The No Proscenium Podcast

Jay Rinsky, the founder, CEO, and creative director of the NYC based Little Cinema is back on the show to talk about the arrival of Little Cinema Digital. This new venture from the production company has seen the theatre professionals pivot into creating a video platform of their own.

They've been using it to host premiere parties for television shows, complete with online versions of the elaborate, immersive afterparties Little Cinema is known for. This weekend the public will get a taste with Who Killed Alejandro Valdez? - a free fan event that celebrates the launch of the second season of TNT's The Alienist with a murder mystery party that shows off Little Cinema's fantastic new platform.

Hosted on Acast. See acast.com/privacy for more information.

This week Tender Claws co-founder Samantha Gorman returns to talk about the latest evolution of The Under Presents: an expansion that takes the form of a live-actor driven participatory production of Shakespeare's Tempest.

Along for the ride are producer and assistant director Eli Bork, and actor Kelley Pierre - who some members of our LA audience may recognize from her live-action immersive work.

Show Notes  Distant Shores, Locally Sourced. At Home With ‘The Under Presents: Tempest’ (First Impressions)

I Scream. You Scream. The Meltdown At The Museum Of Ice Cream

We See You White American Theatre (Demands)

Hosted on Acast. See acast.com/privacy for more information.

Our side-track podcast covering the 2017 DuckTales reboot returns with Zay and Noah.

This time out:  The Living Mummies of Toth-RA The Impossible Summit of Mount Neverest & The Spear of Selene

Content Advisory: starting at around 53 minutes we discuss the evidence of mental abuse and sexual coercion perpetrated by comic book writer Warren Ellis. It had bubbled up on social media the day that we’re recording. It makes sense in context, and I’d even argue that to not bring it up would have been more inappropriate given the context. However, I know that it’s not a topic you’d expect in a conversation about what is, ostensibly, a kids' TV show. The discussion lasts until around 1hour and 12 minutes.

Hosted on Acast. See acast.com/privacy for more information.

Virtual spaces can exist without VR headsets, and they can truly be wonders. This is an episode about one such space.

Yannick Trapman-O'Brien, creator of The Telelibrary joins us to talk about how getting stuck traveling in the pandemic and a whole lot of phone calls contributed to the development of his unique creation.

 

 

Hosted on Acast. See acast.com/privacy for more information.

Linked Dance Theatre's Kendra Slack and Jordan Chlapecka join us to talk about Like Real People Do: Long Distance Relationships Division, the online edition of their dance-theatre series that explores relationships and memories. Blending character-based interactions, filmmaking, and site-responsive dance, this latest entry in the series overcomes the limits of online video to create a world that's equal parts whimsical and bittersweet.

Hosted on Acast. See acast.com/privacy for more information.

Brittany Blum and Taylor Myers, two of the creators of Saturday night's hottest ticket -- Eschaton -- join us to share how the project came to be and what they've learned about translating an immersive nightclub into a mysterious web-based phenomenon.

Hosted on Acast. See acast.com/privacy for more information.

Ricky Brigante and Sarah A.S. Elger, authors of the 2020 Immersive Entertainment Industry Annual Report, join us to talk about some of the big takeaways from this year's edition -- which is four times the size of the 2019 Report.

Show Notes

The 2020 Immersive Entertainment Industry Annual Report

Pseudonym Productions (Brigante and Elger's production company)

Everything Immersive - our new, searchable event website, now in PUBLIC BETA

Identifying airborne transmission as the dominant route for the spread of COVID-19 (Research Article - Proceedings of the National Academy of Sciences of the United States of America)

Hosted on Acast. See acast.com/privacy for more information.

A few weeks back David Liu -- Creative Director at AFVR.co, a virtual reality consulting firm,  and formerly the Creative Director of Viacom Next and recently with the volumetric capture company The Lightframe Co. in NYC -- who tweets under the handle TheDak posted an interesting thread-- which David now refers to as “that thread” about the state of hiring practices in XR.

David and I are Twitter friends. I like the cut of his jib. He’s got a ton of experience, and he champions the multi-disciplinary approach to team building in XR, the most tech-heavy part of the overall immersive entertainment industry. 

We start out on the thread, but this is No Proscenium, so we go all over the place. Especially because David and I have never really chatted before. I love it when these kidneys of episodes work out. I do, however, talk too much. Shock.

Plus: a few words about the current cultural moment(s) we find ourselves in at the top of the show from yours truly. -Noah J. Nelson

Hosted on Acast. See acast.com/privacy for more information.

This time out Zay and Noah discuss three episodes of the 2017 DuckTales reboot. TERROR OF THE TERRA FIRMIANS, HOUSE OF THE LUCKY GANDER, and THE INFERNAL INTERNSHIP OF MARK BEAKS are all covered along with the show's views on billionaires and a side trip into Jerry Garcia's favorite movie.

It's the show about DuckTales, that's not really a show about DuckTales.

Except when it is. 

Hosted on Acast. See acast.com/privacy for more information.

Continuing our miniseries where Zay Amsbury and Noah Nelson talk about the 2017 DuckTales, this edition covers the episodes "The Great Dime Chase" and "The Beagle Birthday Massacre," the movie Ben-Hur, Hollywood writers' obsession with subverting expectations vs. classical storytelling, and beer.

Get yourself comfy, we’re gonna be here a while…

Hosted on Acast. See acast.com/privacy for more information.