Gilad Baram is an Israeli photographer, visual artist and documentarian. His 2015 film “Koudelka Shooting Holy Land” follows iconic Czech photographer Josef Koudelka’s journey through Israel and Palestine as he captures the essence of that conflicted land. Tiller begins the discussion explaining how he thinks this film achieves rigorous artistic singularity (2:30), before Gilad shares why this was never meant to be a film (10:30), Koudelka’s surprising documentation of the West Bank border (20:00), how a foreign Czech photographer helped him look at his homeland of Israel in a new way (27:00), and the importance of still photography in our increasingly digital world (35:00).

Produced by: Jacob Miller

Executive Producer: Tiller Russell

Music by: James Carroll, Graham Tracey & Zydepunk

Distributed by: Jake Brennan & Brady Sadler, Double Elvis Productions

Director Josh Greenbaum’s latest documentary, “Will & Harper”, depicts an intimate portrayal of friendship, understanding and America as Will Ferrell and his recently transitioned close friend Harper Steele, former SNL head writer, embark on a cross-country road trip. Josh shares with Tiller the experience of being approached by Will and Harper with the initial film idea (2:30), Josh’s multi-step prep process (6:00), how he ensured the road trip felt authentic (12:30), finding acceptance in the most unexpected places (15:30), the grand epiphanies they realized along the way (20:00), how removing the “comedy” was the key editorial breakthrough (25:00), and the fundamental definition of a director (29:00). 

Produced by: Jacob Miller

Executive Producer: Tiller Russell

Music by: James Carroll, Graham Tracey & Zydepunk

Distributed by: Jake Brennan & Brady Sadler, Double Elvis Productions

The themes, images, and cultural vernacular of Victor Fleming’s The Wizard of Oz continue to haunt David Lynch’s filmography.  Is Lynch trapped in the Land of Oz? Through six distinct perspectives, Alexandre O. Philippe’s Lynch/Oz helps us reexperience and reinterpret The Wizard of Oz by way of David Lynch, delivering new appreciations of both. In his discussion with Tiller, Alexandre speaks about the allure of making films about films (2:00), his jazz-inspired approach to interviews (7:30), how he selected his eclectic cast of characters, including John Waters (15:30), the art of the essay film (19:30), selling the film just on the title (29:00), and crafting the masterful opening scene (32:00).

Produced by: Jacob Miller

Executive Producer: Tiller Russell

Music by: James Carroll, Graham Tracey & Zydepunk

Distributed by: Jake Brennan & Brady Sadler, Double Elvis Productions

PART TWO! Director R.J. Cutler returns to the show to discuss his two latest biopic documentaries, “Martha” and “Elton John: Never Too Late.” In Part Two, R.J. discusses with Tiller about how Elton John walked into his life (0:35),  the theme of mortality in the film (4:30), exploring the most raw emotional moments of Elton’s life (12:00), and how Elton's relationship with John Lennon fundamentally changed his life (18:00).

Produced by: Jacob Miller

Executive Producer: Tiller Russell

Music by: James Carroll, Graham Tracey & Zydepunk

Distributed by: Jake Brennan & Brady Sadler, Double Elvis Productions

PART ONE! Director RJ Cutler returns to the show to discuss his two latest biopic documentaries, “Martha” and “Elton John: Never Too Late.” In Part One, RJ will share with Tiller how he and Martha first connected (3:00), creating a film around a potentially unreliable narrator (9:00), why Martha was the only on-camera interview in the film (12:00), how he prepared Martha to be vulnerable (14:30), why nothing surprises him when making documentaries (18:30), and what it means to be in search of ecstatic truth (26:00).

