Jessica Vosk on stepping into Bette Midler's legacy with the Broadway musical ‘Beaches’ and why she's not your typical Broadway girl. 

"There's a lot of C.C. [Bloom] in Jessica," Vosk said. "A person who is so focused, blinders on, true grit, willing to just crawl through the mud by yourself to get to where you want to go. I also base a lot of my life on self-deprecating comedy. I'm gonna make fun of myself before you get a chance to. And that's a very C.C. Bloom thing." 

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Before Friday's MTV finale, the top three queens of RuPaul's Drag Race season 18 join H. Alan Scott to reflect on their path to the crown. Darlene Mitchell, Nini Coco and Myki Meeks talk about Snatch Game wins, lip sync battles, the now-iconic banana bag of tricks and the sensible shoes that became a season-long talking point. They open up about the friendships forged in the workroom, the breakout moments that surprised even them and what they each hope to do with the title if they win. Plus, the queens get candid about drag's role in a chaotic political moment, why joy matters and why, as Nini puts it, we should never fully disconnect drag from the world around us. A funny, warm and thoughtful conversation with three queens about to step into their spotlight. 

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Lisa Rinna has made a career out of saying yes, and it's working. The actress, author and reality television icon joins us to talk about her New York Times bestselling memoir, ‘You Better Believe I'm Gonna Talk About It,’ her reinvention on ‘The Traitors,’ why COVID dance videos changed everything, and how she knew it was time to walk away from ‘Real Housewives of Beverly Hills.’ Plus: what's next. Spoiler, she's open. 

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Billy Magnussen has spent the past twenty years adding diverse roles to his resume, and ‘The Audacity’ is emblematic of an actor coming into his own. Magnussen joins H. Alan Scott to talk about playing tech CEO Duncan Park in AMC's buzzy new series: why no character is a villain in their own story, how he built a man whose good intentions curdled into greed, and what it feels like to finally be number one on a TV call sheet. The fear hasn't gone away, and he's counting on it making him better.  

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What’s going on with reality TV? Why is it so... bad right now? Newsweek’s H. Alan Scott is joined by Newsweek colleagues (and reality TV fanatics) Jenni Fink and Lauren Giella to break down the state of reality television. From oversaturation and the YouTube disruption to the kumbaya effect killing our favorite franchises, they get into why reality TV is at a turning point and what it's going to take to save it. Also: a personal plea for Lisa Rinna. 

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This week, the internet handed conservatives two gifts wrapped in irony, and they opened both boxes with a press release and a cease-and-desist threat that didn't even exist. Druski's two-minute sketch about "conservative women" racked up over 160 million views on X alone — and the right responded with outrage instead of self-awareness. Then the Daily Mail dropped a report claiming Kristi Noem's husband Bryon leads a secret double life that includes wearing fake breasts and chatting with fetish models online — and again, the response was pearl-clutching rather than perspective. Both moments had the DNA of great satire. Both moments were real. So why can't conservatives laugh? I'm joined by Newsweek Politics and Culture editor Carlo Versano to talk about what happens when the joke is about you and you refuse to get it — and whether the inability to take a punch might be one of the right's biggest political liabilities right now. 

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CBS News journalist David Begnaud has spent decades telling other people's stories. Now he's building something of his own. Begnaud joins the Parting Shot Podcast to talk about launching Do Good Crew, his new media company anchored by the podcast The Person Who Believed in Me, which has already featured Oprah Winfrey, Barry Diller and Ava DuVernay. He breaks down how he landed Oprah as his debut guest, what it took to get Barry Diller to say yes at a cocktail party and why he believes emotion is not the enemy of good journalism. It's an honest, wide-open conversation about storytelling, identity and what it means to finally do the work on your own terms. 

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Riz Ahmed wants to make "category killers" — and ‘Bait,’ his new Prime Video series about a London actor faking a James Bond audition, is exactly that. He sits down with Newsweek’s H. Alan Scott to talk about the show's wild tonal range, why being brown in the West can feel like living in a spy thriller, and whether ‘Bait’ is, as he puts it, his James Bond audition. Not saying it is, not saying it isn't. 

Watch our chat: https://www.newsweek.com/entertainment/is-riz-ahmeds-bait-not-so-subtle-james-bond-audition-maybe-11743633 

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The Comeback is back, and Michael Patrick King is here to talk about it. The co-creator and director joins Newsweek’s H. Alan Scott to break down how he and Lisa Kudrow arrived at the idea of Valerie Cherish being cast in the first sitcom written by AI, what it means to finally see Valerie in the real world without cameras, and why they only return to the show when there's a seismic cultural shift worth exploring. He also gets into the origin of his creative partnership with Lisa, what makes her performance genuinely one of a kind, and why, after 21 years, this feels like the right moment to say goodbye to Valerie Cherish. Spoiler: it's a party, and you're invited. 

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Dan Bucatinsky has been in Valerie Cherish's corner since the very beginning, and he's here to make the case for why she's always been a heroine, not a punchline. The actor and producer behind Billy, Valerie’s manager, joins Newsweek’s H. Alan Scott to talk about what makes this final season of The Comeback so emotionally satisfying, how the show manages to tackle AI without an agenda, and what it really means that Valerie is finally going head-to-head with the one person who knows her best. He also opens up about his decades-long creative partnership with Lisa Kudrow, the beautiful way season three honors the legacy of Robert Michael Morris (Mickey), and why, even as the cameras stop rolling on Valerie Cherish, he's not entirely ready to call it goodbye. 

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