Tom Service scopes the musical world of one of his favourite composers, Maurice Ravel.

Tom Service explores classical music’s ultimate binge-listening box set - Richard Wagner’s apocalyptic four-part 16-hour marathon music drama, The Ring.

Cram packed with heroes, heroines, gods and goddesses, it took 25 years to write and has inspired everyone from JRR Tolkien to Francis Ford Coppola and Bugs Bunny.

Selfishness, deception, hypocrisy, greed, destruction; like all good box sets they’re all in there, but what’s The Ring really about? And what can we, and perhaps today’s world leaders, learn from it?

Tom has half an hour to find out.

Does English music have a formula? Think of the stirring 'nobilmente' tunes of Elgar and those melodies and harmonies of Vaughan Williams and Holst which have become inextricably linked with the very notion of Englishness. When did English music begin and is it still being written? In an attempt both to define English music and explain its appeal Tom Service enlists the help of Em Marshall-Luck, founder-director of The English Music Festival.

Tom Service explores talking in music - from Gilbert & Sullivan's patter songs to high-art "Sprechgesang" by Schoenberg, from Mozart's recitative to the rap of present-day LA. Anyway, who's to say what is talking and what is singing? Archive recordings of WB Yeats reveal him intoning his poetry melodically, while Ken Nordine devised what he called "Word Jazz".

This edition was first broadcast in 2020: the poet named there as Kate Tempest identified as non binary later that year, changing their name to Kae

Tom takes a deep drive into the music of Franz Liszt, celebrated, and sometimes denigrated, for his ultra-virtuosity. Tom is joined by former Radio 3 New Generation Artist Mariam Batsashvili who plays some of her favourite moments of Liszt at the piano, and explains why Liszt has always held a special place in her heart. From struggling with being the first world-famous musician, to pre-empting the likes of Wagner and Schoenberg, Tom explores the surprising and conflicting role Liszt played on the musical stage.

From Corsican polyphony to Jacob Collier, 50s rock and roll and global hit TV series Glee, close harmony runs through music traditions around the world: but nowhere is it more important than in barbershop, famous for its striped waistcoats, bow ties, and comedy parodies. But today over 70,000 singers of all ages and genders participate in barbershop societies around the world, coming together to compete and perform in quartets and larger choruses, enjoying its exuberant and expressive performance style, and revelling in its magical 'overtones'.

With Brian Lynch from the Barbershop Harmony Society in Nashville and members of the BBC Singers, Tom explores what makes it so unique, from its vocal setting to its use of 'just intonation', and discovers the roots of its history, far from the exclusive Ivy League world it's thought to represent.

Tom Service takes an introductory journey through the beguiling sound world of Kaija Saariaho.

Finnish-born, Paris-based Saariaho's music, at once dark and dazzling, immediate and sensual, has ensured her position as one of the world's leading living composers. From operas which explore the big human themes, to orchestral and instrumental works which fuse electronic and acoustic sounds, her voice is completely distinctive and instantly recognisable, a triumph of extraordinary imagination and determination over an unpromising family background.

David Papp (producer)

In 1649, a month after the execution of King Charles I, the distraught composer Thomas Tomkins wrote a piece of music called "A sad pavan for these distracted times".

Why is a chamber ensemble of two violins, viola and cello the most popular in all of music? The string quartet has inspired - and instilled fear into - composers like no other ensemble, and has been used in pop songs from The Beatles to Bjork. Tom Service explores the string quartet, from Haydn's epic 68 works for the medium, to Beethoven's heroic and tortured late masterpieces, to Shostakovich's 15 soul-bearing 20th-century works. Tom's guests are composer Dobrinka Tabakova, who takes inspiration from the wealth of quartets written before her, and one of the best quartets in the business - the Brodsky Quartet who, besides the great classical cannon, have played with pop artists including Elvis Costello, Sting and Paul McCartney in their nearly 50-year existence.

Beethoven: deaf for most of his life, unbearable egotist, flagrant opportunist and musical anarchist whose music reaches the heights of ecstasy. Where do you start with this bundle of contradictions, probably the most admired composer in western music, whose works have unfailingly filled concert halls for over 200 years? Tom Service goes in search of what makes Beethoven Beethoven and suggests a few key pieces to help unlock the man and his music.

David Papp (producer)