Welcome to The Last Thing I Saw, with your host Nicolas Rapold. Critic Nick Pinkerton and cinematographer Sean Price Williams join this episode. Pinkerton’s new book on Tsai Mingliang’s wonderful film Goodbye Dragon Inn is available now from Fireflies Press. Sean Price Williams’s vibrant and dynamic work as a cinematographer includes the acclaimed movies Good Time, directed by Josh and Benny Safdie, and Her Smell, directed by Alex Ross Perry. A leading cinematographer of his generation, Williams has also shot movies with Abel Ferrara, Sean Baker, Michael Almereyda, Jessica Oreck, and Albert Maysles.

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Opening music: “Monserrate” by The Minarets

Photo by Steve Snodgrass

Welcome to The Last Thing I Saw, with your host Nicolas Rapold. For the final installment in our essential picks from the 2021 Berlin Film Festival, I’m joined by Berlin-based critic Jessica Kiang, who wrote about the festival for The New York Times and filed multiple reviews of highlights for Variety. Movies discussed include The Scary of 61st, from Red Scare podcast co-host Dasha Nekrasova; the Georgian small-scale epic What Do We See When We Look at the Sky?; fresh readings of Alice Diop’s We, the Vietnamese curio Taste, and Alonso Ruizpalacios’s meta-docufiction A Cop Movie; and Petite Maman, Céline Sciamma’s follow-up to Portrait of a Lady on Fire.

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Opening music: “Monserrate” by The Minarets

Photo by Steve Snodgrass

Welcome to The Last Thing I Saw, with your host Nicolas Rapold. The one and only Amy Taubin joins to talk about a couple of selections from the Berlin Film Festival and Berlin Critics’ Week, with some comments on watching on the small screen. Movies discussed include Ballad of a White Cow, An Unusual Summer, Nous (We), and Petite Maman.

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Opening music: “Monserrate” by The Minarets

Photo by Steve Snodgrass

Welcome to The Last Thing I Saw, with your host Nicolas Rapold. Brazil-based critic Ela Bittencourt, who has been reviewing for MUBI, joins to discuss a selection of movies in the Berlin Film Festival, which presented its slate online in advance of its public summer incarnation. Movies discussed include The Girl and the Spider, Natural Light, Azor, Tsarenska Scaling, and the short Fury Is a Feeling Too (1983).

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Opening music: “Monserrate” by The Minarets

Photo by Steve Snodgrass

Welcome to The Last Thing I Saw, with your host Nicolas Rapold. London calling! Critic Jonathan Romney weighs in on the best from the Berlin Film Festival, which presented its slate of films online in advance of a public summer incarnation. Movies discussed include the prize-winners Bad Luck Banging or Loony Porn from Radu Jude, Ryusuke Hamaguchi’s Wheel of Fortune and Fantasy, Maria Speth’s Mr. Bachmann and His Class, Alonso Ruizpalacios’s A Cop Movie, and more.

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Opening Music: “Monserrate” by The Minarets

Photo by Steve Snodgrass

Welcome to The Last Thing I Saw, with your host Nicolas Rapold. We’re giving a sneak preview of the prestigious Berlin Film Festival, which presented its slate of films online this week (in advance of a public summer incarnation). Critic-programmer Jordan Cronk joins the episode to give a run-down on what’s new at Berlin and a selection of highlights including the latest from Hong Sangsoo and adventurous new work.

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Music: “Monserrate” by The Minarets

Photo by Steve Snodgrass

Welcome to The Last Thing I Saw, with your host Nicolas Rapold. We’re talking about new (or new-ish) releases this week, including Judas and the Black Messiah, The Father, I Care a Lot, and Saint Maud. Joining me for this episode are a supergroup of two regulars: critics Beatrice Loayza and Nicholas Russell.

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Music: “Monserrate” by The Minarets

Photo by Steve Snodgrass

Welcome to The Last Thing I Saw with your host, Nicolas Rapold. This one's a wild journey with guest Carlos Valladares, a critic and Yale graduate scholar. Carlos is working on a project about the director Jerry Schatzberg, so our conversation starts with his films Scarecrow and Honeysuckle Rose. Then it’s off to the races: Alain Resnais’s Je t’Aime, Je t’Aime; Looney Tunes; the late Joan Micklin Silver; Kevin Jerome Everson's Park Lanes; and Bill Gunn’s great lost studio film, Stop!

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Music: “Monserrate” by The Minarets

Photo by Steve Snodgrass

Welcome to The Last Thing I Saw, with your host Nicolas Rapold. The Rotterdam film festival provides a launching pad for cutting-edge cinema that often ends up screening in New Directors / New Films and other series. To discuss highlights from this year's edition -- including the prize-winning Indian film Pebbles and the eye-opening Dutch drama Feast -- I’m joined by Jordan Cronk, veteran critic and founder/programmer of the Acropolis Cinema in Los Angeles. (We also catch up with a Sundance documentary that explains how to move giant trees.)

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Music: “Monserrate” by The Minarets

Photo by Steve Snodgrass

Welcome to The Last Thing I Saw, with your host Nicolas Rapold. As our week of Sundance comes to a close, Amy Taubin returns to discuss Judas and the Black Messiah, Bring Your Own Brigade, a discovery in the episodic series section, the Sparks documentary, and her reason for missing the Summer of Soul concerts in 1969.

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Music: “Monserrate” by The Minarets

Photo by Steve Snodgrass