The Harvard Brief

Dr. Lisa Ford, Professor of History at the University of New South Wales, is the author of prize-winning monographs and a luminary in the field of global legal history. Her new book The King’s Peace: Law and Order in the British Empire (Harvard University Press, 2021) traces how a different kind of British empire emerged out of the global Age of Revolutions. The book’s case studies span the globe, illuminating how the gradual but unrelenting imposition of crown rule across the empire corroded the rights of British subjects, altered their relationship with sovereign power, and laid the foundations of the modern police state. In tracing the dramatic growth of colonial executive power and the increasing deployment of arbitrary policing and military violence, The King’s Peace offers important lessons on peacekeeping, sovereignty, and political subjectivity—lessons that can enrich contemporary debates over the imbalance between liberty and security.

Vladislav Lilic is a doctoral candidate in Modern European History at Vanderbilt University.

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The Ivy League looks different than it used to. College presidents and deans of admission have opened their doors—and their coffers—to support a more diverse student body. But is it enough just to admit these students? In this bracing exposé, Anthony Jack shows that many students’ struggles continue long after they’ve settled in their dorms. Admission, they quickly learn, is not the same as acceptance. This powerfully argued book documents how university policies and campus culture can exacerbate preexisting inequalities and reveals why some students are harder hit than others.

Joao Souto-Maior is a PhD Student in Sociology of Education at the New York University. 

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Mark McGurl talks about disintermediation, a key term for internet commerce, and his new book about fiction in the age of digital self-publication. The fantasy of disintermediation lies at the heart of utopian dreams of the internet, but it turns out that not only is the internet actually a medium, and a vast economic engine, but self-publishing is a lot of work!

Mark McGurl is a professor of English at Stanford University. If you want to learn more about the effects of Amazon’s self-publishing mechanism on literature, check out his new book, Everything and Less: The Novel in the Age of Amazon (Verso, 2021). His earlier book The Program Era: Postwar Fiction and the Rise of Creative Writing (Harvard UP, 2011) takes a similarly materialist perspective on literary production, and it was sort of a thing. His first book The Novel Art: Elevations of American Fiction after Henry James (Princeton UP, 2001), blames Henry James for making American novels into art. In a good way of course.

This week’s image is a photograph of a printing press held in the collections of the Fort Nonquai Eshowe museum in South Africa, posted on Wikimedia commons.

Music used in promotional material: ‘Internet, the day when all humans will disappear’ by Monplaisir

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Today I talked to Sheila A. Smith about her book Japan Rearmed: The Politics of Military Power (Harvard UP, 2019).

Modern Japan is not only responding to threats from North Korea and China but is also reevaluating its dependence on the United States, Sheila Smith shows. No longer convinced they can rely on Americans to defend their country, Tokyo's political leaders are now confronting the possibility that they may need to prepare the nation's military for war. Smith and Traphagan's conversation explores a variety of topics related to the intersection of culture and politics in relation to Japan's rearming, including an interesting discussion of Article 9 of Japan's constitution. Dr. Smith also provides some important observations on where Japan may be headed over the next few years as it continues to think through the nature and role of its military.  

John W. Traphagan, Ph.D. is Professor and Mitsubishi Heavy Industries Fellow in the Department of Religious Studies at the University of Texas at Austin, where he is also a professor in the Program in Human Dimensions of Organizations.

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In the 1920s, Józef Piłsudski was a household name not just in Poland, but across Europe and across the Atlantic Ocean as well. Yet this complex and contradictory figure – a socialist and a nationalist, a clandestine agitator and a legendary military strategist, protector of Jews and other national minorities on Polish soil who was nonetheless often accused of imperialism – has eluded serious biographical treatment in English until now. Yeshiva University professor Joshua D. Zimmerman offers a nuanced, readable, and definitive account of the man who re-founded the independent state of Poland in 1918. Jozef Pilsudski: Founding Father of Modern Poland (Harvard University Press, 2022) could not be more timely, given the lessons to be learned from Piłsudski’s career by today’s opponents of far-right populism in Eastern Europe, and even more urgently – by English-language readers seeking to understand the imperative of preserving an independent Ukrainian state in the face of Russian aggression.

Piotr H. Kosicki is Associate Professor of History at the University of Maryland, College Park. He is the author of Catholics on the Barricades (Yale, 2018) and editor, among others, of Political Exile in the Global Twentieth Century (with Wolfram Kaiser).

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Merel Visse and Inge van Nistelrooij talk with Kim about Care Ethics.

Over the course of the episode, we discuss works by many care ethicists and other philosophically inclined thinkers. Prominent among these is Joan Tronto, whose book Caring Democracy: Markets, Equality, and Justice (NYU Press, 2013) offers a political approach to the practice of care. Also discussed are Carol Gilligan’s In a Different Voice: Psychological Theory and Women’s Development (Harvard UP, 1982; useful excerpt available here) and Francois Jullien’s The Silent Transformations (trans. Krysztof Fijalkowski and Michael Richardson, Seagull Books / Chicago UP, 2011).

Several of Merel and Inge’s publications are discussed in the episode as well. You can read their co-authored article, “Me? The invisible call of responsibility and its promise for care ethics: a phenomenological view” in Medicine, Health Care and Philosophy (2019) 22: 275–285. Full lists of publications are available for Inge here and Merel here.

Both our guests are members of the Care Ethics Group at the University of Humanistic Studies in Utrecht, the Netherlands. Inge van Nistelrooij is an Associate Professor of Care Ethics at the University of Humanistic Studies and an endowed professor of Dialogical Self Theory (DST) at Radboud University in Nijmegen, the Netherlands. Merel Visse is the Director of the Medical and Health Humanities Program at Drew University in Madison, New Jersey and an associate professor in Care Ethics at the University of Humanistic Studies.

