
Sign up to save your podcasts
Or


English lutenist and songwriter John Dowland is one of the best-known composers from the age of Shakespeare, but there’s much about him that we don’t know. Dowland wrote that he was born in 1563 but didn’t say where. Early biographies said he died in London on today’s date in 1626, but a mid-February date seems more likely. Dowland was 63 when he died — a ripe old age in a time of Plague.
One early biographer described Dowland as “a cheerful person, passing his days in lawful merriment,” but his most famous works are deeply introspective in tone, in keeping with the then-fashionable cult of melancholy and its preoccupation with tears, darkness, and death.
Dowland lived in a dangerous period of bitter religious conflict. He once wrote a frantic letter from Germany warning of a Catholic plot to assassinate Queen Elizabeth. But in that same letter Dowland confessed his own Catholic sympathies, yet at home and abroad worked for eminent Protestant families and royalty. The last record we have of him as a performer dates from May of 1625 when he played at the funeral of King James I — a fitting finale to a remarkable composer of that remarkable age.
John Dowland (1563-1626): Melancholy Galliard/Allemande; Ronn McFarlane, lute; Dorian 90148
By American Public Media4.7
176176 ratings
English lutenist and songwriter John Dowland is one of the best-known composers from the age of Shakespeare, but there’s much about him that we don’t know. Dowland wrote that he was born in 1563 but didn’t say where. Early biographies said he died in London on today’s date in 1626, but a mid-February date seems more likely. Dowland was 63 when he died — a ripe old age in a time of Plague.
One early biographer described Dowland as “a cheerful person, passing his days in lawful merriment,” but his most famous works are deeply introspective in tone, in keeping with the then-fashionable cult of melancholy and its preoccupation with tears, darkness, and death.
Dowland lived in a dangerous period of bitter religious conflict. He once wrote a frantic letter from Germany warning of a Catholic plot to assassinate Queen Elizabeth. But in that same letter Dowland confessed his own Catholic sympathies, yet at home and abroad worked for eminent Protestant families and royalty. The last record we have of him as a performer dates from May of 1625 when he played at the funeral of King James I — a fitting finale to a remarkable composer of that remarkable age.
John Dowland (1563-1626): Melancholy Galliard/Allemande; Ronn McFarlane, lute; Dorian 90148

6,751 Listeners

38,856 Listeners

8,767 Listeners

9,196 Listeners

5,778 Listeners

926 Listeners

1,388 Listeners

1,286 Listeners

3,158 Listeners

1,974 Listeners

523 Listeners

183 Listeners

13,769 Listeners

3,083 Listeners

248 Listeners

28,133 Listeners

430 Listeners

5,469 Listeners

2,195 Listeners

14,142 Listeners

6,416 Listeners

2,514 Listeners

4,837 Listeners

575 Listeners

244 Listeners