
Sign up to save your podcasts
Or


English lutenist and songwriter John Dowland is one of the best-known composers from the age of Shakespeare, but there’s much about him that we don’t know. Dowland wrote that he was born in 1563 but didn’t say where. Early biographies said he died in London on today’s date in 1626, but a mid-February date seems more likely. Dowland was 63 when he died — a ripe old age in a time of Plague.
One early biographer described Dowland as “a cheerful person, passing his days in lawful merriment,” but his most famous works are deeply introspective in tone, in keeping with the then-fashionable cult of melancholy and its preoccupation with tears, darkness, and death.
Dowland lived in a dangerous period of bitter religious conflict. He once wrote a frantic letter from Germany warning of a Catholic plot to assassinate Queen Elizabeth. But in that same letter Dowland confessed his own Catholic sympathies, yet at home and abroad worked for eminent Protestant families and royalty. The last record we have of him as a performer dates from May of 1625 when he played at the funeral of King James I — a fitting finale to a remarkable composer of that remarkable age.
John Dowland (1563-1626): Melancholy Galliard/Allemande; Ronn McFarlane, lute; Dorian 90148
By American Public Media4.7
176176 ratings
English lutenist and songwriter John Dowland is one of the best-known composers from the age of Shakespeare, but there’s much about him that we don’t know. Dowland wrote that he was born in 1563 but didn’t say where. Early biographies said he died in London on today’s date in 1626, but a mid-February date seems more likely. Dowland was 63 when he died — a ripe old age in a time of Plague.
One early biographer described Dowland as “a cheerful person, passing his days in lawful merriment,” but his most famous works are deeply introspective in tone, in keeping with the then-fashionable cult of melancholy and its preoccupation with tears, darkness, and death.
Dowland lived in a dangerous period of bitter religious conflict. He once wrote a frantic letter from Germany warning of a Catholic plot to assassinate Queen Elizabeth. But in that same letter Dowland confessed his own Catholic sympathies, yet at home and abroad worked for eminent Protestant families and royalty. The last record we have of him as a performer dates from May of 1625 when he played at the funeral of King James I — a fitting finale to a remarkable composer of that remarkable age.
John Dowland (1563-1626): Melancholy Galliard/Allemande; Ronn McFarlane, lute; Dorian 90148

6,881 Listeners

38,950 Listeners

8,801 Listeners

9,238 Listeners

5,825 Listeners

941 Listeners

1,390 Listeners

1,290 Listeners

3,152 Listeners

1,973 Listeners

526 Listeners

182 Listeners

13,784 Listeners

3,091 Listeners

246 Listeners

28,143 Listeners

433 Listeners

5,480 Listeners

2,191 Listeners

14,152 Listeners

6,432 Listeners

2,525 Listeners

4,832 Listeners

574 Listeners

246 Listeners