The Beatles composed their best music in the years after 1965 — so what could account for the ecstatic response the band received in the United States and Australia in 1964? Why were they “big” before they were “good”?

On 30 May 2024, after two days of deliberation following a five-week trial and hearing the testimony of 22 witnesses, a jury of 12 New Yorkers found former President Donald Trump guilty of 34 felony charges. But do the facts of the case brought against him, and the overriding fact it was brought in an election year, present insurmountable political risks?

The results of the recent European Parliament elections have only fuelled the growing concern across the member nations of the European Union that far-right, radical right, Eurosceptic and otherwise anti-immigrant parties are, once again, on the rise.

Apple Music recently released its list of the “100 Best Albums”. It was, without question, a clever marketing technique — but one that raises the problem of whether it’s appropriate to rank works of high human achievement in the first place.

At a time when so many eyes are on international courts, is their apparent failure to protect civilians in Gaza — or to punish the perpetrators of 7 October — further damaging an already shaky public confidence in the concept of international law?

It’s 18 months since the technology company OpenAI made its wildly popular interface with an advanced large language model — GPT-4 — available to the public. What has ChatGPT done to the habits of thought and consideration that produce distinctly human expression?

Protests are, by their nature, unequivocal and univocal. They tend to avoid nuance or fine distinctions, and most often do not invite dialogue. They make demands. Does the particular vocation of universities place ethical limits on the forms of expression available to protestors?

Reciprocity, cooperation, kindness, turn-taking, forbearance, empathy, experimentation — can these counter the decidedly illiberal, impatient, anti-pluralistic, well-nigh apocalyptic energies that now seem resurgent in parts of the West?

During the pandemic, there was a sudden renewal of interest in Harold Ramis’s 1993 film “Groundhog Day” — especially its bleaker aspects. But this missed its sophistication and humanity, to say nothing of its acute depiction of moral growth.

Residents of Sydney have found themselves understandably overwhelmed by the compound traumas of two stabbing attacks in three days. How are we to make sense of the cycling-through of emotions in response to shocking public violence?