Why we crave enjoyment from news, how our news use divides us, and what we can do to create better news and more informed citizens. TikTok. Short-form reels. Late-night TV monologues. Podcasts. The way news is delivered has changed dramatically and so has the way we consume it. Now, we no longer look to the news just to learn and be informed; we expect enjoyment as well. In Enjoyment Is Breaking News: How We Became Less Informed and More Divided (and How to Fix It) (MIT Press, 2026), Jennifer Hoewe (Purdue University) explains how and why this shift toward news enjoyment occurred and what we can do to address the information crisis we now face. Evidence shows that enjoyment-driven decisions are leaving us less informed—despite what we might expect—because they lead us to ignore other news that matters. This book explains why we don’t always select the best sources of news, how we respond to the news sources we do select, and how that information impacts our political knowledge and decisions.

Hoewe also offers solutions for how to improve news creation and news use moving forward. Specifically, she shows how news consumers can escape their “self-righteous” consumption cycles; how news and social media companies can play a role in curbing our automatic amplification of enjoyable news; and how we can all do better when it comes to the information we seek and share.

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In Nary a Horse Left Standing: How a Nineteenth-Century Epidemic Transformed Medicine, Animal Welfare, and the Modern City (MIT Press, 2026), Dr. Lee Dugatkin chronicles this little-known crisis, revealing how the epidemic disrupted nearly every aspect of urban life. From coast to coast, livelihoods collapsed as horses lay sick, or worse dying, on stable floors, fires raged unchecked without horse-drawn wagons, and city development stalled for lack of horsepower. Just as the Gilded Age was dawning and industrialists were poised to amass fortunes, the flu slowed progress to a crawl.

Yet the tragedy also catalyzed revolutions in medicine, animal rights, and transportation. Veterinary science in the U.S. was still emerging, but detailed medical reports from the epidemic helped validate germ theory and discredit outdated beliefs. The crisis also spotlighted early animal welfare efforts, with fledgling groups like the ASPCA advocating for sick horses forced to work. Finally, the sheer vulnerability of relying on animals for transport spurred a shift toward mechanized systems.

As illuminating as it is humbling, the book brings to life a critical account of a crisis that still speaks to the complex public health and transportation challenges we face today.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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They were perhaps an unlikely trio: professor Leah Stokes, the policy wonk Sonia Aggarwal in the White House, and the DC insider Adrian Deveny in the Senate, but together they crafted the boldest climate legislation of our time. In The Carbon Wave: A Story of Democracy, Parenthood, and the Race to Protect Our Planet (MIT Press, 2026), Stokes chronicles the turbulent path of their climate bill as it veered between breakthrough and collapse—from the hopeful beginnings of the Green New Deal in 2018, to the bill’s near-certain defeat by Senator Joe Manchin in the winter of 2021, to the surprise passage of the landmark legislation in August 2022. During this critical time, the author was pregnant or in the NICU with her premature twins, and Aggarwal and Deveny were new parents too. Interlacing personal narratives with stories from Congress, the White House, and outside activists, Stokes shows how dogged perseverance and collective action can still bend the course of history. The book concludes with an update from the second Trump administration, explaining the parts of the bill that were—and were not—rolled back, and why we should remain hopeful that progress is still being made. Everyone has been told to shrink their carbon footprint and lighten their load on our planet by changing their behavior. But what if instead of making ourselves smaller, we joined with others to maximize our impact? That’s the carbon wave. And this book shows us how to make it.

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We often blame social media for the rampant problem of disinformation, but the truth is that mainstream news media is often equally at fault. Not only do news outlets disguise paid content to look like online news articles, a practice called “native advertising,” but new research suggests that this form of advertising even influences the real journalism that appears next to it—both perceptions of the journalism as well as its actual substance. In Content Confusion: News Media, Native Advertising, and Policy in an Era of Disinformation (MIT Press, 2025), Michelle Amazeen explores the origins and evolution of this mainstream media practice, how it affects audiences and the industry, and what the implications are for an accurately informed democracy. For policy makers, in particular, the book highlights the longstanding principles from governmental regulation as well as industry professional codes that serve to support clear identification of the provenance of content, an issue that will no doubt intensify with the release of generative artificial intelligence in the wild.

