It’s the 50th regular episode of the podcast, and to celebrate, we’re finally doing a deep dive on a comic that helped ushered in the Iron Age and still stands as one of its most enduring accomplishments: Frank Miller’s Batman: The Dark Knight (better known in collected form as The Dark Knight Returns), aided and abetted by inker Klaus Janson, colorist Lynn Varley, and letterer John Costanza. But after 39 years of attention from the comics industry and mainstream media alike, is there anything left to say about arguably the most celebrated Batman comic ever published? Rather than try to reduce this landmark comic to a tidy message or thesis about “what it means,” we embrace the glorious messiness of DKR. By examining all the complexities and contradictions of the series, we try to foster an honest and true appreciation of this landmark work.

Thanks to everyone who's listened to us over the past two years and 50 episodes. There's a lot more great stuff to come. You can help us out in our endeavors by pledging support at patreon.com/ironageofcomics

It’s the final lap of our epic look at every issue of this legendary run! With Linda Park erased from history and Wally West merged with the Speed Force (again), a grimmer and grittier speedster takes over Flash duty. We’ll talk about the end of Mark Waid’s (and Brian Augustyn’s) tenure on the title, the transition to the Geoff Johns era, and the awkward batch of issues in between. Plus, we offer our highlights and lowlights of the entire run and reflect on the big picture: what these hundred-plus issues meant to us and to the development of superhero comics as a whole.

Discussed in this episode: The Flash #151-163, plus other stories.

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When Joe Quesada and Jimmy Palmiotti were handed creative control over some of Marvel’s B- and C-list characters in 1998, they offered the job of writing Black Panther to Christopher Priest…who didn’t want the assignment! But Priest was eventually convinced to take Quesada and Palmiotti’s Coming to America-inspired suggestion to bring T’Challa to Brooklyn and turn it into a radical reinvention of the character, years ahead of its time in merging superheroes with international political intrigue. Much of the basis for the MCU’s mega-popular take on Black Panther and Wakanda begins in this run, but Priest was convinced it wouldn’t work without a white point-of-view character directly inspired by one of TV’s Friends. We look at one of the sharpest, funniest, most daring ongoing series of the Iron Age.

Who is Cobalt Blue? Well, we’ll tell you, but you might not like the answer! In 1997, Mark Waid and Brian Augustyn took a 12-issue vacation from the ongoing Flash series to recharge their batteries. But during this so-called “hiatus,” they were busy collaborating on a number of stories and even a 96-page hybrid prose/graphic novel that would set up their upcoming “Chain Lightning” storyline, billed as “the ultimate Flash epic.” Fans didn’t react well to the shocking retcon that kicked off the story, but we found the resultant time-travel romp to be a bit of an overlooked gem, introducing a thousand years of potentially interesting speedsters to the DC Universe. PLUS! Don’t miss the wedding of Wally West and Linda Park (Take One)!

Discussed in this episode: The Flash #142-150 and #1,000,000, plus The Life Story of The Flash (1997) and other stories.

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In 1988’s Amazing Spider-Man #300, Venom debuted as a ruthless, psychotic stalker and quickly became Spidey’s top villain. Within five years, he was so popular that Marvel semi-rehabilitated him into an antihero with his own series. But by the end of the decade, the character had become overexposed and was removed from active circulation. In the wake of the release of Venom: The Last Dance, we look back at one of the strangest evolutions of the Iron Age and ask the big questions. How did David Michelinie and Todd McFarlane turn a four-year-old completed subplot about a new costume and a newly retconned supporting character into the basis of a franchise? Why did Marvel give Venom a string of consecutive limited series instead of a traditional ongoing? And how are his powers even actually supposed to work?

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Conspicuous by their absence throughout most of this run, the villains of the Rogues Gallery return to menace the Flash. But Mark Waid (and newly credited co-writer Brian Augustyn) put the main focus back on the dynamic between Wally West and Linda Park, as they argue about how much information to reveal to the public about an impending global disaster, negotiate the Flash’s exile from Keystone City to his new home turf of Santa Marta, California, and find their commitment to each other put to the ultimate test when the devil Neron comes looking to make a deal. We’ll also examine some side projects looking at Wally’s relationship with some of his superhero peers: Dick (Nightwing) Grayson and Kyle (Green Lantern) Rayner.

TRIGGER WARNING: Discussion of fictional presidential election.

Discussed in this episode: The Flash #119-129, plus Flash/Green Lantern: Faster Friends #1-2, Flash Plus Nightwing (1997), and other stories.

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In a Patreon-exclusive episode available now, we discuss Bernie Wrightson's adaptation of the EC Comics-inspired horror anthology movie Creepshow, directed by George A. Romero from a screenplay by Stephen King. As a Halloween treat, we're offering a taste of the conversation for free here. Want to hear the rest? Support us at patreon.com/ironageofcomics!

At the intersection of Carl Barks and Akira Kurosawa, you’ll find Usagi Yojimbo, a longrunning indie comic about a rabbit ronin in 17th-century Japan. Creator Stan Sakai deftly balances somber meditations on honor and often surprising violence with funny animals and gentle humor, drawing on influences ranging from extensive historical research into traditional swordmaking techniques to Audrey Hepburn movies caught on afternoon TV. We dive into a big chunk of this series (already in progress, as it turns out) and discuss how despite its very specific cultural milieu, the universal themes and plots found in the stories (and the appealing nature of the art) makes this comic instantly accessible.

In this episode, we get two epic storylines back to back. First, in “Dead Heat,” the Lightning Brigade faces the evil Savitar, who treats superspeed like a religion and has an army of ninjas to back him up. Next, “Race Against Time” finds Wally West lost in the future while a new Flash protects Keystone City (and makes time with Linda Park). But we’re less enthused about these stories than earlier highlights like “The Return of Barry Allen” and “Terminal Velocity.” Was writer Mark Waid starting to be stretched a little too thin as he ascended to the ranks of industry superstar, or are your humble hosts just running out of gas? Or maybe there’s just something funny about this Savitar guy…

There's a Fifth Week Bonus episode coming in October! Sign up now at patreon.com/ironageofcomics so you won't miss it!

What if every superhero and pulp fiction universe was condensed down into one universe, which was also the Wildstorm Universe? The Planetary team uncovers the secret history of their world and, in the process, performs a metatextual analysis on genre comics. But to what end? With one fan of the series and one hater on board, we debate whether Planetary restores a sense of wonder to superheroes and has anything insightful to say about them, or whether it’s just more guys with powers vying for control of the universe while making snarky comments to each other. We’ll also gush over John Cassaday and Laura Martin’s art, discuss the difference between pastiche and archetypes, and consider how the comics industry evolved over the course of the series’ highly delayed run.

This episode was recorded before John Cassaday’s passing. A brief introduction at the top of the show, recorded more recently, contextualizes how we ultimately decided to release this episode.

This episode also discusses allegations about Warren Ellis and the question of whether to revisit his work at all surrounding those allegations. For more information, we recommend reading SoManyOfUs.com.