Produced by: Jacob Miller

Executive Producer: Tiller Russell

Music by: James Carroll, Graham Tracey & Zydepunk

Distributed by: Jake Brennan & Brady Sadler, Double Elvis Productions

Directors Daniel Roher and Edmund Stenson’s latest film “Blink”, the follow-up to their Academy Award winning feature “Navalny”, follows a family taking their three children on an epic journey to see the beauty of the world before they lose their eyesight to an incurable condition. Edmund joins Tiller to discuss the nuances of capturing cinematic moments with verité (3:30), editing scenes in your mind as you film them (9:00), how to decide what to shoot as a team (13:00), how his editing background helped him communicate his cinematic language (19:00), and crying when he captured the final moment of the film (23:00). 

Produced by: Jacob Miller

Executive Producer: Tiller Russell

Music by: James Carroll, Graham Tracey & Zydepunk

Distributed by: Jake Brennan & Brady Sadler, Double Elvis Productions

Maciek Hamela’s minimalist debut film, “In the Rearview” is an expansive road trip through the Russian invasion of Ukraine that drove more than 15 million refugees — more than one-third of Ukraine’s population — in out of their homes and country. In this film, Maciek drives a van of Ukrainian refugees as they encounter numerous military checkpoints while trying to make their way to Poland. Maciek shares with Tiller how and why he made this film (2:00), his thought process in framing the film as a “profound act of bearing witness” (22:00), the agonizing process of cutting down the film when everything felt important (32:00), and creating a ravishing score purely from the sounds of car in the film (41:30). 

Produced by: Jacob Miller

Executive Producer: Tiller Russell

Music by: James Carroll, Graham Tracey & Zydepunk

Distributed by: Jake Brennan & Brady Sadler, Double Elvis Productions

Director Nenad Cicin-Sain’s latest film “Kiss the Future” covers the incredibly dire yet uplifting stories of underground art and music, which culminated in a live concert by the band U2, during the brutal four-year siege of Sarajevo. Nenad opens up about about his connection to Sarajevo and researching this story (2:30), creating a war film first and a concert film second (12:45), what made Matt Damon such a great producer (18:30), the path to filming interviews in a bombed out former Red Cross building (23:45), the transfer of trauma when making a film about genocide (33:00), and the perfect metaphor for the role of a director (45:00). 

Produced by: Jacob Miller

Executive Producer: Tiller Russell

Music by: James Carroll, Graham Tracey & Zydepunk

Distributed by: Jake Brennan & Brady Sadler, Double Elvis Productions

Actor, Producer, and Director Fisher Stevens is the creative force behind Netflix’s Emmy-nominated docuseries “Beckham”, which follows David Beckham's rise from humble working-class beginnings to football stardom, as well as all his personal turbulence along the way. Fisher shares with Tiller why he pivoted from acting to documentaries (2:00), the backstory behind his unlikely partnership with the Beckhams (7:30), building trust with David (12:00), figuring out the story structure in the edit (23:00), filming over 20 hours of interviews with David (30:00), and what it really means to be a director (37:30). 

Produced by: Jacob Miller

Executive Producer: Tiller Russell

Music by: James Carroll, Graham Tracey & Zydepunk

Distributed by: Jake Brennan & Brady Sadler, Double Elvis Productions

Director, photographer, interviewer, and yes, amateur skateboarder Sam Jones reflects on the winding journey of directing “Tony Hawk: Until the Wheels Fall Off”, a definitive, no-holds-barred look at the life and iconic career of skateboarding’s greatest to ever do it. Tiller and Sam discuss why Tiller is envious of Sam’s career (2:45), the backstory behind Sam’s debut documentary from 2002 about the band Wilco (9:50), how Tony Hawk truly lives as hard as he can (21:00), Sam’s decision to make the film independently even though every streamer passed on it (28:30), continuing to find inspiration on the long lonely road of documentary filmmaking (36:00), and how this is ultimately film about people, not for people (44:00). 

Produced by: Jacob Miller

Executive Producer: Tiller Russell

Music by: James Carroll, Graham Tracey & Zydepunk

Distributed by: Jake Brennan & Brady Sadler, Double Elvis Productions