In this episode, Insert Credit answers your questions. No, really this time!
Golok inquires about Capcom remakes (04:55)Daniel C asks about Japanese hidden gems (07:07)Beandog asks about getting into the industry (09:12)Mox Bagel asks about changing time periods for games (11:30)An anonymous patron asks what the Quibi of video games is (13:40)Cera Sophia asks about the future of dedicated handhelds (15:47)Boogie asks about the Playdate (17:52)Kyle asks which novels are the most like playing games (19:56)Jesse asks about the current Peter Molyneux of games (22:36)An anonymous patron asks what the most painful control scheme is (24:40)Brenton Woodrow asks which five persons or teams should get resources to make a dream game (27:10)Gigaslime asks about rejecting games based on bad humor (29:22)Kiko asks which non-mainline Mario jumps best (31:46)Chris asks which games are chill enough to warrant 80-hour playtimes (33:50)An anonymous patron asks about designing Sonic in a ruined Earth (36:07)Josh J asks about improving arcade games on console (39:30)Jared P asks about “dream game mods” on many levels (42:26)Sam asks for a decision between freaking, marrying, and killing Yoko Taro, Swery and Yoshiro Mikura (44:53)David asks for a Bartleby the Scrivener game (46:53)An anonymous patron asks which game is the best palette cleanser (49:52)Shane asks about new Funko Pop lines (51:53)Anders M asks about asymmetrical multiplayer (54:10)Spencer S asks about Xbox Ones in the psych ward (56:46)Suda 69 asks about hyperspecific aesthetics in games (58:59)Anonymous asks about video game webcomic resurgences (01:01:23)Kind Of Bummed That Mappy Is A Cop asks about VR for dogs (01:03:34)Andy D asks to redesign the Tour de France series (01:05:44)Wemblin asks if The Witness was any good (01:07:45)An anonymous patron asks about recruiting new Creative Directors in AAA games (01:09:47)MVB asks what thoughts Insert Credit isn’t qualified to discuss (01:12:12)LIGHTNING ROUND: Pokemon Design (01:15:38)
Edited by Blaine Brown. Original Music by Kurt Feldman.