaby From The Westcoast Sleepers” from 24 Postcards in Full Colour,
Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.
www.maxrichtermusic.com
https://studiorichtermahr.com
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"I think that we like to look at somebody who's in a leadership position and say, look at what they did. And we don't recognize the fact that there's a huge team of people creating this thing that we attribute to an individual. And certainly, that's the case in political environments. I didn't work in Washington for a long time, but I worked there a little bit, and I very much got a sense of the incredible talent of a group of people who are standing behind somebody who's an elected leader, helping them make decisions and in research and the forming of strategies.
We're attributing to one mind what is the work of 20. I think that's what so many of the characters in that place are bringing to Kate Wyler (played by Keri Russell). And it takes her a while to kind of figure out does she trust them? Does she think that they're really value-added? Is she going to have to do this by herself? Sometimes it takes time to embrace that and be able to utilize the skills that are around you, but nobody does it by themselves. I think that's a myth."
Debora Cahn is the Emmy-nominated showrunner and executive producer of Netflix’s The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She’s worked with television’s leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin’s The West Wing which has led to projects such as the hit Showtime series Homeland, ABC’s long-running medical drama Grey’s Anatomy, and HBO’s Vinyl, which was co-created by Martin Scorsese. She’s the winner of two Writers Guild of America Award for The West Wing and FX’s limited series Fosse/Verdon.
www.imdb.com/name/nm1263223
www.netflix.com/tudum/the-diplomat
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Images courtesy of Netflix/Alex Bailey
Debora Cahn is the Emmy-nominated showrunner and executive producer of Netflix’s The Diplomat, a political thriller series starring Keri Russell and Rufus Sewell. She’s worked with television’s leading showrunners, including Shonda Rhymes, Terence Winter, Steven Levinson, and Howard Gordon. Her career began working on Aaron Sorkin’s The West Wing which has led to projects such as the hit Showtime series Homeland, ABC’s long-running medical drama Grey’s Anatomy, and HBO’s Vinyl, which was co-created by Martin Scorsese. She’s the winner of two Writers Guild of America Award for The West Wing and FX’s limited series Fosse/Verdon.
"I think that we like to look at somebody who's in a leadership position and say, look at what they did. And we don't recognize the fact that there's a huge team of people creating this thing that we attribute to an individual. And certainly, that's the case in political environments. I didn't work in Washington for a long time, but I worked there a little bit, and I very much got a sense of the incredible talent of a group of people who are standing behind somebody who's an elected leader, helping them make decisions and in research and the forming of strategies.
We're attributing to one mind what is the work of 20. I think that's what so many of the characters in that place are bringing to Kate Wyler (played by Keri Russell). And it takes her a while to kind of figure out does she trust them? Does she think that they're really value-added? Is she going to have to do this by herself? Sometimes it takes time to embrace that and be able to utilize the skills that are around you, but nobody does it by themselves. I think that's a myth."
www.imdb.com/name/nm1263223
www.netflix.com/tudum/the-diplomat
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Images courtesy of Netflix/Alex Bailey
Today we’re streaming voices of environmentalists, artists, students, and teachers. Enjoy Part 1 of this Special Series with music courtesy of composer Max Richter.
