The Hustle

The Hustle

By Jon LamoreauxMusicMusic Interviews
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  • Typical duration

    77 min

    per episode

Based on Podcast App listening data

The Hustle episodes

  • Episode 140 - Danielle Dax

    Danielle Dax was an artist in the truest sense of the word. Yeah, she had a successful music career during the 80s, but that was just one facet of her boundless creativity. Her career started with an avant-garde group called the Lemon Kittens when she didn't even know how to play an instrument. Experimentation and performance art remained her guiding force as her solo career took off and she garnered radio play on alternative stations with tracks like "Big Hollow Man", "Cat House", and "The Id Parade". Unfortunately, at the dawn of the 90s she largely disappeared from the spotlight and has never really come back. We learn in this conversation what happened (it's a hot current topic), as well as what motivated her creativity and how she experiences music. It's fascinating to hear from such a strong female artist.

    Sadly, we learned last week that the listener that requested Danielle, Brian Jenson, took his own life on New Year's Eve, bringing a tragic tone to an otherwise uplifting conversation. 

     

    http://www.danielledax.com/

    1 hr 13 min
  • Episode 139 - Michael Camacho of Sly Fox

    For a duo with a hit as big as "Let's Go All The Way" was in 1986, there should be more to the Sly Fox story than there is. Brought together in an almost "boy band" fashion, Michael Camacho and Gary "Mudbone" Cooper only managed one album that featured one giant hit (#7 in 1986) and that was all she wrote. To this day, their one album, also titled Let's Go All the Way, has never been released on cd. This week Michael tells us how the band came together, what that brief moment in the spotlight was like, and what he's been doing since, which includes his solo jazz album Just For You from 2006.

     

    https://www.facebook.com/michael.f.camacho/

    1 hr 16 min
  • Episode 138 - Brad Elvis of Screams/The Elvis Brothers/Big Hello/The Handcuffs/The Romantics

    Chicago's Brad Elvis is both a power pop legend and a lifer. His career goes back 45 years and has passed through several excellent bands along the way. After coming up through the local ranks with piers like Cheap Trick, his first brush with greatness was drumming for the tragically short-lived Screams. After the band ended in 1980, he went on to form and play in the Elvis Brothers throughout the 80s, Big Hello in the 90s and has been focused on the Handcuffs with his wife, lead singer Chloe Orwell, for most of the 2000s. In addition, his "day job" has been drumming for the Romantics for the last 15 or so years. He's seen and been through a lot and has managed a reputation as one of the best drummers in power pop along the way.

     

    http://www.thehandcuffs.com/

    https://www.romanticsdetroit.com/

    1 hr 36 min
  • Episode 137 - Bruce Thomas of Elvis Costello and the Attractions

    There was a New Wave revolution happening in rock music in the late 70s and the poster boy for it was the bespectacled Elvis Costello and his band of Attractions, which included our guest this week bassist Bruce Thomas. While the band was leading a new charge, the various members were also sorting out a dynamic that saw Elvis rise as their clear leader, a move that never sat well with Bruce. Over the years, tensions mounted and Bruce eventually left the band. All of this, as well as his own musical and personal history, are included in Bruce's book Rough Notes which came out last year. Here we talk about what's at the heart of the dysfunction, our conflicted feelings about Elvis, and Bruce's new career as a prolific writer. Also, he's one of the world's experts on Bruce Lee of all people! Pick up the book and enjoy the ride!

     

    https://www.brucethomas.co.uk/

    1 hr 34 min
  • Bonus - A Discussion on the Death and Legacy of Pat DiNizio of the Smithereens with John Montagna

    Regular listeners know how much the Smithereens mean to me. Sadly, frontman Pat DiNizio passed away at 62 on Tuesday night after suffering through poor health for many years. To discuss what the band meant to us we bring on musician John Montagna and share stories, interactions, and impact. What was supposed to be a 30 min chat turned into a 75 min discussion! It's hard to stop when two guys talk about what means most to them. And please check out John's podcast Radio 418. It's very similar to ours - conversations about music, careers, and stories with other professionals. 

     

    https://johnmontagna418.podbean.com/

    1 hr 16 min
  • Episode 136 - Scott Wilk of Bone Symphony/Scott Wilk + The Walls

    The 80s were the decade of the movie montage. And one of the classics is from Revenge of the Nerds when the guys find a frat house and begin fixing it up to the tune of "One Foot in Front of the Other" by a band called Bone Symphony. Our guest this week, Scott Wilk, was the lead singer of Bone Symphony and before that he fronted his own New Wave rock group called Scott Wilk + the Walls, where his sound drew regular comparisons to Elvis Costello. Later on that decade he partnered up with a young Charlie Sexton and became his keyboardist during those formative years. Today he makes a living scoring movies and TV as well as other kinds of media and corporate production. If you find 80s movie soundtracks as fascinating as I do, you won't want to miss this chat!

