In 1998, composer/lyricists Lynn Ahrens and Stephen Flaherty, and book writer Terrance McNally brought a big, American musical to Broadway based on Ragtime, the acclaimed novel by EL Doctorow. It was a success; the production was nominated for 13 Tony Awards and won four of them. The show ran for multiple years, launched many careers, and brought new, beautiful music to the world. 

That world has waited many years for a revival of this beloved musical, which tells the commingling stories of Coalhouse Walker Jr and his wife Sarah, Mother and Father and their family in the upper class in Westchester, and Tateh and his daughter, immigrants embracing a new and complex home in New York at the turn of the 20th century. Lincoln Center and its new artistic director, Lear deBessonet, have brought us the long-awaited revival at the Vivian Beaumont Theater, and it’s made a sizable splash on Broadway, playing to sold-out houses thanks to its beauty and many timely themes that are all too familiar today. 

In this episode, host Alex Birsh (Playbill's C.O.O. and SVP) talks to a theatre friend who’s seen the show and suggests it to those who ask, "What should I see on Broadway?" Birsh then brings on the three leading players in the show: Joshua Henry (Coalhouse), Caissie Levy (Mother), and Brandon Uranowitz (Tateh).

To get tickets to Ragtime, click here. To see all of what Broadway has to offer, visit Playbill.com.

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The Lost Boys musical is on its way to Broadway, and it is one of the season’s most highly anticipated new shows. Previews start March 27th at the Palace Theatre, with tickets available now at lostboysmusical.com. 

The production is in the middle of the final sprint to the finish that all new shows need to take on to open on Broadway successfully, and while there is rarely time to reflect in those moments, the producing and creative teams for the show are peeling back the curtain with a three-part podcast series called "Time To Kill: Making The Lost Boys Musical." And lucky for you all, we’re releasing those episodes here on the Playbill Podcast. 

The hosts of the series are producers James Carpinello, Marcus Chait, and Patrick Wilson, and each episode has featured a different member or members of the creative process, such as the music, the direction, and the cast. 

The first episode of the series focused on the music with special guests The Rescues. In the second installment, the hosts brought on the two-time Tony Award-winning director of the musical, Michael Arden. In this third and final installment of the series on the Playbill Podcast, the hosts bring on the cast members portraying the Emerson family: Shoshana Bean, LJ Benet, and Benjamin Pajak.

Hosted on Acast. See acast.com/privacy for more information.

The Lost Boys musical is on its way to Broadway, and it is one of the season’s most highly anticipated new shows. Previews start March 27th at the Palace Theatre, with tickets available now at lostboysmusical.com. 

The production is in the middle of the final sprint to the finish that all new shows need to take on to open on Broadway successfully, and while there is rarely time to reflect in those moments, the producing and creative teams for the show are peeling back the curtain with a three-part podcast series called "Time To Kill: Making The Lost Boys Musical." And lucky for you all, we’re releasing those episodes here on the Playbill Podcast. 

The hosts of the series are producers James Carpinello, Marcus Chait, and Patrick Wilson, and each episode will feature a different member or members of the creative process, such as the music, the direction, and the cast. 

The first episode of the series focused on the music with special guests The Rescues. In this second installment, the hosts bring on the two-time Tony Award-winning director of the musical, Michael Arden.

Hosted on Acast. See acast.com/privacy for more information.

The Lost Boys musical is on its way to Broadway and it is one of the season’s most highly anticipated new shows, with previews starting March 27th at the Palace Theatre. Tickets are available now at lostboysmusical.com. 

The production is in the middle of the final sprint to the finish that all new shows need to take on to open on Broadway successfully, and while there is rarely time to reflect in those moments, the producing and creative teams for the show are peeling back the curtain with a three-part podcast series called "Time To Kill: Making The Lost Boys Musical." And lucky for you all, we’re releasing those episodes here on the Playbill Podcast. 

The hosts of the series are producers James Carpinello, Marcus Chait, and Patrick Wilson, and each episode will feature a different member or members of the creative process, such as the music, the direction, and the cast. 

