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In 711 an Arab and Berber army crossed the Strait of Gibraltar and invaded the Iberian Peninsula. Seven years later, their conquests had birthed the Muslim kingdom of al-Andalus. This marked the beginning of roughly 8 centuries of Moorish rule, during which al-Andalus became a conduit for the transmission of knowledge between the Islamic world and Europe.
Joining us today is Brian Catlos, a Professor of Religious Studies at the University of Colorado, Boulder and the author of 'Kingdoms of Faith: A New History of Islamic Spain'. He takes us through the history of al-Andalus, from its inception and expansion through to its dramatic downfall.
Produced by James Hickmann and edited by Max Carrey.
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MAKE HISTORY WITH US THIS SUMMER:https://demystifysci.com/demysticon-2025PATREON https://www.patreon.com/c/demystifysciPARADIGM DRIFThttps://demystifysci.com/paradigm-drift-showPATREON: get episodes early + join our weekly Patron Chat https://bit.ly/3lcAasBMERCH: Rock some DemystifySci gear : https://demystifysci.myspreadshop.com/allAMAZON: Do your shopping through this link: https://amzn.to/3YyoT98SUBSTACK: https://substack.com/@UCqV4_7i9h1_V7hY48eZZSLw@demystifysciDr. Jack Bagby is a professor of Philosophy, Cosmology, and Consciousness at the California Institute of Integral Studies who is one of the world’s foremost experts on the philosophy of Henri Bergson. Bergson was an early proponent of the absolute importance of context when trying to understand nature. This is nowhere more apparent than in the world of music, where the rhythm, interval, and mode of the songs being played creates wildly different sensations even when the same pure tones are in play. Bagby has extensive experience with novel musical instruments, strange tunings, and alternative scales, which he deploys as evidence of Bergson’s deep insights in the nature of perception and reality. (00:00) Go! Bergson's Influence(00:06:45) Defining Metaphysics(00:11:38) Creativity and Consciousness(00:14:22) Science v. Metaphysics(00:20:13) Sensation and Perception in Music(00:24:07) Critique of Artificial Intelligence(00:27:18) Metaphysics and Movement(00:30:24) Music and Inner Experience(00:35:01) Resonance Theory and Consciousness(00:50:09) Sensation, measurement, and subjectivity(00:58:07) Metaphysics, morality, and creativity(01:01:26) Music as a metaphor for existence(01:05:11) Technological expansion and consciousness(01:12:51) Building Musical Scales Through Overtones(01:14:13) Tuning and Musical Expression(01:17:38) Scales and Tuning Variability(01:21:02) Keyboard Innovations and Intonation(01:26:42) Perfect Fifths and Harmonic Construction(01:35:23) Harmonic Series and Interval Challenges(01:37:43) Harmony v. Dissonance(01:42:18) Expressive Dissonance and Temperament(01:46:02) Overtones and Consonance Explained(01:49:47) Measuring and Adjusting Temperaments(01:55:06) Historical Perspectives on Musical Tempering(02:11:29) Cultural Perception and Universality in Music(02:19:13) Experiential Nature of Music and Counterpoint(02:21:17) Demonstration of Microtonal Guitar(02:27:15) Rhythm and Its Temporal Nature(02:31:08) Metaphysics of Matter and Sensory Experience(02:35:10) Interpretations of Reality in Theory v. Experience(02:39:10) The Intersection of Science and Metaphysics(02:44:08) Continuous Dialogue Between Concepts and Reality #philosophy, #stoicism, #arttheory, #spiritualevolution , #musictheory, #Bergson, #aesthetics , #harmony , #consciousness , #creativitydevelopment , #existentialism, #philosophypodcast, #sciencepodcast, #longformpodcastCheck our short-films channel, @DemystifySci: https://www.youtube.com/c/DemystifyingScience AND our material science investigations of atomics, @MaterialAtomics https://www.youtube.com/@MaterialAtomicsJoin our mailing list https://bit.ly/3v3kz2S PODCAST INFO: Anastasia completed her PhD studying bioelectricity at Columbia University. When not talking to brilliant people or making movies, she spends her time painting, reading, and guiding backcountry excursions. Shilo also did his PhD at Columbia studying the elastic properties of molecular water. When he's not in the film studio, he's exploring sound in music. They are both freelance professors at various universities. - RSS: https://anchor.fm/s/2be66934/podcast/rss- Donate: https://bit.ly/3wkPqaD- Swag: https://bit.ly/2PXdC2y SOCIAL: - Discord: https://discord.gg/MJzKT8CQub- Facebook: https://www.facebook.com/groups/DemystifySci- Instagram: https://www.instagram.com/DemystifySci/- Twitter: https://twitter.com/DemystifySciMUSIC: -Shilo Delay: https://g.co/kgs/oty671
Successful cult films like The Host and Snowpiercer proved to be harbingers for Bong Joon Ho's enormous breakthrough success with Parasite. In Bong Joon Ho (U Illinois Press, 2024), Joseph Jonghyun Jeon provides a consideration of the director's entire career and the themes, ambitions, techniques, and preoccupations that infuse his works. As Jeon shows, Bong's sense of spatial and temporal dislocations creates a hall of mirrors that challenges us to answer the parallel questions Where are we? and When are we?. Jeon also traces Bong's oeuvre from its early focus on Korea's US-fueled modernization to examining the entanglements of globalization in Mother and his subsequent films. A complete filmography and in-depth interview with the director round out the book. Insightful and engaging, Bong Joon Ho offers an up-to-date analysis of the genre-bending international director.