All voices on this episode are from our interviews for The Creative Process & One Planet Podcast:
MAX RICHTER
INGRID NEWKIRK, Founder of PETA
BERTRAND PICCARD, Aviator of 1st Round-the-World Solar-Powered Flight, Explorer, Founder, Solar Impulse Foundation
CARL SAFINA, Ecologist, Founding President of Safina Center
CLAIRE POTTER, Designer, Lecturer, Author of “Welcome to the Circular Economy”
ADA LIMÓN, U.S. Poet Laureate, Host of The Slowdown podcast
CYNTHIA DANIELS, Grammy and Emmy award-winning producer, engineer, composer
JOELLE GERGIS, Lead Author of the IPCC Sixth Assessment Report, Author of “Humanity’s Moment”
KATHLEEN ROGERS, President of EARTHDAY.ORG
ODED GALOR, Author of “The Journey of Humanity”, Founder of Unified Growth Theory
SIR GEOFF MULGAN, Fmr. Chief Executive of Nesta, Fmr, Prime Minister’s Strategy Unit Director & Downing Street’s Head of Policy, Author of “Another World is Possible”
ALAIN ROBERT, Rock & Urban Climber known for Free Solo Climbing 150+ of the World’s Tallest Skyscrapers using no Climbing Equipment
NOAH WILSON-RICH, Co-founder & CEO of The Best Bees Company
CHRIS FUNK, Director of the Climate Hazards Center at UC Santa Barbara, Author of Drought, Flood, Fire: How Climate Change Contributes to Recent Catastrophes
DAVID FARRIER, Author of “Footprints: In Search of Future Fossils”
DR. SUZANNE SIMARD, Professor of Forest Ecology, Author of “Finding the Mother Tree”
PETER SINGER, “Most Influential Living Philosopher”, Author, Founder of The Life You Can Save
JENNIFER MORGAN, Fmr. Executive Director of Greenpeace International, Special Envoy for International Climate Action, German Foreign Ministry
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
www.maxrichtermusic.com
https://studiorichtermahr.com
Max Richter’s music featured in this episode are “On the Nature of Daylight” from The Blue Notebooks, “Path 19: Yet Frailest” from Sleep.
Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.
"For me, the creative process is a sort of a continuous thing in the sense that I'm writing kind of all the time, at some level. And that doesn't mean I'm sitting at my desk all the time, but it does mean that I've got a continuous thought process, a continuous engagement with the material I'm trying to shape. And it's many different kinds of processes. First of all, obviously an intention. You need to have an intention. What is it I'm trying to do? But then you get a process of making things, and then you get into a process of dialogue with the things you've made where they start to take on properties and it feels like the material has intentions of its own.
So then you are trying to - it's like herding cats, you know? - sort of corralling this material into some kind of structure, some kind of formed object. Then it becomes like a sculptural process on the large scale. But time is a super important part of that process. You know, there are things which are just not ready. And you have to just wait until they make sense to you in a new way, or you can discover them almost as though someone else had written them. That sort of trying to achieve a kind of objectivity about the material."
Composer Max Richter is known for his ability to translate profound human emotions into music. Max’s record Sleep is the most streamed classical album of all time and his catalogue has surpassed 3 billion streams.
A prolific collaborator, he scored and performed for Kim Jones for the Dior shows, and the new Wayne McGregor and Margaret Atwood ballet MADDADDAM, and arts collective Random International on the Rain Room installation.
Max has collaborated with film directors Denis Villeneuve, Martin Scorsese, and Ari Folman, and scored film & TV including Ad Astra, Black Mirror, Shutter Island, The Leftovers, Arrival and his Emmy-nominated score for Taboo.
He’s the co-founder of Studio Richter Mahr, with his partner and artist Yulia Mahr in Oxfordshire, UK. Max and Yulia built the studio around an old tractor barn, and have powered it with cutting-edge solar and heat-pump technology. It’s a haven for their family and community of musicians and artists which regularly come through. Set within 31 acres of woodland, Max and Yulia have a huge passion for using the land to farm and provide a sustainable working environment as well as using creativity as an elevating force within society. Operating as a free space for artists to develop their work, the studio also works with local partners to support the local community.
www.maxrichtermusic.com
https://studiorichtermahr.com
Photo by William Waterworth
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Max Richter’s music featured in this episode is "On the Nature of Daylight” from The Blue Notebooks.
Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.
Composer Max Richter is known for his ability to translate profound human emotions into music. Max’s record Sleep is the most streamed classical album of all time and his catalogue has surpassed 3 billion streams.
A prolific collaborator, he scored and performed for Kim Jones for the Dior shows, and the new Wayne McGregor and Margaret Atwood ballet MADDADDAM, and arts collective Random International on the Rain Room installation.
Max has collaborated with film directors Denis Villeneuve, Martin Scorsese, and Ari Folman, and scored film & TV including Ad Astra, Black Mirror, Shutter Island, The Leftovers, Arrival and his Emmy-nominated score for Taboo.
