The Creative Process · Arts, Culture & Society: 2022-2023

Stuart Dryburgh is a British born, New York based cinematographer. His credits include ‘The Great Wall’, ‘The Secret Life of Walter Mitty’, ‘Bridget Jones’ Diary’, ‘The Piano’ (AAN 1994) and ‘An Angel at my Table’. Stuart Dryburgh was born in the UK in 1952, and migrated with his family to New Zealand in 1961, where he spent most of his childhood and young adult life. He earned a Bachelor of Architecture from Auckland University in 1977. Stuart started out working on early NZ films such as ‘Middle Age Spread’ and ‘Good-Bye Pork Pie’ and ‘Smash Palace’. He was employed as a gaffer from 1979 – 1985, working on many NZ and international feature films and commercials. From 1985 on he has worked only as a cinematographer, at first shooting short films, music videos, and tv commercials. In 1989 he shot the 3 part TV mini series ‘An Angel at my Table’ for director Jane Campion. This led to another Dryburgh/ Campion collaboration, ‘The Piano’. For this film he was nominated for an Academy Award for Best Cinematography in 1994.

His next project, ultimately his last in New Zealand for many years, was ‘Once Were Warriors’ with New Zealand director Lee Tamahori. In 1994 Dryburgh shot his first US feature film, the ‘Peres Family’, for director Mira Nair,and moved permanently to the US in 1996.
· www.stuartdryburgh.com
· www.creativeprocess.info

Stuart Dryburgh is a British born, New York based cinematographer. His credits include ‘The Great Wall’, ‘The Secret Life of Walter Mitty’, ‘Bridget Jones’ Diary’, ‘The Piano’ (AAN 1994) and ‘An Angel at my Table’. Stuart Dryburgh was born in the UK in 1952, and migrated with his family to New Zealand in 1961, where he spent most of his childhood and young adult life. He earned a Bachelor of Architecture from Auckland University in 1977. Stuart started out working on early NZ films such as ‘Middle Age Spread’ and ‘Good-Bye Pork Pie’ and ‘Smash Palace’. He was employed as a gaffer from 1979 – 1985, working on many NZ and international feature films and commercials. From 1985 on he has worked only as a cinematographer, at first shooting short films, music videos, and tv commercials. In 1989 he shot the 3 part TV mini series ‘An Angel at my Table’ for director Jane Campion. This led to another Dryburgh/ Campion collaboration, ‘The Piano’. For this film he was nominated for an Academy Award for Best Cinematography in 1994.

His next project, ultimately his last in New Zealand for many years, was ‘Once Were Warriors’ with New Zealand director Lee Tamahori. In 1994 Dryburgh shot his first US feature film, the ‘Peres Family’, for director Mira Nair,and moved permanently to the US in 1996. www.stuartdryburgh.com · www.creativeprocess.info

“Net-zero is a big idea. It’s a big theme. And, unfortunately, what's going up are many ways to look like you're doing net-zero when you're not. So in the ideal world, getting to net-zero means essentially reducing your emissions, and then, where you have residual emissions left, that means you might need to have negative emissions. For example, it's relatively easy to decarbonize the power sector completely, and you can do it quickly and cheaply in most places, but you’re always going to be left with some levels of emissions from agriculture.”

Bill Hare is a physicist and climate scientist with 30 years of experience in science, impacts and policy responses to climate change and stratospheric ozone depletion. He is a founder and CEO of Climate Analytics, which was established to synthesize and advance scientific knowledge on climate change and provide state-of-the-art solutions to global and national climate change policy challenges.

He was a Lead Author for the Intergovernmental Panel on Climate Change (IPCC) Fourth Assessment Report, for which the IPCC was awarded the Nobel Peace Prize in 2007. Hare has contributed actively to the development of the international climate regime since 1989, including the negotiation of the 1992 UN Framework Convention on Climate Change, the 1997 Kyoto Protocol and the Paris Agreement in 2015. 

Hare is a graduate of Murdoch University in Western Australia and a visiting scientist at the Potsdam Institute for Climate Impact Research.

· https://climateanalytics.org
· https://climateactiontracker.org
· www.oneplanetpodcast.org

Bill Hare is a physicist and climate scientist with 30 years of experience in science, impacts and policy responses to climate change and stratospheric ozone depletion. He is a founder and CEO of Climate Analytics, which was established to synthesize and advance scientific knowledge on climate change and provide state-of-the-art solutions to global and national climate change policy challenges.

He was a Lead Author for the Intergovernmental Panel on Climate Change (IPCC) Fourth Assessment Report, for which the IPCC was awarded the Nobel Peace Prize in 2007. Hare has contributed actively to the development of the international climate regime since 1989, including the negotiation of the 1992 UN Framework Convention on Climate Change, the 1997 Kyoto Protocol and the Paris Agreement in 2015. 