This week’s image is an undated painting titled “Resting” by Amrita Sher-Gil (1913-1941).

Music used in promotional material: ‘Peace of the Night’ by Crowander

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In Coconut Colonialism: Workers and the Globalization of Samoa (Harvard UP, 2022), Holger Droessler provides a novel history of the impact of globalization on Sāmoa and vice versa. Using a series of case studies, he shows how Samoan workers responded to the rise of capitalism and colonialism in the Pacific in the decades just before and after 1900. Ordinary Samoans -- some on large plantations, others on their own small holdings -- picked and processed coconuts and cocoa, tapped rubber trees, and built roads and ports that brought cash crops to Europe and North America. Samoans also participated in ethnographic shows around the world, turning them into diplomatic missions and making friends with fellow colonized peoples. Droessler examines the 'workspaces' Samoans found constructed as the starting point for what he calls a new "Oceanian globality" through which Samoan used existing colonial structures to advance their own agency and find ways to press their own agendas and regain a degree of independence. Based on research in multiple languages and countries, Coconut Colonialism offers new insights into the global history of labor and empire at the dawn of the twentieth century.

In this episode of the podcast, channel host Alex Golub speaks to Holger Droessler about the Pacific roots of the concept of "Oceanian globality", the value of German language sources for the largely-anglophone field of Pacific History, and the way colonialism and globalization but created a space which both limited and empowered Samoan agency.

Alex Golub is associate professor of anthropology, University of Hawai‘i at Mānoa.

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Yi Gu's Chinese Ways of Seeing and Open-Air Painting (Harvard UP, 2020) examines the rise of open-air painting in 20th-century China, showing how this emphatically new form of landscape painting precipitated and participated in an ocular turn. In its urgent embrace of Cartesian optics and its interrelationship with new technologies like photography, open-air painting taught Chinese artists (and citizens) new, modern "ways of seeing." Gu traces the birth of the form in the early 20th century, showing readers the rise of this new perceptual mode not only through close analysis of painting, but also through her rich archive of sources like textbooks and art treatises that demonstrate the urgency and importance of the open-air movement to Chinese modernity. Indeed, as Gu shows in her third chapter, this modern way of painting and seeing significantly impacted how "traditional" Chinese landscape painting was (and continues to be) understood. Gu demonstrates that this "tradition" was invented precisely in relation to the new optics of open-air painting. The book also analyzes the role of open-air landscape painting in China's wartime struggle and in the new socialist state, both moments in which artists were compelled (by patriotism and then, the state) to represent the nation in politically appropriate ways. In Gu's narrative, open-air landscape thus emerges as a crucial political form. Her compelling theoretical argument is enriched not only with nuanced visual analysis and careful archival work, but also beautiful images that fill her book. As you will hear in our short aside about archives and sources, obtaining such visual materials for the book was no easy task! I look forward to teaching my students new ways of seeing Chinese media history by assigning this book in future classes.

Julia Keblinska is a Post-Doctoral Researcher at the Center for Historical Research at the Ohio State University specializing in Chinese media history and comparative socialisms.

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Walt Whitman knew a great deal about democracy that we don’t. Most of that knowledge is concentrated in one stunning poem, Song of Myself.

In Song of Ourselves: Walt Whitman and the Fight for Democracy (Harvard UP, 2021), esteemed cultural and literary thinker Mark Edmundson offers a bold reading of the 1855 poem, included here in its entirety. He finds in the poem the genesis and development of a democratic spirit, for the individual and the nation. Whitman broke from past literature that he saw as “feudal”: obsessed with the noble and great. He wanted instead to celebrate the common and everyday. Song of Myself does this, setting the terms for democratic identity and culture in America. The work captures the drama of becoming an egalitarian individual, as the poet ascends to knowledge and happiness by confronting and overcoming the major obstacles to democratic selfhood. In the course of his journey, the poet addresses God and Jesus, body and soul, the love of kings, the fear of the poor, and the fear of death. The poet’s consciousness enlarges; he can see more, comprehend more, and he has more to teach.

In Edmundson’s account, Whitman’s great poem does not end with its last line. Seven years after the poem was published, Whitman went to work in hospitals, where he attended to the Civil War’s wounded, sick, and dying. He thus became in life the democratic individual he had prophesied in art. Even now, that prophecy gives us words, thoughts, and feelings to feed the democratic spirit of self 

Jonathan Najarian is Lecturer of Rhetoric in the College of General Studies at Boston University. He is the editor of Comics and Modernism: History, Form, Culture, a collection of essays exploring the connections between avant-garde art and comics. He is also at work on a biography of the visual artist Lynd Ward, titled The Many Lives of Lynd Ward. He can be reached at [email protected].

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Popular representations of the past are everywhere in Japan, from cell phone charms to manga, from television dramas to video games to young people dressed as their favorite historical figures hanging out in the hip Harajuku district. But how does this mass consumption of the past affect the way consumers think about history and what it means to be Japanese?

By analyzing representations of the famous sixteenth-century samurai leader Toyotomi Hideyoshi in historical fiction based on Taikōki, the original biography of him, this book explores how and why Hideyoshi has had a continued and ever-changing presence in popular culture in twentieth- and twenty-first-century Japan. The multiple fictionalized histories of Hideyoshi published as serial novels and novellas before, during, and after World War II demonstrate how imaginative re-presentations of Japan’s past have been used by various actors throughout the modern era.

In The Afterlife of Toyotomi Hideyoshi: Historical Fiction and Popular Culture in Japan (Harvard UP, 2022), Susan Furukawa discovers a Hideyoshi who is always changing to meet the needs of the current era, and in the process expands our understanding of the powerful role that historical narratives play in Japan.

Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.

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