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I’m always arguing for balanced dynamics rather than loudness for it’s own sake, but some people have a different opinion - high loudness is important, and even beneficial.
Nick Di Lorenzo is one of them - he says that loudness is important regularly on his YouTube channel. So in this episode I invited him on to explore that idea in more detail, and really get into the nuances of the topic. Do you need to be mastering loud ? Topics include:
* The practicalities of loudness
* What makes things sound loud anyway ?
* Record labels versus loudness
* Why loudness IS important
* Why LUFS don’t matter, and
* The difference between loudness and LUFS
Full show notes on our website
https://themasteringshow.com/episode-93
Mentioned in this episode:
Tools
For Ian's mastering plugins, click HERE
Learn to master !
Click HERE to see Ian's courses and mastering resources
Leapwing
Find out more about Leapwing's plugins
You can't go a day without someone telling you how loud your music should be, these days.
"Everything has to be -8 LUFS"
"EDM has to be -6 LUFS or louder"
"-11 is the perfect balance"
"Just master everything to -14"
...but they can't all be right !
In fact, none of them are, and even more importantly, they may not even be talking about the same thing. And the differences are really important. So in this episode I try explain really clearly and concisely:
The 3 different types of LUFS
The difference between them
Why it’s crucial to know which type you’re talking about
Why mastering to integrated targets makes no sense
When -14 LUFS isn’t loud enough – and why ?
Why it’s not about ‘how loud’, it’s about how you make it loud
Why integrated LUFS values are the result, not the goal of mastering
Full show notes on our website
https://themasteringshow.com/episode-92
Mentioned in this episode:
Learn to master !
Click HERE to see Ian's courses and mastering resources
Leapwing
Find out more about Leapwing's plugins
Tools
For Ian's mastering plugins, click HERE
Mentioned in this episode:
Learn to master !
Click HERE to see Ian's courses and mastering resources
Leapwing
Find out more about Leapwing's plugins
Mentioned in this episode:
Learn to master !
Click HERE to see Ian's courses and mastering resources
Leapwing
Find out more about Leapwing's plugins
Mentioned in this episode:
Learn to master !
Click HERE to see Ian's courses and mastering resources
Leapwing
Find out more about Leapwing's plugins
DJs get a lot of flak, especially about loudness. There’s a deep-seated belief that “loud” masters are still a requirement for club music, and that DJs are somehow to blame.
But is this fair ? The reality is much more complicated and interesting than the popular cliche that DJs will only play loud masters, and in this episode Ian dives deep into the issue with Joe Caithness, who works as both a DJ and a mastering engineer. Topics include:
The reality of DJ-ing
The problem with peaks
Loudness ? Or consistency ?
The power of Pioneer
The shocking missed opportunity of loudness metadata
The ‘sound’ of loudness
And much more !
Full shownotes on our site
https://themasteringshow.com/episode-88
Mentioned in this episode:
Learn to master !
Click HERE to see Ian's courses and mastering resources
Leapwing
Find out more about Leapwing's plugins
It’s amazing what mastering can achieve - but it’s also amazing how many things can influence the results we get right from the recording stage.
In this episode Ian talks to Mike Senior about how to fix mastering problems at the recording stage, without using a time machine ! Topics include how to avoid:
Muddy mids
Harsh guitars
Sibilance
Resonant snares
Boomy or hollow vocals
Exposed vocals
Stereo image issues
And many more !
Links
Mike has put together a fantastic page of resources for this episode, including an excellent video about stereo mic technique - click here make sure you check it out !
https://cambridge-mt.com/misc/mastering-show-2212-resources/
https://themasteringshow.com/episode-87
Mentioned in this episode:
Learn to master !
Click HERE to see Ian's courses and mastering resources
Leapwing
Find out more about Leapwing's plugins
As mastering plugins become more sophisticated and more technical, there’s an interesting trend towards making the interfaces… less so.
As well as traditional technical terms and numbered scales, controls labelled with less technical terms like “warmth”, “bite” and “colour” are becoming more common. And some interfaces are just… bizarre !
Is that good ? Or not ? In this episode Jon and I like at some more unconventional plugin user interface designs, and discuss:
Why technical interfaces can be a problem
When a more creative approach can be a good thing...
…and when it’s not
Some of our favourite ‘unconventional' plugin designs
But are they better than just closing our eyes ?!
Should plugins emulate the design of the hardware
And does it make them sound better ?!?
Full show notes - http://themasteringshow.com/episode-86
Mentioned in this episode:
Learn to master !
Click HERE to see Ian's courses and mastering resources
Leapwing
Find out more about Leapwing's plugins
You’ve probably heard of Eric Sarafin, aka Mixerman, but have you heard what he has to say about mastering ?
As always it’s entertaining, potentially controversial but also thought-provoking, so it seemed like a good idea to get him on the show and ask him to explain himself ! We talk about:
* Why he thinks if you don’t make money from your music, you shouldn’t pay for mastering
* Whether an online mastering service is actually a better option for a musician starting out (gasp)
* Eric's favourite limiter, how he uses it and why
* How loud he makes his mixes
* Recent potentially game-changing developments...
* And why they might make mastering engineers obsolete !
Full show notes on our website
https://themasteringshow.com/episode-85
Mentioned in this episode:
Learn to master !
Click HERE to see Ian's courses and mastering resources
Leapwing
Find out more about Leapwing's plugins
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