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Join us in-person for a discussion with performance, as we delve into music and the technology revolution, hearing Black voices on how technology is impacting our music.
African Americans have played an outsized and pivotal role in American and global music. At most of the shifts and transitions in music driven by technology and culture, Black Americans have been in the forefront. Join us for a discussion of the past, present and future of the mix of technology and music with a focus on African American innovation.
In addition to the panel discussion, we will end with a short suite of performances by the presenters.
About the Speakers
Award winning recording artist Nicolas Bearde is a singer-songwriter, actor and educator whose career has spanned more than 35 years. Born and raised in Nashville, TN, the second of 7 children, he has toured the globe with many of today’s jazz legends, such as Bobby McFerrin, Nat Adderley, Jr., Bernard Purdie, Vincent Herring and more. His style is likened to Lou Rawls, Nat King Cole and Bill Withers and he is known for his “velvet voice,” wit and engaging rapport that has drawn audiences into his live performances around the world. As an educator, Nicolas has worked with the California Jazz Conservatory and Jazz Camp West teaching “Vocal Intensive” workshops, skills he honed on the road as a member of Bobby McFerrin’s wildly innovative a cappella ensemble, “Voicestra” for more than 10 years, and was the chair of “popular voice” for the Young Arts Foundation in Miami, Florida for 5 years.
Phil Hawkins is a drummer and media producer living in San Francisco. He regularly performs with Ray Obiedo, Pete Escovedo and other local artists. Phil operates a media production business that offers audio recording, mixing, and mastering for videography, photography, and graphic design services. He has taught music production at the college level for more than 20 years.
Glen Pearson is both a noted pianist as well as the current head of music studies at the College of Alameda. He began playing piano at age 6 and was playing professionally by age 15. He has appeared on stage, television and on recordings with such notables as Regina Belle, Jimmy Scott, Diane Reeves, Marlena Shaw, Bobby Hutcherson and Nicolas Bearde, and served for 11 years as the musical/band director for the world-renowned Boy’s Choir of Harlem. For the past 5 years he toured with The Count Basie Orchestra, who’s latest record, Basie Swings the Blues, netted “Best Large Jazz Ensemble Album” at the 2024 Grammy Awards.
Organizer: Gerald Anthony Harris
An Arts Member-led Forum program. Forums at the Club are organized and run by volunteer programmers who are members of The Commonwealth Club, and they cover a diverse range of topics. Learn more about our Forums.
Bearde photo by James Barry Knox Photography; Pearson photo by Timothy Bryan Burgess; additional photos courtesy the speakers.
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The Business of Bobbysoxers: Cultural Production in 1940s Frank Sinatra Fandom (Oxford University Press, 2024) by Dr. Katie Beisel Hollenbach reconsiders the story of American popular music, celebrity following, and fan behavior during World War II through close examination of “bobbysoxers.” Preserved in popular memory as primarily white, hysterical, teen girl devotees of Frank Sinatra clad in bobby socks and saddle shoes, these girls were accused of displaying inappropriate behavior and priorities in their obsessive pursuit of a crooning celebrity at a time of international crisis. Dr. Beisel Hollenbach peels back the stereotypes of girlhood idol adoration by documenting the intimate practices of wartime Sinatra fan clubs, revealing a new side of this familiar story in American history through the perspective of the bobbysoxer.
In World War II America, fan clubs and organizations like Teen Canteens offered a haven for teenage girls to celebrate their enjoyment of popular culture while cultivating relationships with each other through media icons and the entertainment industry. Many of these organizations attempted to encourage diverse memberships, influenced in part by Frank Sinatra's public work on racial and religious tolerance, and by Sinatra's own identity as an Italian American. Away from the critical public eye, these communities offered girls a place to safely explore and discuss issues including civil rights, politics, the war, patriotism, internationalism, and professional development in the context of their shared Sinatra fandom. With these broader social and political complexities in mind, The Business of Bobbysoxers shines a light on musical fan communities that provided teenage girls with peer groups at a critical moment of personal and historical change, allowing them to creatively express their desires and imagine their futures as American women together.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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John Locke continues to excite controversy. For American liberals, he is an honorary Founding Father, one of the architects of modern democracy. In their view, as Allan Bloom put it, ‘the whole world is divided into two parts, one of which traces its intellectual lineage back to Locke and the other to Marx’. For his critics on the left, by contrast, he is an apologist for slavery and European imperialism, his thought a reminder that liberalism and empire were born twins. But is either of these views really true? Perhaps if we look at Locke’s practical engagement with English colonialism, a more complicated picture will emerge.
Join Mark Goldie, one of the preeminent historians of seventeenth century political thought, as he sheds light on Locke’s involvement in the transatlantic slave trade, his relationship with England’s American colonies, and his views on empire and enslavement, asking how it was that the so-called father of liberalism could have accepted the absolute subjugation of other human beings.
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