Today we’re dipping into a popular post-war genre, suspense and noir. The series is The Whistler, one of the leading crime-thriller shows of the era. The story is from June 12, 1949, broadcast over CBS, Perfect Alibi, complete with that Signal Oil sponsorship and the unmistakable voice of Jack Webb before his Dragnet days. We have the original transcription discs of this one, and it's firing on all the proper tropes: a slick private eye named Johnny Seltzer, a dangerous woman named Alice Collins, and a gangster called Frankie Benson. What starts as a clever setup to frame a mobster for murder quickly spirals into a deadly double-cross, ending with The Whistler’s signature twist.

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Today we’re heading back to July 1946 for a zany half hour with The Jack Kirkwood Show, a fast-talking, anything-goes comedy that’s as unpredictable as its star. Jack Kirkwood might not be a household name anymore, but his irreverent and absurdist humor works just as well today as it did back then. In this episode, Kirkwood finds himself in a tight spot. Fifteen years of mooching off his buddy William finally catch up to him, and now he’s got to come up with $195 in back rent or else marry his landlady, Mrs. Lapnotch. 

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Today for our Halloween episode, we’re going back to 1943 for a chilling mystery from the golden age of radio suspense. It’s Suspense with “The Devil’s Saint,” starring the incomparable Peter Lorre as the sinister Count Stefan Kohari. In this haunting tale, a young Englishman named Lord Edward Whiteford dares to spend a night in the cursed Tapestry Room of Kohari’s ancient chateau, hoping to win the hand of the Count’s niece, Elona. What follows is a masterfully crafted descent into fear and illusion written by mystery legend John Dickson Carr and set to the eerie strains of Bernard Herrmann’s music.

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Today we’re going back to October 4, 1943, for one of the wildest and weirdest comedy programs ever to hit the airwaves, It Pays to Be Ignorant. Hosted by Tom Howard and featuring his panel of so-called “experts,” Harry McNaughton, Lulu McConnell, and George Shelton, the show turns the idea of a quiz show upside down, serving up ridiculous questions, nonsensical answers, and nonstop vaudeville-style banter. You’ll also hear authentic 1940s flavor with wartime bond announcements and classic Peele’s Beer ads, plus a musical interlude from the Korn Kobblers, a novelty band in the spirit of Spike Jones and His City Slickers. The perfect ending to a half hour of vintage radio nonsense.

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Welcome to the fourth installment in our lead-up to Halloween on The Good Old Days of Radio Show. In this episode, we have an episode of The Shadow, titled “The Face,” originally aired on September 21, 1947. The plot follows Hugh Windham, a former actor whose face is horribly disfigured in a plane accident. After plastic surgery fails, Windham becomes a ruthless killer, targeting women who knew his original looks, until The Shadow steps in to stop him. You’ll also hear the original Blue Coal advertisements as they appeared in the broadcast, and John talks about how those ads and occasional mentions of post-war fuel shortages remind us of the real-world backdrop listeners faced at the time.

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On this episode of The Good Old Days of Radio Show, we are bringing you a powerful World War II–era broadcast from March 14, 1944: “The Long Name None Could Spell,” part of the Columbia Presents Corwin series. Written, directed, and produced by Norman Corwin, this dramatic program is a heartfelt tribute to Czechoslovakia after its betrayal and breakup following the 1938 Munich Agreement. Featuring narration by Martin Gabel and commentary from journalist William L. Shirer (who later wrote the famous book “The Rise and Fall of the Third Reich”), the broadcast captures the intense emotion, patriotism, and moral conviction of wartime America.

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This week, we continue our countdown to Halloween with the third spooky installment in the series. Today’s episode is Quiet, Please classic “Wear the Dead Man’s Coat,” originally broadcast on February 23, 1948. Written and directed by Willis Cooper and starring Ernest Chappell, this story follows Floyd, a man who helps a shady character named Kidney Foot Cassidy get his hands on a warm overcoat… and ends up tangled in a murder, a mysterious coat that turns its wearer invisible, and the signature Wyllis Cooper twist.

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Today we shine a spotlight on one of the great but often forgotten comedians of the 1940s and ’50s: Henry Morgan. We’ll be hearing his April 4, 1950 NBC broadcast, and includes a few fun sketches, like an interview with a wrestler named “Gorgeous Carney,” a musical number from the Billy Williams Quartet, and a parody of Dr. Jekyll and Mr. Hyde featuring Henry Morgan alongside familiar voices like Art Carney and Arnold Stang. It’s clever, fast-paced, and a great reminder of just how ahead of his time Henry Morgan really was.

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Today we have another quietly spooky one. This is the classic "Coffin In Studio B," a script written by the highly original Wyllis Cooper, back in the '30s when Cooper was heavily involved in the legendary (and mostly lost), Lights Out! run. We have it from a short revival series from July 13th, 1946. The story focuses on three men late at night in a lonely radio studio, frantically rehearsing for the radio drama, minutes before it goes live. Maybe the best realistic portrayal of what working on a live radio show was like. Oh, except for that coffin part.

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We have an extended episode of the podcast for you today. It’s a rare, full 90-minute CBS broadcast from October 1945 called Stars in the Afternoon. This previously uncirculated broadcast originally aired live from Carnegie Hall, and was a special, designed as a big promotional preview for CBS’s fall lineup. Produced by Norman Corwin, you'll hear snippets and appearances from popular shows of the day, including The Aldrich Family, Inner Sanctum, We the People, Take It or Leave It, and The Thin Man. It’s a fascinating time capsule from the golden age of radio, and gives a real picture of what radio entertainment sounded like in 1945.

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