The most played episodes among Podcast App listeners.

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   Number 1: The Best Films of 2021

   Drumroll, please! Film Comment’s highly anticipated Best Films of 2021 list, voted on by nearly a 100 critics and colleagues the world over, is finally out. Editors Clinton Krute and Devika Girish unveiled the results live at a special Film Comment Talk, featuring hearty discussion and debate with all-star panelists Bilge Ebiri (film critic, Vulture and New York magazine), Edo Choi (assistant curator of film, Museum of the Moving Image), and Beatrice Loayza (associate web editor, the Criterion Collection). Read the full Best of 2021 lists (including newly commissioned writing from a host of critics!), including best undistributed films and individual ballots from our invaluable voters, at filmcomment.com.

   December 17, 2021·2h 10min
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   Number 2: New Year, New Releases with A.S. Hamrah and Simran Hans

   With the holidays behind us and a new and exciting year of cinema on the horizon, FC editors Devika Girish and Clinton Krute caught up on some major recent releases. They were joined on their journey through the last few weeks of Hollywood movies by frequent guest A.S. Hamrah, critic for the Baffler, and Simran Hans, critic for the Observer and a first-time visitor to the Film Comment Podcast. They discussed blockbusters The Matrix Resurrections, Don’t Look Up, and Being the Ricardos, as well as more unusual big-ticket fare including Maggie Gyllenhaal’s The Lost Daughter and Joel Coen’s The Tragedy of Macbeth. P.S.: Don’t miss Scott’s under-the-radar picks from last year, with more than a few unexpected choices.

   January 11, 2022·1h 11min
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   Number 3: Music Documentaries with Geeta Dayal and Ashley Clark

   This week's episode is inspired by the recent release of The Beatles: Get Back, Peter Jackson’s eight-hour docuseries about the making of the band’s 1970 album, Let It Be. The flurry of conversation provoked by the series—about its length, its restored archival footage, and the ways in which it captures the process of music-making and rehearsal—got Film Comment editors Devika Girish and Clinton Krute thinking about music documentaries more generally. What makes them good, beyond the music itself? How do concert documentaries differ from artists’ portraits? And which documentaries truly capture—and maybe even re-envision—the craft of their subjects? To dig into these questions, they invited Geeta Dayal, a noted music, art, and film critic, and Ashley Clark, the curatorial director at the Criterion Collection. Their conversation covers a number of documentaries: The Velvet Underground, Milford Graves Full Mantis; Ornette: Made in America, Sisters with Transistors, and of course, Get Back. For links to the film and show notes, go to filmcomment.com/blog/the-film-comment-podcast-music-documentaries/

   January 18, 2022·56min
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   Number 4: Apichatpong Weerasethakul and Tilda Swinton on Memoria

   The arrival of Apichatpong Weerasethakul’s Memoria has been one of the film events of the year. Six years after 2015’s Cemetery of Splendour, the filmmaker has returned to the big screen with his first feature set outside Thailand and his first collaboration with a bona fide movie star: Tilda Swinton. Swinton plays a British visitor in Colombia who finds herself afflicted with exploding head syndrome—a condition that causes her to hear mysterious and sudden booming sounds. Apichatpong and Swinton turn this uncanny premise into an elusive and elliptical exploration of alienation, the slippery nature of communication, and the specters of history. During the New York Film Festival last fall, Film Comment editors Devika Girish and Clinton Krute sat down with the director and the actress to chat about their collaboration, the autobiographical origins of the film, and Apichatpong’s interest in re-enchantment through cinema.

   December 09, 2021·22min
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   Number 5: Halloween Hangover with Violet Lucca and Maddie Whittle

   Every year, as Halloween approaches, Film Comment Co-Deputy Editors Devika Girish and Clinton Krute are forced to confront one of their greatest fears: horror movies. For this year’s festivities, they invited two horror experts—Violet Lucca, web editor at Harper's Magazine, and Maddie Whittle, Programming Assistant at Film at Lincoln Center—to inflict some scary movies upon them. Violet and Maddie selected a couple underground favorites: Mohammed Shebl’s bonkers 1981 Egyptian horror musical Fangs and Andy Milligan’s low-budget sleaze-fest The Body Beneath (1970). As it turned out, these vampire outings aren’t all that frightening, but they challenge and expand commonplace notions of horror cinema with their play with genre, sexuality, and political commentary. The group also talked about some other picks: Mahakaal, an ’80s Bollywood remake of Nightmare on Elm Street, Sandor Stern’s Canuxploitation classic Pin, and more.

   November 03, 2021·1h 6min
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