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The Military Entertainment Complex: Chimurenga Afrosonic Making of Zimbabwe (MIT Press, 2026) by Dr. Mhoze Chikowero is the story of the making of post-independence Zimbabwe from the sounds and songs born of the country’s armed liberation wars, waged against British Rhodesian white settler rule since the 1890s.
The war from 1896 through the twentieth century to resist the initial colonization, as well as the one waged to reclaim land from the colonial farmers in the 2000s, is known as Chimurenga, and the music it produced is thus called Chimurenga music. The sounds and music were Afrosonic—that is, deeply grounded in the ideology of the 1960s–70s war, spawning the cultural liberation of a people whose self-expression the colonial system had criminalized and oppressed for close to a century.
The living labs of the liberation war, Chimurenga, powered not just military but also cultural rearmament, thereby producing cultural blueprints for a confident, regenerative public consciousness and expressiveness as independence. The open-access title captures the sounds of self-liberation, framing a state of militant audibility in public cultural expressiveness, public policy propagation, and contestation. It invites readers to imagine, see, hear, and feel self-liberation war redeployed as popular entertainment in the service of state making.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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The Land of Happiness: How the Japanese Department Store Visualized Modern Life

The

Although

This interview was conducted by Dr. Miranda Melcher whose book

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Some of the earliest canals in colonial America, referred to as the Inner Passage, were constructed by enslaved people living in the Lowcountry of South Carolina in the early 1700s. In a paradox of history, for over a hundred years enslaved Black people used these canals, constructed for white plantation owners, to travel southward to freedom in Spanish Florida.

In The Inner Passage: An Untold Story of Black Resistance Along a Southern Waterway (MIT Press, 2026), Virginia McGee Richards documents the lost narrative of the Inner Passage through 60 extraordinary photographs of landscapes altered by slavery and portraits of Lowcountry descendants, along with an essay describing her discovery of this untold history. In an accompanying essay, Imani Perry writes about her own journey on the Inner Passage, putting Black resistance to enslavement and Southern history into an immediate context. James Estrin brings decades of insight about photography and the power of visual storytelling to his affecting foreword. Together, these words and images offer a powerful living map of history.

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An unsettling exploration of the persistence of racism in reproductive healthcare in the US—and why even affluent Black women are imperiled by substandard care.
From a leading expert on race, class, maternal health, and reproductive rights.
Racism in maternal healthcare is not reserved for the poor. An unsparing picture of inequities in prenatal care and childbirth in the United States, Expecting Inequity: How the Maternal Health Crisis Affects Even the Wealthiest Black Americans (MIT Press, 2026) reveals that not only are black people three to four times more likely to die from a pregnancy-related cause, but racial disparities in maternal mortality persist across income levels. That is, wealthier black people are much more likely to die during pregnancy, childbirth, or the postpartum period than their white counterparts. Focusing on a San Francisco obstetrics clinic that caters to the affluent, Khiara Bridges looks at the choices around prenatal care and childbirth that class-privileged, pregnant black people are making in order to survive what has been called the “black maternal health crisis.”
Bridges, whose previous work exposed how race and racism are embedded in maternal healthcare for the poor, draws on two years of participant-observation to show how wealthier black people try to leverage their class privilege to avoid some of the negative effects of their blackness—only to discover that in a country that has never reckoned with its horrific racial past, there is no escaping racism’s reach. Throughout the book, engaging, heartbreaking, infuriating stories of women’s experiences with pregnancy and prenatal care illustrate how race and racism matter regardless of wealth or status.

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This book is available open access.

For

Drawing

This interview was conducted by Dr. Miranda Melcher whose book

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Technothriller: Film and the American Imagination

Soraya Murray

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