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You've put in the hours. Your doubles feel solid on the pad; then you move to the floor tom and the second stroke turns into an echo.
In this episode I break down exactly why that happens and what to do about it.
The answer applies to all the key techniques; singles, doubles, moeller, all of it and it comes down to one thing most drummers never train: the no-rebound version of their technique.
I discuss the two versions of every technique, and a simple drill to start building basic control, how to gradually develop no-rebound techniques efficiently...
... and why what you front-load in your warm-up is one of the highest leverage things you can do at the kit.
Seriously. If your warm up looks like scrolling on Instagram and then having a jam right now... Then you need this.
I think a lot of people get the wrong idea about rudiments.
They think rudiments are either boring, and something they have to just repeat over an over, and they'll show up in their playing eventually.
Or they think rudiments are essential hand technique training mechanisms to open up skills, but they miss the point of how to use them musically.
And if you do practise rudiments the wrong way, that's true.
If a someone comes to me to improve their hand speed, why on earth would I recommend students focus at least a third of their time on creativity when working on their rudiments, rather than doubling down on repetitions on the pad?
Because it leads to faster hands, while ALSO developing your creative freedom on the drums, that means you can actually USE those rudiments in your playing. (And it's more fun)
Here’s what happened…
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