Ep. 161: Sundance 2023 Six with Eric Hynes: Drift, Kokomo City, 20 Days in Mariupol, Mami Wata

Welcome to The Last Thing I Saw. I’m your host, Nicolas Rapold. The Sundance Film Festival episodes come to their thrilling conclusion (I think) with a final selection of highlights, brought straight to your ears. I talk with Eric Hynes, curator of film at the Museum of the Moving Image, about Kokomo City, Drift, 20 Days in Mariupol, The Stroll, Iron Butterflies, Mami Wata, and last but not least, Talk to Me.

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Music: “Tomorrow’s Forecast” by The Minarets, courtesy of The Minarets

Photo by Steve Snodgrass

Ep. 160: Sundance 2023 Five with Jessica Kiang: All Dirt Roads Taste of Salt + The Disappearance of Shere Hite

Welcome to The Last Thing I Saw. I’m your host, Nicolas Rapold. The Sundance Film Festival left me with a number of worthy movies that I couldn’t shake from my mind anytime soon. So I’m back with critic Jessica Kiang (Variety) for the second part of our discussion. This time we go into a couple of films that people will definitely continue to talk about: a debut feature with a strong and singular voice, Raven Jackson’s All Dirt Roads Taste of Salt, and the revelatory documentary from Nicole Newnham, The Disappearance of Shere Hite.

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Music: “Tomorrow’s Forecast” by The Minarets, courtesy of The Minarets

Photo by Steve Snodgrass

Ep. 159: Sundance 2023 Four with Jessica Kiang: Past Lives, Passages, Notes on Hybrid

Welcome to The Last Thing I Saw. I’m your host, Nicolas Rapold. The Sundance Film Festival has officially wound down but I still have good movies to share with you! This time I joined forces with critic Jessica Kiang, who was reviewing films for Variety at the festival. Our discussion spans two episodes. Part One begins with notes on the hybrid nature of this edition, then moves on to Celine Song’s wonderful debut feature Past Lives and Ira Sachs’s latest drama, the finely observed love triangle Passages.

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Music: “Tomorrow’s Forecast” by The Minarets, courtesy of The Minarets

Photo by Steve Snodgrass

Ep. 158: Sundance 2023 Three with Eric Hynes

Welcome to The Last Thing I Saw. I’m your host, Nicolas Rapold. The Sundance Film Festival is back in action, returning to in-person screenings and events after two virtual years. I caught up again with Eric Hynes, curator of film at the Museum of the Moving Image, about some of Films of Interest at the festival, including The Tuba Thieves, Rotting in the Sun, Cat Person, and Fremont.

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Music: “Tomorrow’s Forecast” by The Minarets, courtesy of The Minarets

Photo by Steve Snodgrass

Ep. 157: Sundance 2023 Two with Amy Taubin

Welcome to The Last Thing I Saw. I’m your host, Nicolas Rapold. The Sundance Film Festival is back in action, returning to in-person screenings and events after two virtual years. I sat down with Last Thing I Saw regular and veteran of Sundance, critic Amy Taubin, about some of the highlights (and otherwise) at the festival, including Past Lives, Polite Society, and a Nam June Paik documentary.

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Music: “Tomorrow’s Forecast” by The Minarets, courtesy of The Minarets

Photo by Steve Snodgrass

Ep. 156: Sundance 2023 One with Eric Hynes

Welcome to The Last Thing I Saw. I’m your host, Nicolas Rapold. The Sundance Film Festival is back in action, returning to in-person screenings and events after two virtual years. To discuss the 2023 edition and some movie highlights so far, I spoke with longtime attendee Eric Hynes, curator of film at MOMI.

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Music: “Tomorrow’s Forecast” by The Minarets, courtesy of The Minarets

Photo by Steve Snodgrass

Ep. 155: Snubbed! with Michael Koresky, Eric Hynes, and Edo Choi

Welcome to The Last Thing I Saw. I’m your host, Nicolas Rapold. This month the Museum of the Moving Image starts the series “Snubbed: Great Movies, No Nominations.” The rules are simple: very fine films that were ignored, overlooked, or snubbed (if you will) by the Academy. For this episode I’m joined by the delightful series co-programmers: Eric Hynes, curator of film at MOMI; Michael Koresky, co-editor of Reverse Shot; and Edo Choi, associate curator at MOMI. Each chose a couple of films to represent the varieties of snubbage that occur when the Oscars and the history of great movies fail to intersect.

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Music: “Tomorrow’s Forecast” by The Minarets, courtesy of The Minarets

Photo by Steve Snodgrass

Ep. 154: Avatar 2, Michael Mann, Nope, Casa Susanna, Rosa von Praunheim, World Cup

Welcome to The Last Thing I Saw. I’m your host, Nicolas Rapold. The thrilling conclusion of 2022 has arrived, starring critic Mark Asch in a discussion about all of the pressing matters of the moment in the film world: Avatar 2: The Way of Water, digital cinema and Michael Mann, Nope, Casa Susanna, Rosa von Praunheim, and the 2022 World Cup.

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Music: “Tomorrow’s Forecast” by The Minarets, courtesy of The Minarets

Photo by Steve Snodgrass

Ep. 153: Bruce Bennett on Blue Collar, Canyon Passage, Ragtime, Ken Burns

Welcome to The Last Thing I Saw. I’m your host, Nicolas Rapold. This episode I continue my conversation with writer Bruce Bennett, who’s back on the show with a new garden of cinematic delights. In the first half, we talked about Chabrol and Skolimowski and British rarities, and now in the second half, Bruce takes us deep into the heart of America on film through Paul Schrader’s Blue Collar, Jacques Tourneur’s Canyon Passage, Milos Forman’s Ragtime, and Ken Burns’s recent series The U.S. and the Holocaust.

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Music: “Tomorrow’s Forecast” by The Minarets, courtesy of The Minarets

Photo by Steve Snodgrass

Ep. 152: Amy Taubin on Godard, Greatest Films, and more

Welcome to The Last Thing I Saw. I’m Nicolas Rapold. Critic Amy Taubin joins the podcast for another delightful year-end discussion. She shares her thoughts on Godard by way of See You Friday, Robinson, a remarkable film that connected the late French master in a correspondence with Iranian writer-director Ebrahim Golestan. Then it’s on to the ever-vexing issues and omissions involved in selecting the greatest films of all time, viewed from Taubin’s career-spanning vantage point. Also: a TV recommendation.

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Music: “Tomorrow’s Forecast” by The Minarets, courtesy of The Minarets

Photo by Steve Snodgrass