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Tired of the “leather and feather roles” of Hollywood, Eva Thomas headed home to Canada where she saw investment in films made for, and by, Indigenous creators. Rosanna sits down with Indigenous filmmakers to talk about the abundance of Indigenous-led film being featured at festivals around the world.
In the 19th-century Pandita Ramabai travelled America delivering lectures on how the caste system and patriarchy shaped the trajectory of women’s lives. When she came back to her home India, the feminist explained America's customs around gender and race relations, and their experiment with democracy. IDEAS explores her rich life and legacy. *This episode originally aired on Sept. 10, 2025.
Guests in this episode:
Radha Vatsal is the author of No. 10 Doyers Street (March 2025), as well as the author of the Kitty Weeks mystery novels. Born and raised in Mumbai, India, she earned her Ph.D. in Film History from Duke University and has worked as a film curator, political speechwriter, and freelance journalist.
Tarini Bhamburkar is a research affiliate at the University of Bristol. Her research explores cross-racial networks and international connections built by British and Indian women's feminist periodical press between 1880 and 1910, which sowed the seeds of the transnational Suffrage movement of the early 20th century.
Sandeep Banerjee is an associate professor of English at McGill University and a scholar of Global Anglophone and World literature, with a focus on the literary and cultural worlds of colonial and postcolonial South Asia.
Readings by Aparita Bhandari and Pete Morey.
The Theological Metaphors of Marx (Duke UP, 2024) by Enrique Dussel – A Conversation with Camilo Pérez-Bustillo and Eduardo Mendieta
In The Theological Metaphors of Marx, Enrique Dussel provides a groundbreaking combination of Marxology, theology, and ethical theory. Dussel shows that Marx unveils the theology of capitalism in his critique of commodity fetishization. Capitalism constitutes an idolatry of the commodity that undergirds the capitalist expropriation of labor. Dussel examines Marx’s early writings on religion and fetishism and proceeds through what Dussel refers to as the four major drafts of Capital, ultimately situating Marx’s philosophical, economic, ethical, and historical insights in relation to the theological problems of his time. Dussel notes a shift in Marx’s underlying theological schema from a political critique of the state to an economic critique of the commodity fetish as the Devil, or anti-God, of modernity. Marx’s thought, impact, and influence cannot be fully understood without Dussel’s historic reinterpretation of the theological origins and implications of Marx’s critiques of political economy and politics.
Enrique Dussel (1934–2023) was Emeritus Professor, Universidad Autonoma Metropolitana-Iztapalapa, and the author of many books, including Twenty Theses on Politics and Ethics of Liberation: In the Age of Globalization and Exclusion, both also published by Duke University Press.
Camilo Pérez-Bustillo is coauthor of Human Rights, Hegemony, and Utopia in Latin America.
Eduardo Mendieta is Professor of Philosophy and Latina/o Studies at Pennsylvania State University.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.
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Iconic monumental stone heads, the intriguing Lord of Las Limas, the enigmatic 'were-jaguar' figures, so much survives from the ancient Olmec civilisation.
Tristan Hughes is joined by Dr. Jillian Mollenhauer to unravel the Olmec's sophisticated artistry, the symbolic significance of greenstone, and the blend of naturalistic and supernatural portrayals in their work. They discuss how the Olmec set the foundation for Mesoamerican cultures and their undying legacy that influenced civilizations like the Maya and Aztec.
Olmec Art:
https://smarthistory.org/americas-before-1900/north-america-to-1500/mesoamerica/olmec-art/
MORE
Olmec Heads
https://shows.acast.com/the-ancients/episodes/ancient-americas-the-olmec-heads
The Maya Collapse
https://open.spotify.com/episode/56rb6VA4Ey9bMX9CrhCfRR
Presented by Tristan Hughes. Audio editor is Aidan Lonergan and the producer is Joseph Knight. The senior producer is Anne-Marie Luff.
All music courtesy of Epidemic Sounds
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In episode 17 of (Pop) Cultural Marxism, Ajay and Isi once again find themselves in the regrettable position of praising the Walt Disney Company. After chatting about recent cultural highlights (Clair Obscur: Expedition 33, a 40th anniversary screening of Kurosawa's Ran, and a Criterion retrospective on Johnnie To), they consider the popular and critical success of Andor's second season, and ask what it means to describe a pop cultural text as "politically timely." Their conversation turns to extratextual ecosystems (press junkets, interviews), Gilroy's deep engagement with cinematic depictions of fascism and rebellion (Army of Shadows, The Conformist), architecture and costume design, season 2 high points (the Ghorman Massacre, Mon Mothma's Senate speech), the politics of revolutionary alliances, and imperial bureaucracy. Finally, they consider how the show makes the transition—narratively, visually, musically—into the lore-dense timeline of Rogue One and A New Hope, and ponder its uncharacteristically fascistic final scene.
