The Intellectual

Dr. Martin Wählisch, Associate Professor of Transformative Technologies, Innovation, and Global Affairs at the University of Birmingham, delves into the intersection of emerging technologies and international relations in this fascinating episode focused on science-fiction.

Dr. Wählisch discusses how AI, especially empathetic chatbots, can redefine diplomatic conversations and peace processes.  Martin also explores the role of futures thinking and science fiction in shaping multilateral policies and encouraging creative solutions to global challenges. This discussion highlights the growing importance of strategic foresight in diplomacy and the valuable lessons hidden within science fiction narratives.

Resources: Ask a Librarian!

Dr. Martin Wählisch: https://globalpeacelab.net/ 

Where to listen to this episode 

Content   

Guest: Martin Wählisch

Host, production and editing: Amy Smith, UN Library & Archives Geneva

Recorded & produced at the United Nations Library & Archives Geneva 

This episode includes discussions of suicide within the historical contexts of slavery, colonization, and empire. Please listen with care and be mindful of your well-being as you engage with this episode. If you or someone you know is in crisis or struggling, you are not alone. Support is available through the National Suicide and Crisis Lifeline at 988, or by texting TALK to 741741 to reach the Crisis Text Line. Thank you and please make sure to take care of yourself.

This discussion is with Dr. Doyle D. Calhoun, University Assistant Professor of Francophone Postcolonial Studies in the Faculty of Modern and Medieval Languages and Linguistics at the University of Cambridge and a Fellow of Peterhouse. He is the author of (Duke University Press, 2024) and, with Cheikh Thiam, the co-editor of Senegalese Transmediations: Literature, New Media, and Audiovisual Cultures (Yale French Studies nos. 144/145, Yale University Press, 2025). With Alioune Fall and Cheikh Thiam, he is the translator and editor of Senghor: Essential Writings on African Aesthetics and Philosophy (Duke University Press, forthcoming). He has published widely on the literatures and cinemas of West Africa and the Caribbean. He is the recipient of the Malcom Bowie Prize from the Society of French Studies, the William R. Parker Prize from the MLA, the Ralph Cohen Prize from New Literary History, and the Vivien Law Prize from the Henry Sweet Society.

In today’s conversation, we discuss his latest monograph, The Suicide Archive: Reading Resistance in the Wake of French Empire where he charts a long history of suicidal resistance to French colonialism and neocolonialism, from the time of slavery to the Algerian War for Independence to the “Arab Spring.” Dr. Calhoun offers a new way of writing about suicide, slavery, and coloniality in relation to literary history.

He cuts a fine figure, walking down the street. Whether it's a bow tie and a sharp suit, perfectly curated clashing colours, or a moustache with every hair strictly held in place - this is a person who spends hours on their look. But why?

In this episode of Betwixt the Sheets, Kate is joined by Peter K. Andersson, author of ‘The Dandy” A People’s History of Sartorial Splendour’. Together they discuss the motivations for the dapper dress of the dandy.

This episode was edited by Tom Delargy. The producer was Sophie Gee. The senior producer was Charlotte Long.

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e-flux Education editor Juliana Halpert talks to Coleman Collins. Collins is an interdisciplinary artist, writer, and researcher whose work explores notions of diaspora in relation to technological methods of transmission, translation, copying, and reiteration. His most recent projects examine the connections between things-in-the-world and their digital approximations, paying particular attention to the ways in which real and virtual spaces are socially produced. Working across sculpture, video, photography, and text, Collins' practice attempts to locate a synthesis between seemingly opposed terms: subject and object; object and image; original and duplicate; freedom and captivity.

Coleman Collins is a 2025 Guggenheim Fellow. He has also received support from the Graham Foundation for Advanced Studies in the Fine Arts, the New York Foundation for the Arts, and Cafe Royal Cultural Foundation. He received an MFA from UCLA in 2018, and was a 2017 resident at the Skowhegan School for Painting and Sculpture. In 2019, he participated in the Whitney Museum's Independent Study Program.

Recent exhibitions and screenings have taken place at e-flux, New York; Ehrlich Steinberg, Los Angeles; Herald Street, London; Soldes, Los Angeles; the Palestine Festival of Literature, Jerusalem/Ramallah; Larder, Los Angeles; Hesse Flatow, New York; Brief Histories, New York; Carré d'Art, Nîmes; and the Kunsthalle Wien in Vienna. His work is in the permanent collection of the Hammer Museum, Los Angeles. He is currently an Assistant Professor of Art at the University of California, Irvine. He lives and works in Los Angeles.

Welcome to this Mad in America podcast. My name is Robert Whitaker, and I'm happy today to have the pleasure of speaking with Joanna Moncrieff.

Dr. Moncrieff is a psychiatrist who works in the National Health Service in the United Kingdom. She is a Professor of Critical and Social Psychiatry at University College, London.

In 1990 she co-founded the Critical Psychiatry Network, which today has about 400 psychiatrist members, about two-thirds of whom are in the United Kingdom. From my perspective, the Critical Psychiatry Network has been at the forefront of making a broad critique of the disease model of care. Without this network, I don't think that critique would be anywhere near as prominent or as sophisticated as it is today.

Dr. Moncrieff is a prolific researcher and writer. Her books include De-Medicalizing Misery, The Bitterest Pills: The Troubling Story of Antipsychotic Drugs, and The Myth of the Chemical Cure.

Her latest book is titled Chemically Imbalanced: The Making and Unmaking of the Serotonin Myth. This book in many ways is a follow-up to her 2022 paper which looked at the serotonin story and concluded that there was no good evidence that a serotonergic deficiency was a primary cause of depression. It caused quite a furor within the media and in psychiatry.

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A full transcript of this interview is availabe here: https://www.madinamerica.com/2025/04/chemically-imbalanced-joanna-moncrieff-making-unmaking-serotonin-myth/

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Author Suzanne Cope teaches Margaret about the history of women partisans in the Italian resistance, from her upcoming book Women of War.

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Carrie and Megan talk with Gabe Henry about his new book, Enough is enuf: Our failed attempts to make English eezier to spell.

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Drawing Coastlines: Climate Anxieties and the Visual Reinvention of Mumbai's Shore (Cornell UP, 2024) reveals the ways that technical images such as weather infographics, sea-level projections, and surveys are fast remaking Mumbai's coasts and coastal futures. They set in place infrastructural interventions, vocabularies of development and conservation, and their lines and dots inscribe material conditions of existence and horizons of loss that entangle life forms.

V. Chitra interlaces graphics and text by redrawing scientific images, the moments of their construction, the choices and consequences of what gets drawn and what does not, and how images are seen, performed, and manifest. These visual reconstructions show how images remake human-nonhuman relationships, arrange urban politics, and materialize landscapes in complex and contradictory ways. The multimodal format of Drawing Coastlines engages in the politics of its context where words and images combine to create coastal worlds, and to find, through a creative anthropology, openings to build new forms of care in the midst of crisis.

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