The announcement of the Golden Globe nominations mean awards season has officially begun. Regularly an indicator of the films and actors in consideration for the big prize, the Academy Award, the Globe nominations offer us an insight into where the awards season stands and, more importantly, where it might be going. And right now, it looks like the Netflix musical Emilia Pérez is a big contender while Wicked and Gladiator II fell short of expectations. 

Izzy of the wildly popular YouTube channel Be Kind Rewind joins Newsweek’s H. Alan Scott to break it all down.  

Check out the full list of nominees at the link below. 

https://www.newsweek.com/golden-globes-full-list-emilia-perez-dominates-wicked-gladiator-ii-fall-short-1997925 

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As President-elect Donald Trump shapes out his cabinet, one thing is clear: it’s our favorite new reality show. To look back at the week that was, comedian Anna Roisman joins Newsweek’s H. Alan Scott to discuss Trump’s cabinet picks, Anthem insurance capping anesthesia coverage at certain time limits for patients, Billboard’s selection of Beyoncé as the greatest pop star of the 21st century, and those Spotify/Apple music recaps of the year. 

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After watching Prime Video’s The Sticky, it became clear that the Margo Martindale praise needed to continue with some of her co-stars. Chris Diamantopoulos is one of the “cohorts” Margo spoke about in our chat, and he’s fantastic in the Jamie Lee Curtis-produced series. Diamantopoulos plays Mike, one of the two men who help Martindale’s Ruth in her illegal plot to “steal some maple syrup,” as Martindale says. And The Sticky is a culmination of a lot of impressive work in Diamantopoulos’ career, who has played everything from Broadway to performances in films like The Boys in the Boat and Red Notice. (You need to watch him in Mrs. Davis.) (Oh, and you may even recognize his voice from his extensive voice work.) Diamantopoulos chats with Newsweek about The Sticky, why Margo Martindale is so great, and how The Sticky is a love letter to Canada (in its own special way).  

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“Who knew that a barrel of maple syrup is worth more than a barrel of oil?” Margo Martindale does, after starring in The Sticky (December 6, Prime Video). The Emmy-winning actor plays Ruth Landry, a Canadian syrup farmer who resorts to crime after the government threatens to take away her livelihood. “It’s very different, very fun and what an incredible subject.” Inspired by a true story and produced by Oscar-winner Jamie Lee Curtis, Martindale’s Ruth adds to a resume of unsuspecting yet extraordinary women. “The difference in this woman is that she starts at her most desperate. And that’s fun.” And while “she does have her feet on the ground,” she’s pushed to the limit and decides “to steal some maple syrup. It’s so logical to me.” [laughs] Even though Martindale has mostly “taken the supporting role” over the course of her long and lauded career, The Sticky marks her first major starring role. But for her, it’s about the work. “When I sit a long time, I go, ‘Why aren’t my agents calling me? What’s going on? Is something happening?’ It never fails.”

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There are very few directors whose personality is so central to their work, and Nora Ephron is one of those directors. A multi-hyphenated powerhouse of creativity, Ephron’s films like Sleepless in Seattle, You’ve Got Mail and Julie & Julia cemented her status as the epitome of a very specific–and cozy–mood that would in many ways define her legacy after her death in 2012. Of course, she was so much more than just a filmmaker–she was a prolific writer of nonfiction and fiction–her films have gone on to become little pieces of her personality that fans now watch to get that full Nora Ephron experience. And that’s why Ilana Kaplan’s new book ‘Nora Ephron at the Movies: A Visual Celebration of the Writer and Director Behind When Harry Met Sally, You've Got Mail, Sleepless in Seattle, and More,’ is so, so special. Kaplan spoke with Newsweek’s H. Alan Scott about where her love for Ephron started, why Ephron mattered, and what impact her films had on the art of the romantic comedy.

