The Hustle

Hired Gun is one of the best rock docs of the last couple years. It details the realities of life as a struggling musician whose career is dependent on being employed by big artists. Imagine you go from nothing to being someone like Billy Joel's drummer. You now fly first class, stay in fancy hotels, and play in front of hundreds of thousands of people. Then, Billy decides to go a different direction and you're not only out of a job, but unlikely to ever find a gig as good as the one you just had. It's not an easy way to live, supporting the artists that get all the perks. In this conversation with the film's director Fran Strine, we talk about how he stumbled on this topic, how he got so much great access, and elaborates on some of the film's highlights. AND, stay tuned to the end so you can learn how to win your own copy of Hired Gun on Blu-Ray. Enjoy!

http://www.hiredgunthefilm.com/

The Call were one of the preeminent alternative bands of the 80s and early 90s. They never quite cracked the top 40, but had several hits on college radio like "Let The Day Begin", "Everywhere I Go" and "The Walls Came Down". Regular listeners know of my affection for the Lost Boys soundtrack, well they were the originators of "I Still Believe" which was covered excellently by former guest Tim Cappello (there's a great story about it in here). The band came to an end in the 90s and frontman Michael Been focused his attention on helping his son Robert's band Black Rebel Motorcycle Club (one of my favorite bands of the last 20 years) get going. Unfortunately, after a BRMC gig on August 19, 2010 Michael died suddenly of a heartattack, bringing a tragic end to a great band. This week we talk to Call keyboardist Jim Goodwin about life in the band, the aftermath of Michael's death, and what he's been doing since. Enjoy!

http://www.the-call-band.com/

To me, the Smithereens are the greatest American band of all time. And while each member deserves credit for being exceptional at what they do, a large part of the magic of the Smithereens is found in the sound and riffs of guitarist Jim Babjak. Here we talk about their flirtation with having hit records ("A Girl Like You" reached #38 in 1989 and "Too Much Passion" hit #37 is 1992), the financial struggles of being a respected niche band, how he survived their long dry spell, his solo material, and the challenges of normal life (Jim lost his wife Betty to cancer last year).

http://www.jimbabjak.com/

https://officialsmithereens.com/

Surely, when Lol Tolhurst was growing up in the English suburb of Horley with his mate Robert Smith and the two decided to start a band, they couldn't have known the cultural impact they would have on millions of people throughout the world. Unfortunately, just as the Cure was cementing its place as alternative rock legends, Lol was spiraling downward with drugs and drink, ultimately getting himself kicked out of the band around the time of the their 1989 masterpiece Disintegration. Lol detailed his rise, fall and recovery in his 2016 memoir "Cured: The Tale of Two Imaginary Boys" and agreed to chat with us about it! 

https://www.loltolhurst.com/

Since Halloween is next week and we have a very special guest lined up, I thought I'd repost my chat with Gerard McMahon (G Tom Mac) from 2015 because 1) it seems fitting since he's the man behind "Cry Little Sister" from the Lost Boys soundtrack, 2) the Lost Boys turned 30 this year, 3) there is some very exciting news in the G Tom Mac world happening right now that we might be talking to him about again soon regarding the Lost Boys Musical he's current working on, and 4) it's one of my favorites. 

http://www.gtommac.com/

The Trashcan Sinatras have been one of the most respected British pop bands of the last 30 years. Though they've only released six albums in that time, each one is an exercise in perfection and craft including last year's blissful Wild Pendulum. All the accolades in the world, however, don't make it easy being a cult band. Here, guitarist John Douglas and I discuss their current acoustic tour, the bands they came up with, the stories behind each album, and their writing process. If you're not already deeply familiar with them and the joy they provide, your life will change starting now!

http://trashcansinatras.com/

Alannah Myles struck gold in 1989 when her gigantic hit "Black Velvet" reached #1 in the US. The song won her a Grammy for Best Female Rock Performance and achieved radio spins of over 5 million. It should have been smooth sailing from here, yet it wasn't. While she's mum on some of the details to protect the living, it's clear from her story that she has not had an easy road in the music business. In the wake of shining a light on abusive men in power like Harvey Weinstein and Donald Trump, you can imagine the kinds of things she may have been subjected to. Basically, this interview has to be heard to be believed. 

http://alannahmyles.com/

As is our tradition, in the wake of the shocking death of Tom Petty we bring back our resident Dr. Death - Steve Spears of the Stuck in the 80s podcast to make sense of it all. 

In the 80s bassist Matthew Seligman was a part of some of the best alternative music coming out of England. Within the span of just a few months he managed to join the Soft Boys near the end of their run and Thompson Twins near the beginning of theirs. And shortly thereafter he forged longstanding partnerships with Robyn Hitchcock and especially Thomas Dolby, contributing to the excellent music they were producing during that decade. While this was happening, his expertise served additional artists ranging from Morrissey and Peter Murphy to the Waterboys and Transvision Vamp. He even performed with Bowie at Live Aid. As the 90s wore on, Matthew decided to turn his attention to the law and he is now a barrister in London. We discuss some of his biggest collaborations, some of the personalities involved, and his decision to leave music.

Anyone over the age of 40 probably grew up watching Mr. Rogers' Neighborhood where we learned valuable life lesson's, visited the Land of Make Believe, and interacted with his cast of characters like Mr. McFeely, Lady Aberlin, Chef Brockett and, of course, Joe "Handyman" Negri. What you may not know is that Joe is a highly-respected jazz guitarist in the mold of Django Reinhardt and at 91 years old, continues to perform and collaborate with jazz luminaries like Michael Feinstein. We didn't have much time, but I wanted to get to know him better and learn about what life was like in Mr. Rogers' Neighborhood, his musical career, and his time in education. 

http://joenegri.com/