(Pop) Cultural Marxism is produced by Ryan Lentini.
Learn more about upcoming courses on our website.
Follow Brooklyn Institute for Social Research on Twitter / Facebook / Instagram / Bluesky
Shownotes:
Clair Obscur: Expedition 33 (Sandfall Interactive) Ran, dir. Akira Kurosawa (1985) Exiled, dir. Johnnie To (2006) Ghost Dog: The Way of the Samurai, dir. Jim Jarmusch (1999) Battleship Potemkin, dir. Sergei Eisenstein (1925) The Battle of Algiers, dir. Gillo Pontecorvo (1966) Army of Shadows, dir. Jean-Pierre Melville (1969) Jean-Paul Sartre, "The Republic of Silence" (1944) The Conformist, dir. Bernardo Bertolucci (1970) Sergey Nechayev, "Catechism of a Revolutionary" (1869) Laleh Khalili, "The Politics of Pleasure: Promenading on the Corniche" Guy Debord, The Society of the Spectacle Bertolt Brecht and Walter Benjamin on Brecht's "Epic Theater" McKenzie Wark, The Beach Beneath the City McKenzie Wark, A Hacker ManifestoAlright this is a PATREON PREVIEW & this week we’re back again with our series on Slavoj Žižek’s Against Progress with PART TWO of the long-awaited conversation with theorist and friend of the show Michael Downs, author of the Dangerous Maybe Blog on Medium and his new book Capital Vs Timenergy: A Žižekian Critique of Nick Land to discuss Žižek’s essay Accelerationism.
LISTEN TO THE FULL EPISODE HERE!
We’re talking Lacan’s theory of language and the co-evolution of the brain and the Big Other, Žižek’s dialectical method, the difference between Land’s and Žižek’s conceptions of the death drive, Cute Accelerationism and so on and so on.
See you in Paris,
Ž&...
Also check out Pods Against Tomorrow hosted by Hugh Manon Professor of Screen Studies at Clark University and Abe Doubleday-Bush where they reinvestigate the noir genre one film at a time. I joined them the other day to discuss Joseph Losey and Dalton Trumbo's down-and-dirty 1951 cult noir, THE PROWLER. Which you can listen to...HERE!
In Ghosts and Their Hosts: The Colonization of the Invisible World in Early America (University of Virginia Press, 2025), Dr. Sladja Blažan explains the foundational role of ghost stories in fostering the cultural imaginary, offering a medium for framing political ideologies, philosophical thought, racial anxieties, and social concerns. Ghosts and Their Hosts analyzes American ghost stories, considering their role as a settler colonial tool that emerged to help justify land appropriation and human labor exploitation. Dr. Blažan breaks with the long tradition of reading ghosts as harbingers of justice, arguing that early American ghost stories worked instead to suppress the presence of non-Europeans through fantasies of European transcultural incorporation. Images of sentient forests and nature possessed by spirits helped develop fixed racial, gendered, and sexualized categories, while authors used ghosts to affirm existing hierarchies and establish new ones. Focusing on the cultural exchanges between Germany, England, France, and the United States around the turn of the nineteenth century, Dr. Blažan deploys a groundbreaking ecocritical and comparative approach to shed light on this haunting subject.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts
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The word “revolution” conjures powerful imagery. But what does it mean today? Do revolutions neatly promote the will of the people, forging radical transformation? Or is it more complicated? Sociologist Volodymyr Ishchenko joins us from Freie Universität Berlin to explain his take on “deficient revolutions” as he reflects on the 2014 Euromaidan uprising and recent events in Ukraine – where, he argues, conflict with roots in class has become polarised along “ethnic” lines, with devastating consequences.
Ukraine, he shows, is not an anomalous case on the periphery of Europe and the former USSR. Rather, its story is instructive for the study of global processes, including the “crisis of hegemony” – one he describes in terms of the “shellness” of politics, and which is in fact often compounded by contemporary revolutions. “People want their say”, Volodymyr explains. “They can overthrow the governments. But they cannot bring about the change that would represent their interests”.
An urgent discussion about decolonisation and discourse, progress, popular mobilisation and imagining alternative futures. With reflection on Soviet-era sci-fi authors, the Strugatsky brothers – and on sociologists’ duty to highlight complex, messy realities.
Guest: Volodymyr Ishchenko; Hosts: Rosie Hancock, Alexis Hieu Truong; Executive Producer: Alice Bloch; Sound Engineer: David Crackles; Music: Joe Gardner; Artwork: Erin Aniker
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Episode Resources
By Volodymyr Ishchenko
From the Sociological Review Foundation
Further resources
Read more about Antonio Gramsci, William H. Sewell and Dylan John Riley.
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