Tiemen ter Hoeven 是RoetzBike自行车公司 的创始人兼首席执行官，并致力自行车产业的循环经济和可持续性发展创新。 仅在荷兰，每年就有大约 100 万辆自行车被丢弃，但许多零件仍然可以完美使用。 在 RoetzBike的Fair工厂，这些零件将会由员工清洗、修理并重新组装成新自行车。同时 Roetz Bike的将会提供社会， 例如教育，工作技能培训，和工作指南给予这些员工来帮助他们发掘自身潜力和提高经济水平。

Tiemen ter Hoeven is founder and CEO of Roetz, a manufacturer of circular bicycles and e-bikes. In the Netherlands alone, about 1 million bicycles are discarded every year - whilst many parts can still be used perfectly well. In the Roetz Fair Factory, the parts are cleaned, repaired, and reassembled into new bicycles by people with poor job prospects. Roetz’ mission is to bring circular design and innovation to the bike industry and beyond.

www.oneplanetpodcast.org

www.creativeprocess.info

Tiemen ter Hoeven 是RoetzBike自行车公司 的创始人兼首席执行官，并致力自行车产业的循环经济和可持续性发展创新。 仅在荷兰，每年就有大约 100 万辆自行车被丢弃，但许多零件仍然可以完美使用。 在 RoetzBike的Fair工厂，这些零件将会由员工清洗、修理并重新组装成新自行车。同时 Roetz Bike的将会提供社会， 例如教育，工作技能培训，和工作指南给予这些员工来帮助他们发掘自身潜力和提高经济水平。

Tiemen ter Hoeven is founder and CEO of Roetz, a manufacturer of circular bicycles and e-bikes. In the Netherlands alone, about 1 million bicycles are discarded every year - whilst many parts can still be used perfectly well. In the Roetz Fair Factory, the parts are cleaned, repaired, and reassembled into new bicycles by people with poor job prospects. Roetz’ mission is to bring circular design and innovation to the bike industry and beyond.

www.oneplanetpodcast.org

www.creativeprocess.info

托德·B·卡什丹 (Todd B. Kashdan) 博士是乔治梅森大学心理学教授，也是关于人类幸福感、好奇心、勇气和韧性领域的权威学者。 他发表了 220 多篇科学文章，被引用超过 35,000 次，并获得美国心理学会 颁发的早期职业心理学杰出科学贡献奖。 他是多本书的作者，其中包括《不服从的艺术：《如何有效地提出异议和反抗，好奇吗？》 和《你的黑暗面的好处》，已被翻译成超过十五种语言。 他的研究经常出现在《纽约时报》、《大西洋月刊》和《时代》杂志上，他的文章也出现在《哈佛商业评论》、《国家地理》和其他出版物上。 他是微软、梅赛德斯-奔驰、保德信、通用磨坊、美国国防部和世界银行集团等不同组织的主讲人和顾问。

Todd B. Kashdan, Ph.D., is professor of psychology at George Mason University, and a leading authority on well-being, curiosity, courage, and resilience. He has published more than 220 scientific articles, his work has been cited more than 35,000 times, and he received the American Psychological Association’s Award for Distinguished Scientific Early Career Contributions to Psychology. He is the author of several books, including The Art of Insubordination: How to Dissent and Defy Effectively, Curious? and The Upside of Your Dark Side, and has been translated into more than fifteen languages. His research is featured regularly in The New York Times, The Atlantic, and Time, and his writing has appeared in the Harvard Business Review, National Geographic, and other publications. He is a keynote speaker and consultant for organizations as diverse as Microsoft, Mercedes-Benz, Prudential, General Mills, The United States Department of Defense, and World Bank Group.

"We're really talking about principled rebels. And when we talk about insubordination, we're talking about most of us live in these social hierarchies, and there's the idea, this started in the military and still goes on, where if someone at a lower rank questions or challenges a command or a norm that someone of a higher rank, that's considered an act of insubordination. And one of the main problems of that, I think anyone who's listening can acknowledge, is it depends on the quality of the idea of the person who's raising the question.

I just realized there was this whole body of literature on minority influence that no one had put together into a book for the general public, and considering the racial reckoning that occurred during COVID-19, the extra attention to diversity, to disadvantaged groups, every moment of society, it just feels like it's more and more relevant of what I've been working on. If you don't have the numbers, if you lack status or you lack power, the way to be persuasive towards a group is much different than if you do have the title or are socially attractive in that group."

https://toddkashdan.com

www.penguinrandomhouse.com/books/690674/the-art-of-insubordination-by-todd-b-kashdan-phd/

www.creativeprocess.info
www.oneplanetpodcast.org
Instagram @creativeprocesspodcast

"We're really talking about principled rebels. And when we talk about insubordination, we're talking about most of us live in these social hierarchies, and there's the idea, this started in the military and still goes on, where if someone at a lower rank questions or challenges a command or a norm that someone of a higher rank, that's considered an act of insubordination. And one of the main problems of that, I think anyone who's listening can acknowledge, is it depends on the quality of the idea of the person who's raising the question.”

