One of the generally accepted facts about theatre in the time of Shakespeare and Jonson is that boy actors took female roles and women were banned from appearing on the stage.  This is in fact only partly true and my guest for today’s episode has made a study of how early modern actresses, from traditions on the European continent,  influenced the English stage.  During out conversation we covered aspects of European theatre from the early 1500’s, and Commedia Dell’arte in particular.  You will find my take on this in season three of the podcast and if you have already listened to that hopefully some of the names will still sound familiar.  We also talked about the influence of actresses on playwrights and plays from the period and hopefully you will remember Lilly, Marlowe and Kyd and The Spanish Tragedy from season four of the podcast.  All those episodes are still out there on your podcast feed if you need a refresher.   

Pamela Allen Brown is Professor Emerita of English, University of Connecticut. Her monograph The Diva’s Gift to the Shakespearean Stage: Agency, Theatricality, and the Innamorata was published by Oxford in 2021. With Julie Campbell and Eric Nicholson, she edited and translated Isabella Andreini's Lovers' Debates for the Stage, The Other Voice in Early Modern Europe (Iter, 2022). Previous books include Better a Shrew than a Sheep: Women, Drama and the Culture of Jest in Early Modern England; As You Like It: Texts and Contexts (co-authored with Jean E. Howard); and Women Players in England 1500-1650: Beyond the All-Male Stage (co-edited with Peter Parolin). She is a founding member of Theater Without Borders, a working group of scholars of early modern transnational drama, and she recently joined the New Books Network as a podcast host. Her poetry has appeared in Epiphany, First Literary Review East, New Square, Visual Verse, Public, Out of Sequence, and P/rose. For more on her work see:

https://www.pamelaallenbrown.com/

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