The most played episodes among Podcast App listeners.

1. 1
   Number 1: Venice 2026 #5, with Jordan Cronk and Öykü Sofuoğlu

   This week, Film Comment is reporting from the picturesque shores of the Lido di Venezia, where the Venice Film Festival takes place each year. This year’s edition features new films by many major auteurs, including Werner Herzog, Lee Chang-dong, Tsai Ming-liang, and more. For our fifth Podcast from the fest, Film Comment Co-Editor Devika Girish invited critic and programmer Jordan Cronk and critic Öykü Sofuoğlu to discuss Theo Rollason's Queer Edward II (2:40), Jacqueline Lentzou's A Day in the Life of Jo: Chapter Phaedra (11:45), María Aparicio's Sometimes Sadness, Sometimes Rebellion (18:30), Luke Lorentzen's Boatbuilders (24:55), Ilya Khrzhanovsky's DAU (29:20), and Luca Guadagnino's Joie de vivre (42:00). Subscribe to Film Comment to stay up-to-date with all of our Venice 2026 coverage.

   September 11, 2026·52min
   Play
2. 2
   Number 2: Venice 2026 #3, with Jonathan Romney and Tim Grierson

   This week and next, Film Comment is reporting from the picturesque shores of the Lido, where the Venice Film Festival takes place each year. This year’s edition features new films by many major auteurs, including Werner Herzog, Lee Chang-dong, Tsai Ming-liang, and more. For our third Podcast from the festival, Film Comment Co-Editor Devika Girish invited critics Jonathan Romney and Tim Grierson to share their reactions to The Pervert's Guide to Utopias (2:38), director Sophie Fiennes’s latest collaboration with philosopher Slavoj Žižek, as well as Oasis: Don't Look Back in Anger (14:36), Dylan Southern and Will Lovelace’s concert documentary following the band's recent reunion tour. Finally, the three discussed one of the major standouts in the fest’s Competition section: May el-Toukhy‘s Woman Unknown (26:25). Subscribe to Film Comment to stay up-to-date with all of our Venice 2026 coverage.

   September 09, 2026·49min
   Play
3. 3
   Number 3: Venice 2026 #2, with Bilge Ebiri and Guy Lodge

   This week and next, Film Comment is reporting from the picturesque shores of the Lido, where the Venice Film Festival takes place each year. This year’s edition features new films by many major auteurs, including Werner Herzog, Lee Chang-dong, Tsai Ming-liang, and more. For our second Podcast from the city of canals, critics Bilge Ebiri (New York / Vulture) and Guy Lodge (Variety) join Film Comment Co-Editor Devika Girish to discuss two standouts of the festival's Competition section: Danny Boyle's Ink (2:28) and Lee Chang-dong's Possible Love (12:05). Next, they discuss a highlight of the Horizons sidebar: Robert Greene's Too Much Sugar (27:30). Subscribe to Film Comment to stay up-to-date with all of our Venice 2026 coverage.

   September 08, 2026·44min
   Play
4. 4
   Number 4: Venice 2026 #1, with Miriam Bale and Öykü Sofuoğlu

   This week and next, Film Comment is reporting from the picturesque shores of the Lido, where the Venice Film Festival takes place each year. This year’s edition features new films by many major auteurs, including Werner Herzog, Lee Chang-dong, Tsai Ming-liang, and more. To kick off our coverage, Film Comment Co-Editor Devika Girish invited critics Miriam Bale and Öykü Sofuoğlu to discuss some of the most highly anticipated premieres of the festival's first days, including Martin McDonagh's Wild Horse Nine (2:45), Werner Herzog's Bucking Fastard (10:10), Paul Schrader's The Basics of Philosophy (22:06), and Lance Oppenheim's Primetime (31:52). Subscribe today to Film Comment to stay up-to-date with all of our Venice 2026 coverage.

   September 06, 2026·46min
   Play
5. 5
   Number 5: Jane Schoenbrun on Teenage Sex and Death at Camp Miasma

   Teenage Sex and Death at Camp Miasma, Jane Schoenbrun’s third narrative feature, opens in theaters tomorrow. Dizzyingly meta-textual and deliciously, well, campy, the film stars Hannah Einbinder as an emerging queer filmmaker tasked with directing a reboot of a fictional ’80s slasher franchise titled Camp Miasma. She decides to visit the final girl of the original movie who is now an eccentric middle-aged recluse, played by Gillian Anderson, who’s living on the campgrounds where the first movie was shot. What unfolds is, in the words of our critic Nathan Lee, a “gore-soaked, titty-bouncing, sexploitation fever dream girded by real conceptual brio.” Meditations on the perverse riddles of desire as well as the queer subtexts of many slasher films and the kind of strange identification they invite from the spectator are rendered with perfectly pitched horror theatrics and laugh-out-loud humor. Film Comment Editor Devika Girish spoke with Schoenbrun about this very rich text, trying to unpack the film’s layers—but not too hard, because if there’s one thing you can take away from Teenage Sex and Death at Camp Miasma, it’s that analysis is a boner-killer and mystery is hot. Subscribe to Film Comment today for full access to new quarterly digital issues as well as our comprehensive archive of every Film Comment issue published since 1962.

   August 06, 2026·38min
   Play