托德·B·卡什丹 (Todd B. Kashdan) 博士是乔治梅森大学心理学教授，也是关于人类幸福感、好奇心、勇气和韧性领域的权威学者。 他发表了 220 多篇科学文章，被引用超过 35,000 次，并获得美国心理学会 颁发的早期职业心理学杰出科学贡献奖。 他是多本书的作者，其中包括《不服从的艺术：《如何有效地提出异议和反抗，好奇吗？》 和《你的黑暗面的好处》，已被翻译成超过十五种语言。 他的研究经常出现在《纽约时报》、《大西洋月刊》和《时代》杂志上，他的文章也出现在《哈佛商业评论》、《国家地理》和其他出版物上。 他是微软、梅赛德斯-奔驰、保德信、通用磨坊、美国国防部和世界银行集团等不同组织的主讲人和顾问。

Todd B. Kashdan, Ph.D., is professor of psychology at George Mason University, and a leading authority on well-being, curiosity, courage, and resilience. He has published more than 220 scientific articles, his work has been cited more than 35,000 times, and he received the American Psychological Association’s Award for Distinguished Scientific Early Career Contributions to Psychology. He is the author of several books, including The Art of Insubordination: How to Dissent and Defy Effectively, Curious? and The Upside of Your Dark Side, and has been translated into more than fifteen languages. His research is featured regularly in The New York Times, The Atlantic, and Time, and his writing has appeared in the Harvard Business Review, National Geographic, and other publications. He is a keynote speaker and consultant for organizations as diverse as Microsoft, Mercedes-Benz, Prudential, General Mills, The United States Department of Defense, and World Bank Group.

"We're really talking about principled rebels. And when we talk about insubordination, we're talking about most of us live in these social hierarchies, and there's the idea, this started in the military and still goes on, where if someone at a lower rank questions or challenges a command or a norm that someone of a higher rank, that's considered an act of insubordination. And one of the main problems of that, I think anyone who's listening can acknowledge, is it depends on the quality of the idea of the person who's raising the question.

I just realized there was this whole body of literature on minority influence that no one had put together into a book for the general public, and considering the racial reckoning that occurred during COVID-19, the extra attention to diversity, to disadvantaged groups, every moment of society, it just feels like it's more and more relevant of what I've been working on. If you don't have the numbers, if you lack status or you lack power, the way to be persuasive towards a group is much different than if you do have the title or are socially attractive in that group."

https://toddkashdan.com

www.penguinrandomhouse.com/books/690674/the-art-of-insubordination-by-todd-b-kashdan-phd/

www.creativeprocess.info
www.oneplanetpodcast.org
Instagram @creativeprocesspodcast

自 2014 年以来，Rowin Snijder 一直与他的公司 Le Compostier/ 一起为社区堆肥项目/设计和建造“蠕虫酒店”。 蠕虫旅馆/是一种用于城市社区/有机堆肥的/生态系统架构。这些蠕虫旅馆为社区的自然生态提供了空间，并向人们展示了/我们如何可以利用有机废料来创建一个循环城市。同时Rowin Snijder， 也致力于社区建设/和生态教育/而且一直与不同的社会机构合作/将环境保护和食品健康教育的思想带给更多人。

Since 2014, Rowin Snijder has been designing and building with his company Le Compostier “worm hotels” for community composting projects. A worm hotel is a structure in which an ecosystem of compost organisms work together to transform organic waste into beautiful worm compost. With a garden on top of each worm hotel, they give space to nature in neighborhoods and show us we can use organic waste to create a circular city.

www.compostier.nl
www.oneplanetpodcast.org
www.creativeprocess.info

自 2014 年以来，Rowin Snijder 一直与他的公司 Le Compostier/ 一起为社区堆肥项目/设计和建造“蠕虫酒店”。 蠕虫旅馆/是一种用于城市社区/有机堆肥的/生态系统架构。这些蠕虫旅馆为社区的自然生态提供了空间，并向人们展示了/我们如何可以利用有机废料来创建一个循环城市。同时Rowin Snijder， 也致力于社区建设/和生态教育/而且一直与不同的社会机构合作/将环境保护和食品健康教育的思想带给更多人。

