Tom explores Steve Reich’s 1988 work Different Trains, its use of sampling and speech melodies, and its evocation of the Holocaust. Our witness is the author and journalist Jonathan Freedland.

Producer: Ruth Thomson

Tom Service explores the story behind the very first orchestral tone poem and one of the best-loved pieces in classical music: Mendelssohn's Hebrides Overture. Cave expert Prof Stuart Jeffrey shares his insights into Fingal's cave (which inspired Mendelssohn to write his overture), from its many famous visitors over the years to its extraordinary - and sometimes disconcerting - acoustic.

Tom Service explores musical ecstasy from techno to classical, dissecting 'Ecstasio' by the British composer Thomas Ades and talking to the Dutch composer and DJ Junkie XL

Tom Service explores how and why storms and extreme weather events have inspired classical composers from Beethoven to Britten. With meteorologist, space physicist, and double bass player Dr Karen Aplin.

Producer: Ruth Thomson

The immense power of chant to transform both the listener and the chanter has ensured the survival of this ancient musical form. Starting with the Abbess Hildegard of Bingen, Tom explores how chant has resonated across a thousand years of music, taking in American Hopi and Buddhist chants and the Hildegurls, a 21st century reading of Hildegard's music.

Tom Service waves his magic wand to explore the connections between music and magic, discovering how an 18th century German poet, 19th century French composer, and 20th century cartoon mouse, cast a spell over audiences everywhere in The Sorcerer's Apprentice.

Producer: Ruth Thomson

Tom Service explores television themes with Oscar-winning composer Anne Dudley, who wrote the music for Poldark, Black Narcissus, and Jeeves and Wooster.

Did music begin in ancient cave systems? How did medieval cathedrals inspire musical developments? What effect does a particular concert hall have on the music heard there, or the music on the design of the concert hall? And what can we do with our 21st-century ability to change our acoustic environment at the touch of a button?

Tom Service looks at the relationship between music and its surroundings, and how that relationship has developed over the centuries.

Tom Service is joined at the 2022 Hay Festival by the American pianist, writer and self confessed 'classical music nerd of the highest order' Jeremy Denk, to explore cadenzas - virtuosic solo improvisations - with help from Freddie Mercury, John Coltrane and J.S Bach.

Royal music throughout the ages. Tom Service asks: what makes it sound royal, and why? And is there really such a thing as a royal sound world?

Royal music doesn’t have to be heraldic, ranging from the pomp and ceremony of Elgar; to the intimacy of lutenists like Dowland writing in the court of Christian IV in Denmark; to the secret music of the Kyoto imperial court, performed exclusively for royal ears. Composers over the centuries and millennia have written for kings, queens, princes and princesses, at times simultaneously praising and even criticising monarchies from within and without.