In this first installment, the focus is on the band that created the music for the production: The Rescues.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

What do you get when you combine more than 11,000 performances, 124 million attendees, and six Tony Awards? You have arguably the most successful and impactful Broadway show in its history. The Lion King debuted in 1997 and has since helped lift the art form and its patrons up, spreading the joy of its work across the world through its many productions. The show, helmed by multi-time Tony Award-winner Julie Taymor, has helped jumpstart countless careers and sparked general interest in live theatre, a theme in this episode.

Host Alex Birsh brings on his father, Phil Birsh (Playbill's Chairman and CEO), to talk about the indelible mark the show has made on Broadway, and they reminisce about Phil bringing Alex to The Lion King when he was eight years old.

Alex then brings on two cast members, Gavin Lee (Scar) and Lindiwe Dlamini (multiple roles), who discuss what it's like to bring this show to life every day, from the perspective of the newest cast member (Lee) and the one who has been with the production since the very beginning (Dlamini).Yes...since 1997!

00:25 - Sneak peek into The Lion King

02:17 - Alex and Phil interview

18:09 - Gavin Lee and Lindiwe Dlamini interview

Hosted on Acast. See acast.com/privacy for more information.

Playbill went to New York Comic Con in October and hosted several panels on Broadway, including Beetlejuice's return, Hamilton's lasting legacy, the rise of Death Becomes Her, Little Shop of Horrors' impact on entertainment history, and a look into the new spring musical, The Lost Boys. We know everyone who'd want to hear these panels couldn't be there in person, so we're turning them into podcast episodes!

The second one we're bringing to you is our panel on Hamilton, and how this remarkable, history-making show has electrified Broadway for a decade and is performed all over the world. On the panel, we had Jisel Soleil Ayon (Angelica Schuyler), Trey Curtis (Alexander Hamilton), Tamar Greene (George Washington), Cherry Torres (Peggy Schuyler/Maria Reynolds), Morgan Anita Wood (Eliza Hamilton), and Patrick Vassel (Associate Director).

Hosted on Acast. See acast.com/privacy for more information.

Someone must have said his name three times again...since Beetlejuice is back on Broadway for a third time! Playbill went to New York Comic Con earlier this fall and hosted several panels on Broadway, including Beetlejuice's return, Hamilton's lasting impact, the rise of Death Becomes Her, Little Shop of Horrors' impact on entertainment history, and a look into the new spring musical, The Lost Boys. We know everyone who'd want to hear these panels couldn't be there in person, so we're turning them into podcast episodes!

The first one we're bringing to you is our panel on Beetlejuice, and how fans cannot get enough of the ghost with the most. We brought on the current Beetlejuice and Lydia, Justin Collette and Isabella Esler, to talk about what it takes to put this musical on. We also had Warner Bros.' executive Mark Kaufman and marketing agency SPOTCO executive Callie Goff on the panel to explain how the show, and its public image, were created in the first place.

Hosted on Acast. See acast.com/privacy for more information.

Breaking the Binary Theatre is a new work development and community building hub wherein transgender, non-binary, and Two-Spirit+ artists come together to reclaim their artistic license and liberty. This year the theatre will celebrate the fourth annual Breaking the Binary Theatre Festival, opening on October 20 with a one-night-only concert of The Drowsy Chaperone at Carnegie Hall featuring a star-studded all-trans and non-binary cast led by Laverne Cox, Alex Newell, Betty Who, Jonathan Van Ness, Dylan Mulvaney, and more. All net proceeds will benefit Trans Lifeline, Black Trans Liberation, and Breaking the Binary Theatre.

In this episode, Playbill Podcast host Alex Birsh passes the mic to Breaking the Binary Theatre founding artist director George Strus who moderates a roundtable with participants of this year's festival: Tony nominee L Morgan Lee, Sis Thee Doll, Samora la Perdida, and Cheeyang Ng. The group discuss their participation in the festival, the importance of representation in the industry (both in front and behind the table), and more!

Hosted on Acast. See acast.com/privacy for more information.