Hare is a graduate of Murdoch University in Western Australia and a visiting scientist at the Potsdam Institute for Climate Impact Research.

· https://climateanalytics.org
· https://climateactiontracker.org
· www.oneplanetpodcast.org
· www.creativeprocess.info

“The political struggle is really hard today and I feel like we haven't been winning, but I think it's important not to think of this as either we win it, or there's catastrophe and that's the end. We win or lose, and there’s this big tidal wave that kills us all. That's not the way the climate crisis is going to play out. It’s going to be a long, slow, attritional crisis punctuated by forms of natural disaster that will decimate populations, but it's also going to be something that people will be impacted by for generations and that people will continue to mobilize around, so I think it's important to keep that in mind.”

Ashley Dawson is currently Professor of Postcolonial Studies in the English Department at the Graduate Center, City University of New York (CUNY), and at the College of Staten Island/CUNY. He currently works in the fields of environmental humanities and postcolonial ecocriticism. He is the author of three recent books relating to these fields: People’s Power (O/R, 2020), Extreme Cities (Verso, 2017) and Extinction (O/R, 2016). Other areas of interest of his include the experience and literature of migration, including movement from colonial and postcolonial nations to the former imperial center (Britain in particular), and from rural areas to mega-cities of the global South such as Lagos and Mumbai.
· ashleydawson.info
· www.centerforthehumanities.org/programming/climate-action-lab
· www.oneplanetpodcast.org
· www.creativeprocess.info

Ashley Dawson is currently Professor of Postcolonial Studies in the English Department at the Graduate Center, City University of New York (CUNY), and at the College of Staten Island/CUNY. He currently works in the fields of environmental humanities and postcolonial ecocriticism. He is the author of three recent books relating to these fields: People’s Power (O/R, 2020), Extreme Cities (Verso, 2017) and Extinction (O/R, 2016). 

Other areas of interest of his include the experience and literature of migration, including movement from colonial and postcolonial nations to the former imperial center (Britain in particular), and from rural areas to mega-cities of the global South such as Lagos and Mumbai.
· ashleydawson.info
· 
www.centerforthehumanities.org/programming/climate-action-lab
· www.oneplanetpodcast.org
· www.creativeprocess.info

“The figure in my work is me. The figure in my work is you. It's me placing objects. It’s me putting things together. It’s you standing near it. It’s you in proximity moving back and forth, moving around it. It’s us. One of the reasons I make the things I do the way I make them is because I can't imagine them. I make things that I couldn't draw or even think about clearly. I can only look at them. I enjoy the complexity that I make because I'm striving to see it.”

John Powers was born in Chicago. He is a sculptor. After doing an apprenticeship on the West Coast with the sculptor Tom Jay, he moved to New York where he studied at Pratt and Hunter College. His artwork has been shown at MoMA PS1, the Brooklyn Museum, the Bruges Triennial, and PostMasters Gallery, among others. He was recently featured in the New York Times after injuring his hand.

· www.johnpowers.us

· www.creativeprocess.info

John Powers was born in Chicago. He is a sculptor. After doing an apprenticeship on the West Coast with the sculptor Tom Jay, he moved to New York where he studied at Pratt and Hunter College. His artwork has been shown at MoMA PS1, the Brooklyn Museum, the Bruges Triennial, and PostMasters Gallery, among others. He was recently featured in the New York Times after injuring his hand.

· www.johnpowers.us

· www.creativeprocess.info

Robert Nathan is an award-winning television producer, screenwriter, journalist, and novelist. Best known for his work on the Law & Order television franchise and his novel The White Tiger. He has worked in politics, broadcast and print journalism, film, and television. Nathan joined the original writing staff of Law & Order, working on three series in the franchise. Nathan’s script for the episode “Manhood,” co-written with Walon Green, holds the franchise’s only Emmy nomination for Outstanding Writing for a Drama Series. He was also on the original staff of the TV series ER and received a Peabody Award. Nathan has received four Emmy nominations, an Edgar Award nomination, the GLAAD Media Award, the Silver Gavel Award, the Shine Award, and a Humanitas Award nomination.

www.creativeprocess.info

Robert Nathan is an award-winning television producer, screenwriter, journalist, and novelist. Best known for his work on the Law & Order television franchise and his novel The White Tiger. He has worked in politics, broadcast and print journalism, film, and television. Nathan joined the original writing staff of Law & Order, working on three series in the franchise. Nathan’s script for the episode “Manhood,” co-written with Walon Green, holds the franchise’s only Emmy nomination for Outstanding Writing for a Drama Series. He was also on the original staff of the TV series ER and received a Peabody Award. Nathan has received four Emmy nominations, an Edgar Award nomination, the GLAAD Media Award, the Silver Gavel Award, the Shine Award, and a Humanitas Award nomination.

www.creativeprocess.info