A few weeks ago, we reviewed the 1925 silent black and white version of The Wizard of Oz, and it was... not great. So this week, we're watching the 1939 version, which has sound and color (you know, mostly), and is arguably the superior film. And we're here to talk about it. Our discussion includes: Professional show chickens, crullers, how people are still suckered by psychics, Dorothy's red hair, professional show crows, Martin Short as a picket fence, the Tin Man's Boston accent, "Existential Blues" by Tom "T-Bone" Stankus, a scarecrow with a gun, fake owls, and Huey Lewis. If this is all too much for you, just click your heels 251 times and download a different podcast.
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