     

    scottwilk.com

    https://soundcloud.com/scottwilk

    1 hr 21 min
  • Episode 135 - Steve Thompson - 7x Grammy Award Winning Producer

    Mega-producer Steve Thompson's career goes back 40 years and includes every genre of music from disco to heavy metal to alternative to hip-hop. Along the way he's collected 7 Grammy Awards for his work with artists such as Paul Simon, Whitney Houston, Blues Traveler and Korn. The two notorious projects he gets asked about the most are GnR's Appetite for Destruction and Metallica's ...And Justice For All. But, I wanted to chat with Steve about the alternative and pop side to his career. We hear stories about artists including Tears For Fears, Talk Talk, David Bowie, and the Psychedelic Furs, as well as interesting tidbits on legends like the Grateful Dead, Aretha Franklin and Mick Jagger. He even plays us some new stuff he's working on. This one's packed to the gills with music he either produced, mixed, or remixed. Plus, he's quite a character. Enjoy!

     

    http://stevethompsonproductions.com/

    2 hr 7 min
  • Episode 134 - The Story of "867-5309/Jenny" with writer Alex Call and singer Tommy Tutone

    This week we are going deep on one of the most iconic songs ever. "867-5309/Jenny" hit #4 on the US charts back in 1982 and has never left the public consciousness. It has to be the most famous phone number in history. First up this week we talk to the man who wrote that song, Alex Call. Alex began in the band Clover dating back to the height of the Haight/Ashbury days in San Francisco. Also notable about Clover is this is where a young Huey Lewis begins his career as well. By the early 80s, the band was over, Huey had moved on, and Alex was desperate for some success of his own. Luckily, he wrote this track, as well as hits for Pat Benatar, Southside Johnny and his old pal, Huey. He's still making music today. After Alex we hear from Tommy Tutone himself and how that song has affected his life. Tommy was never able to reach those heights again and has had a primary job in computers for around 25 years now. These days he plays the occasional nostalgia show and is brutally honest about the ups and downs of his life. These two are pretty fascinating!

     

    http://www.tutone.com/

    1 hr 53 min
  • Episode 134 - The Story of “867-5309/Jenny” with writer Alex Call and singer Tommy Tutone

    This week we are going deep on one of the most iconic songs ever. "867-5309/Jenny" hit #4 on the US charts back in 1982 and has never left the public consciousness. It has to be the most famous phone number in history. First up this week we talk to the man who wrote that song, Alex Call. Alex began in the band Clover dating back to the height of the Haight/Ashbury days in San Francisco. Also notable about Clover is this is where a young Huey Lewis begins his career as well. By the early 80s, the band was over, Huey had moved on, and Alex was desperate for some success of his own. Luckily, he wrote this track, as well as hits for Pat Benatar, Southside Johnny and his old pal, Huey. He's still making music today. After Alex we hear from Tommy Tutone himself and how that song has affected his life. Tommy was never able to reach those heights again and has had a primary job in computers for around 25 years now. These days he plays the occasional nostalgia show and is brutally honest about the ups and downs of his life. These two are pretty fascinating!


     


    http://www.tutone.com/

    1 hr 53 min
  • Episode 133 - Chris McLernon of Saigon Kick

    Though Chris McLernon was the bassist for hard rockers Saigon Kick during much of the 90s, his often hilarious story really begins in the late 80s when his first band Cold Sweat threw their hat in the hair metal ring and whiffed. They had it all - the hair, the spandex, the pyro - but it didn't take. Luckily, he got a second shot when he was asked to join Saigon Kick during a tumultuous time in the band's career. Though they never completely broke big, they managed massive success in parts of Asia and continue to play large shows there to this day. Chris tells stories of befriending Eddie Van Halen, getting to know the Kiss guys while playing in a tribute band, and what it's like being a nobody in the US and a somebody on the other side of the world. He's an extremely entertaining, self-aware and intelligent guy, not to mention a laugh-out-loud storyteller. Enjoy!

     

    http://www.chrismclernon.com/

     

    https://www.facebook.com/saigonkickofficial/

    1 hr 59 min

About The Hustle

From the publisher's feed

What does it take to maintain a career in music? We track down members of bands that we love and find out what their lives are like now.

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