Since 2014, Rowin Snijder has been designing and building with his company Le Compostier “worm hotels” for community composting projects. A worm hotel is a structure in which an ecosystem of compost organisms work together to transform organic waste into beautiful worm compost. With a garden on top of each worm hotel, they give space to nature in neighborhoods and show us we can use organic waste to create a circular city.

www.compostier.nl
www.oneplanetpodcast.org
www.creativeprocess.info

在你的生活中，音乐是如何影响你的？ 您从哪里寻找自然世界的灵感？ 您在日常琐碎生活中是如何寻找有魔力的时刻？

厄兰·库珀 (Erland Cooper) 是一位来自奥克尼群岛stromness的苏格兰作曲家、制作人和多乐器演奏家。 他发行了三张广受好评的录音室专辑、四张姊妹专辑和多张 EP，其中包括受他童年故乡启发而创作的三部曲。 他的作品将现场录音与传统管弦乐和当代电子元素结合起来。 通过音乐文字和电影摄影，他探索风景、记忆和身份的主题。 Cooper还从事混合媒体项目，包括装置、艺术、戏剧和电影。 他因在苏格兰埋葬了他第一张古典专辑的唯一现存母带副本、删除了所有数字文件、只留下了一系列寻宝线索供歌迷和他的唱片公司寻找而闻名。 该磁带最近被发现。

"Music has the ability to transport you to a place and create a sort of internal landscape. And we all have life-changing things that happened to us. And I remember I made it as a way to kind of ease a busy mind. And perhaps I was missing home. I still call Orkney home, even though I'm not there every day. I'm a thousand miles away today, and I still call Orkney home. For example, when I hear the voice of the curlew, it transports me back to Orkney with such a jolt. In a heartbeat. And music can do that too. It's very transformative. Visual arts have the ability to do that too. And you could stare at a Rothko painting and cry and not quite know why. It can take days to figure out perhaps certain meanings from it. But music I think is quite instant. It can really do that."

How has music transported you? Where do you find inspiration from the natural world? Where do you find moments of every day magic?
Erland Cooper is a Scottish composer, producer, and multi-instrumentalist from Stromness, Orkney. He has released three acclaimed studio albums, four additional companion albums, and multiple EPs, including a trilogy of work inspired by his childhood home. His work combines field recordings with traditional orchestration and contemporary electronic elements. Through music words and cinematography, he explores landscape, memory, and identity. Cooper also works across mixed media projects, including installation, art, theater, and film. He is widely known for burying the only existing copy of the master tape of his first classical album in Scotland, deleting all digital files, and leaving only a treasure hunt of clues for fans and his record label alike to search for it. The tape has recently been found.

www.erlandcooper.com

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

Photo by Alex Kozobolis

在你的生活中，音乐是如何影响你的？ 您从哪里寻找自然世界的灵感？ 您在日常琐碎生活中是如何寻找有魔力的时刻？

厄兰·库珀 (Erland Cooper) 是一位来自奥克尼群岛stromness的苏格兰作曲家、制作人和多乐器演奏家。 他发行了三张广受好评的录音室专辑、四张姊妹专辑和多张 EP，其中包括受他童年故乡启发而创作的三部曲。 他的作品将现场录音与传统管弦乐和当代电子元素结合起来。 通过音乐文字和电影摄影，他探索风景、记忆和身份的主题。 Cooper还从事混合媒体项目，包括装置、艺术、戏剧和电影。 他因在苏格兰埋葬了他第一张古典专辑的唯一现存母带副本、删除了所有数字文件、只留下了一系列寻宝线索供歌迷和他的唱片公司寻找而闻名。 该磁带最近被发现。
How has music transported you? Where do you find inspiration from the natural world? Where do you find moments of every day magic?
Erland Cooper is a Scottish composer, producer, and multi-instrumentalist from Stromness, Orkney. He has released three acclaimed studio albums, four additional companion albums, and multiple EPs, including a trilogy of work inspired by his childhood home. His work combines field recordings with traditional orchestration and contemporary electronic elements. Through music words and cinematography, he explores landscape, memory, and identity. Cooper also works across mixed media projects, including installation, art, theater, and film. He is widely known for burying the only existing copy of the master tape of his first classical album in Scotland, deleting all digital files, and leaving only a treasure hunt of clues for fans and his record label alike to search for it. The tape has recently been found.