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“Afghanistan is the only country in the world where girls are banned from access to education and women are limited from work.” That is the stark reality that motivated Malala Yousafzai to lend her name as a producer to the documentary Bread & Roses (Apple TV+). Directed by Sahra Mani and co-produced by Jennifer Lawrence, the film follows three Afghan women (filmed in secret) as they live under and resist the Taliban oppression. “I believe that while the Taliban are trying to silence women, amplifying their voices through this documentary, is a form of resistance.” For Mani, the message of this film is of vital global importance. “Afghan women [are] paying the price the high price today, the world might pay the price tomorrow... We need solidarity of the world right now, tomorrow might be [too] late.” For Yousafzai, a Nobel Peace Prize recipient who rose to prominence after surviving a failed Taliban assassination attempt at 12 years old, this is an issue that is rooted in the inalienable right to dignity and personal freedom. “We all remain committed to it, and we'll keep fighting til the day we see every Afghan girl going to her school again, and every Afghan women getting their equal rights, living in dignity.”

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For Mayan Lopez, who stars, co-created and produces NBC’s Lopez vs. Lopez alongside her father, George Lopez, she tells Newsweek that we need more sitcoms, now more than ever. “You don’t gotta reinvent the wheel of sitcom, but we do the wheel well.” On Lopez vs. Lopez, Mayan and George play fictionalized versions of themselves, with many of the storylines blurring the line between fact and fiction. “My dad and I, we weren't really speaking very much before the first season started. I was actually nervous, like myself, but my character wasn't. So playing her gave me the confidence to be more direct with my dad and not be afraid that he was going to leave my life, as that's part of our previous history of just not talking. And as the show has gone on it, she's helped me grow into myself.”

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For John David Washington, bringing Netflix’s The Piano Lesson (November 22) from stage to screen was a family affair. His father, Denzel, produces while his brother, Malcolm, directs the film adaptation of August Wilson’s play about the Charles family in 1936 Pittsburgh as they wrestle with selling a family heirloom, a piano descended from ancestors who were slaves. “I don’t think you have to be a Black American to relate to this story.” But it wasn’t just working with his family that meant something to him. “I’m thinking about Sam [Samuel L.] Jackson, who originated the role in 1987. Michael Potts. LaTanya [Richardson] Jackson. I’m thinking about Stephen [McKinley] Henderson. I’m a part of that now. That gives me so much power and encouragement.” And while “the whale of truth that we’re floating along here is the underbelly of the antebellum South, the Jim Crow era,” Washington says the universal messages runs deeper. “If you understand that, we also talk about something else. It’s what’s so brilliant about August Wilson’s work.”

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For Skye P. Marshall, getting the part of Olympia on CBS’ Matlock is the culmination of a lot of hard work. “Every decision I've made in my career has led me to this moment. I'm a winner.” On Matlock, Marshall’s Olympia is a successful attorney at a prestigious New York City law firm who suddenly must contend with Madeline “Matty” Matlock (played by Kathy Bates), who has reentered the work force later in life. “At the beginning, we're not friends, but we're not just colleagues. And then over time, you'll start to see that that really is the love story.” While on the surface the two women are very different, they soon realize that the things about them that others use against them–Olympia’s race, Matty’s age–are actually things they can use to their advantage. “We both use it to our advantage because our need of doing good and defending the victims who cannot afford to fight for themselves.” When Marshall got the part, she says, “I screamed and cried a lot. The call felt like hitting the lottery. The call felt like what I would imagine LeBron James received in 2003 when he was the number one draft pick.” But after wrapping this season, with another season already greenlit by CBS, Marshall says one of the biggest takeaways from working with Bates so closely is how real Bates is. “Kathy has never forgotten where she's come from. Genuinely, she does not believe that she's better than the PA or the cater waiters. She doesn't.” 

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Aldis Hodge’s career has been busy since his debut as a child actor in the 1995 film Die Hard with a Vengeance, but he says all that work has culminated in Prime Video’s Cross (November 14). “It just feels like the work that I’ve done in the past 35 years of my career has led up to this.” Hodge plays Alex Cross, a detective who uses forensic psychology to capture serial killers. The character was made famous in the popular James Patterson novels and film adaptations starring Morgan Freeman and Tyler Perry. “If I wasn’t on this show, I’d be watching it, because it’s the kind of show I’ve been waiting for for a long time.” And Hodge is going to have that chance, because before the first episode even aired, Prime Video announced that they were renewing it for a second season. “That’s a huge leap of faith for them to step out for us, but it also validates the work that our entire crew, our cast, our producers and writers [are doing]. And it is very rare that it happens, but it just lets us know how special this project actually is, and how lucky we are to be a part of it.”

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