He’s the co-founder of Studio Richter Mahr, with his partner and artist Yulia Mahr in Oxfordshire, UK. Max and Yulia built the studio around an old tractor barn, and have powered it with cutting-edge solar and heat-pump technology. It’s a haven for their family and community of musicians and artists which regularly come through. Set within 31 acres of woodland, Max and Yulia have a huge passion for using the land to farm and provide a sustainable working environment as well as using creativity as an elevating force within society. Operating as a free space for artists to develop their work, the studio also works with local partners to support the local community.
"For me, the creative process is a sort of a continuous thing in the sense that I'm writing kind of all the time, at some level. And that doesn't mean I'm sitting at my desk all the time, but it does mean that I've got a continuous thought process, a continuous engagement with the material I'm trying to shape. And it's many different kinds of processes. First of all, obviously an intention. You need to have an intention. What is it I'm trying to do? But then you get a process of making things, and then you get into a process of dialogue with the things you've made where they start to take on properties and it feels like the material has intentions of its own.
So then you are trying to - it's like herding cats, you know? - sort of corralling this material into some kind of structure, some kind of formed object. Then it becomes like a sculptural process on the large scale. But time is a super important part of that process. You know, there are things which are just not ready. And you have to just wait until they make sense to you in a new way, or you can discover them almost as though someone else had written them. That sort of trying to achieve a kind of objectivity about the material."
www.maxrichtermusic.com
https://studiorichtermahr.com
Photo by William Waterworth
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Max Richter’s music featured in this episode in order of appearance "On the Nature of Daylight” from The Blue Notebooks, Path 19: Yet Frailest” from Sleep, “Spring 1” from The New Four Seasons – Vivaldi Recomposed, "Lullaby From The Westcoast Sleepers” from 24 Postcards in Full Colour, Vladimir’s Blues” from The Blue Notebooks.
Music is courtesy of Max Richter, Universal Music Enterprises, and Mute Song.
00:25 JERICHO BROWN - Pulitzer Prize-Winning Poet, Author of “The Tradition” & “The New Testament”
00:39 JILL HEINERTH - Explorer, Presenter, Author of “Into The Planet: My Life as a Cave Diver”
01:02 ALICE FULTON - Poet - Recipient of MacArthur “Genius”, NEA & Guggenheim Fellowships
01:31 BERTRAND PICCARD - Aviator of 1st Round-the-World Solar-Powered Flight, Explorer, Founder, Solar Impulse Foundation: 1000+ Profitable Climate Solutions
02:31 CHRIS BLACKWELL - Founder of Island Records - Bob Marley, U2, Cat Stevens, Grace Jones, Roxy Music, Amy Winehouse…Author of “The Islander: My Life in Music and Beyond"
03:31 ALICE NOTLEY - Poet & Artist - Academy of American Poets Award Winner
04:08 MIA FUNK - Artist, Writer & Host of The Creative Process reads “In My Dreams"
04:45 MAX STOSSEL - Award-winning Poet, Filmmaker, Speaker - Creator of "Words That Move”
05:04 GERALD FLEMING - Poet, Author of the collections “The Choreographer”, “One”, “Night of Pure Breathing”, among others
05:29 MARGO BERDESHEVSKY - Award-winning Poet - "Kneel Said the Night”,"Before The Drought”, “Between Soul & Stone”
05:56 SAM LEVY - Award-winning Cinematographer of “Lady Bird” “Frances Ha” “While We’re Young” “Confess, Fletch”
06:31 CHAYSE IRVIN - Award-winning Cinematographer - “Blonde" starring Ana de Armas, “Beyonce: Lemonade”, Spike Lee’s “BlacKkKlansman”
06:57 KARINA MANASHIL - President of Mad Solar - Creative Confidante for Kid Cudi - Executive Producer of Netflix’s “Entergalactic”, A24’s “Pearl”, “X”
07:37 CARL SAFINA - Ecologist - Founding President of Safina Center - NYTimes Bestselling Author of “Becoming Wild: How Animal Cultures Raise Families, Create Beauty, and Achieve Peace”, among others
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Flower Duet - Leo Delibes
Creative Commons Attribution 3.0 Unported CC BY 3.0
https://creativecommons.org/licenses/by/3.0/
Conducted by Philip Milman https://pmmusic.pro/
“These long-lived connections provide a radically different example of the insight from one of the characters created by my fellow Southerner William Faulkner: 'The past is never dead. It's not even past.'