"Music has the ability to transport you to a place and create a sort of internal landscape. And we all have life-changing things that happened to us. And I remember I made it as a way to kind of ease a busy mind. And perhaps I was missing home. I still call Orkney home, even though I'm not there every day. I'm a thousand miles away today, and I still call Orkney home. For example, when I hear the voice of the curlew, it transports me back to Orkney with such a jolt. In a heartbeat. And music can do that too. It's very transformative. Visual arts have the ability to do that too. And you could stare at a Rothko painting and cry and not quite know why. It can take days to figure out perhaps certain meanings from it. But music I think is quite instant. It can really do that."

www.erlandcooper.com

www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast

Photo by Alex Kozobolis

作为循环经济之父，沃尔特·斯塔赫尔 (Walter R. Stahel) 是产品生命研究所（瑞士）的创始人兼所长，该研究所。是欧洲历史最悠久的致力于制定可持续战略和政策的咨询公司。 他同时是巴黎蓬特商学院循环经济研究中心的高级研究员，也是萨里大学工程与物理科学系的客座教授。 此外，他也是罗马俱乐部的正式会员。 他被萨里大学和蒙特利尔大学授予荣誉博士学位，并荣获材料、矿物和采矿研究所 2020 年的桑顿奖章，并著有《循环经济：用户指南》一书。

"The circularity, of course, has existed in nature for a long time. Actually, nature's circularity is by evolution. There is no plan, there is no liability, and there are no preferences. It's simply the cycles such as marine tides, CO2, and water cycles, plants and animals, and basically by evolution,  the best solution wins. Also, there is no waste. Dead material becomes food for other animals or plants. Now, early mankind survived by depending on these local natural resources sharing a non-monetary chaotic symbiosis dominated by nature, then poverty or necessity-based society changed when humankind used science to overcome shortages of everything. In other words, the Anthropocene. With nuclear energy, petrochemicals, metal alloys, we became independent from nature, but we overlooked the fact that these new manmade anthropogenic resources or synthetic resources were unknown to nature, so nature could not deal with them. And that means that we, humankind, has to take responsibility for it."

Walter R. Stahel is the Founder-Director of the Product-Life Institute (Switzerland), the oldest established consultancy in Europe devoted to developing sustainable strategies and policies. He is Senior Research Fellow at the Circular Economy Research Centre, Ecole des Ponts Business School and Visiting Professor in the Department of Engineering and Physical Sciences, University of Surrey. He is also a full member of the Club of Rome. He was awarded degrees of Doctor honoris causa by the University of Surrey, l’Université de Montréal, and the 2020 Thornton Medal of the Institute of Materials, Minerals and Mining. He is the author of The Circular Economy: A User’s Guide.

www.product-life.org

www.routledge.com/The-Circular-Economy-A-Users-Guide/Stahel/p/book/9780367200176

www.oneplanetpodcast.org

www.creativeprocess.info

IG @creativeprocesspodcast

作为循环经济之父，沃尔特·斯塔赫尔 (Walter R. Stahel) 是产品生命研究所（瑞士）的创始人兼所长，该研究所。是欧洲历史最悠久的致力于制定可持续战略和政策的咨询公司。 他同时是巴黎蓬特商学院循环经济研究中心的高级研究员，也是萨里大学工程与物理科学系的客座教授。 此外，他也是罗马俱乐部的正式会员。 他被萨里大学和蒙特利尔大学授予荣誉博士学位，并荣获材料、矿物和采矿研究所 2020 年的桑顿奖章，并著有《循环经济：用户指南》一书。

Walter R. Stahel is the Founder-Director of the Product-Life Institute (Switzerland), the oldest established consultancy in Europe devoted to developing sustainable strategies and policies. He is Senior Research Fellow at the Circular Economy Research Centre, Ecole des Ponts Business School and Visiting Professor in the Department of Engineering and Physical Sciences, University of Surrey. He is also a full member of the Club of Rome. He was awarded degrees of Doctor honoris causa by the University of Surrey, l’Université de Montréal, and the 2020 Thornton Medal of the Institute of Materials, Minerals and Mining. He is the author of The Circular Economy: A User’s Guide.

"The circularity, of course, has existed in nature for a long time. Actually, nature's circularity is by evolution. There is no plan, there is no liability, and there are no preferences. It's simply the cycles such as marine tides, CO2, and water cycles, plants and animals, and basically by evolution,  the best solution wins. Also, there is no waste. Dead material becomes food for other animals or plants. Now, early mankind survived by depending on these local natural resources sharing a non-monetary chaotic symbiosis dominated by nature, then poverty or necessity-based society changed when humankind used science to overcome shortages of everything. In other words, the Anthropocene. With nuclear energy, petrochemicals, metal alloys, we became independent from nature, but we overlooked the fact that these new manmade anthropogenic resources or synthetic resources were unknown to nature, so nature could not deal with them. And that means that we, humankind, has to take responsibility for it."

www.product-life.org

www.routledge.com/The-Circular-Economy-A-Users-Guide/Stahel/p/book/9780367200176

www.oneplanetpodcast.org

www.creativeprocess.info

IG @creativeprocesspodcast