And similarly long chains reach from the present into the future. Conventionally, we tend to think that the future is yet to be born or is even only just beginning to be conceived. But the climate future was already beginning to take shape when humans started centuries ago to inject more carbon into the atmosphere than the usual climate dynamics could handle in the usual ways, and climate parameters were forced to start changing. The vast and accelerating carbon emissions of the late 20th century and the early 21st century are building minimum floors under the extent of climate change in future centuries, barring radically innovative corrections of kinds that may or may not be possible.
[Timothy Mitchell has written:]'The modes of common life that have arisen largely within the last one hundred years, and whose intensity has accelerated only since 1945, are shaping the planet for the next one thousand years, and perhaps the next 50,000.' The future is not inaccessible – we hold its fundamental parameters in our hands, and we are shaping them now. In this respect, the future is not unborn–it's not even future.”
– The Pivotal Generation: Why We Have a Moral Responsibility to Slow Climate Change Right Now
Henry Shue is Professor Emeritus of Politics and International Relations at University of Oxford’s Merton College. He's the author of Basic Rights, as well as The Pivotal Generation: Why We Have a Moral Responsibility to Slow Climate Change Right Now, among many other publications. In 1976, he co-founded the Institute for Philosophy and Public Policy at the University of Maryland. He was a supporter of the successful campaign by Virginia's Augusta County Alliance to stop the Atlantic Coast Pipeline, and now works primarily on explanations for the urgency of far more ambitious policies to eliminate fossil fuels in order to avoid irreversible damage for future generations.
www.merton.ox.ac.uk/people/professor-henry-shue
https://press.princeton.edu/books/paperback/9780691202280/basic-rights
https://press.princeton.edu/books/hardcover/9780691226248/the-pivotal-generation
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Henry Shue is Professor Emeritus of Politics and International Relations at University of Oxford’s Merton College. He's the author of Basic Rights, as well as The Pivotal Generation: Why We Have a Moral Responsibility to Slow Climate Change Right Now, among many other publications. In 1976, he co-founded the Institute for Philosophy and Public Policy at the University of Maryland. He was a supporter of the successful campaign by Virginia's Augusta County Alliance to stop the Atlantic Coast Pipeline, and now works primarily on explanations for the urgency of far more ambitious policies to eliminate fossil fuels in order to avoid irreversible damage for future generations.
“These long-lived connections provide a radically different example of the insight from one of the characters created by my fellow Southerner William Faulkner: 'The past is never dead. It's not even past.'
And similarly long chains reach from the present into the future. Conventionally, we tend to think that the future is yet to be born or is even only just beginning to be conceived. But the climate future was already beginning to take shape when humans started centuries ago to inject more carbon into the atmosphere than the usual climate dynamics could handle in the usual ways, and climate parameters were forced to start changing. The vast and accelerating carbon emissions of the late 20th century and the early 21st century are building minimum floors under the extent of climate change in future centuries, barring radically innovative corrections of kinds that may or may not be possible.
[Timothy Mitchell has written:]'The modes of common life that have arisen largely within the last one hundred years, and whose intensity has accelerated only since 1945, are shaping the planet for the next one thousand years, and perhaps the next 50,000.' The future is not inaccessible – we hold its fundamental parameters in our hands, and we are shaping them now. In this respect, the future is not unborn–it's not even future.”
– The Pivotal Generation: Why We Have a Moral Responsibility to Slow Climate Change Right Now
www.merton.ox.ac.uk/people/professor-henry-shue
https://press.princeton.edu/books/paperback/9780691202280/basic-rights
https://press.princeton.edu/books/hardcover/9780691226248/the-pivotal-generation
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
The podcast currently has 299 episodes available.