While Elizabeth Taylor fights for her life in a London hospital, Joe Mankiewicz begins to grapple with the movie he’s inherited. The script is dreadful, the sets are grotesque, and none of the footage is usable. Joe decides to start over from scratch. A look at Joe’s long career in Hollywood gives some clues as to how he’ll handle this epic production and manage his high maintenance actors.

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20th Century Fox pays Elizabeth Taylor a record-breaking salary to play Cleopatra, then tries to save money by filming the movie in England. That turns out to be a disastrous decision. The weather doesn’t agree with Liz, who suffers one health problem after another, delaying production for months. Fox then faces the question: pull the plug on this movie... or fire the director and find someone new to save the picture?

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His studio was collapsing. His budget was skyrocketing. And his two stars were making headlines for all the wrong reasons. Those were just some of the headaches facing Joseph L. Mankiewicz, the director of one of the most expensive and infamous movies ever made: Cleopatra. With Mankiewicz calling the shots and the luminous Elizabeth Taylor in the title role, Cleopatra should have been a smash. Instead, it was a shoot plagued by medical emergencies, climate disasters and nervous breakdowns… not to mention Taylor's scandalous love affair with Richard Burton. This season, Ben Mankiewicz digs through his own family stories to understand how it turned out so badly for his Oscar-winning uncle. Cleopatra, a six-episode limited series, begins July 17.

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After being removed from a film and ruining his friendship with Henry Fonda, John Ford begins to openly challenge his previous work. He deconstructs the Western and, for the first time, makes films specifically about Indians and women. But his power in Hollywood dwindles, and he soon finds himself out of work, a living legend living off his savings. As Ford enters his 70s, his movies are rediscovered and he is showered with honors and accolades, even as he denies his own artistry every chance he gets. Though he does accept one major award... from none other than the President of the United States.

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At the height of his powers, John Ford directs his masterpiece, an anti-racist Western called The Searchers. It’s a movie of contradictions: John Wayne plays the hero, but he's driven by hate and revenge. He’s searching for his niece, with the intent to kill her. Behind the scenes, Ford continues to use Monument Valley as a generic backdrop for the West without once acknowledging that it’s sacred Navajo land. And while Ford considered himself a friend to the Navajos, his portrayal of Native Americans is fraught with stereotypes. But these damaging images were used in service of creating a complex, fascinating film that dared to condemn bigotry and has mesmerized generations of film fans.

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After D-Day, Ford goes on a historic bender then heads home... not to Hollywood but to Monument Valley, a secluded land with incredible scenery. There, he creates his own kingdom, a place he can work and create art without being under the thumb of studio executives. His stock company follows him from film to film, and Ford rewards his loyal subjects, but he’s not a kind ruler. He mercilessly picks on actors and pits them against each other, sometimes in the cruelest ways possible.

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This week, Ben traces the mystery of John Ford's missing D-Day documentary. The one time Ford talked about it, he claimed it was buried in a government film vault, too disturbing for public view. This sends Ben on a globe-trotting journey, following clues in the US, England and Russia. He encounters fellow seekers, as well as skeptics who question whether the footage was lost in battle… or if Ford made the whole thing up. But when new evidence comes to light, Ben's quest takes him to an unexpected final stop, where new revelations await.

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Ford is finally in the military and his first assignment is… to make a sex ed film for soldiers! Soon he sees real combat and is injured while filming the battle of Midway. He’s nursed back to health with the help of John Wayne, while his Midway movie wins an Oscar and becomes a favorite of President Roosevelt. Ford then recuts December 7th, a movie directed by his friend and colleague Gregg Toland, to make it less racist. It wins him yet another Oscar. The brass recruit Ford for the assignment of his career: to cover the largest invasion in history. Ford goes to Normandy Beach to film D-Day, but his film detailing the invasion goes missing.

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John Ford buys a yacht, where he cavorts, drinks and vacations. But he also keeps an eye on the looming threat in Europe, and uses his new vessel to enlist in the Naval Reserve. He rises through Hollywood and turns his friends into stars, including John Wayne – though he's increasingly abusive towards them on the set. As the ‘30s dissolve into the ‘40s, Ford directs a remarkable string of movies, winning back-to-back Oscars (though he doesn’t show up to the ceremonies). Then war breaks out, and he’s shipped overseas to cover the front.

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John Ford was born in Maine as Sean Aloysius O’Feeney… or so he says. His birth records say differently, and it would not be the last time he changes his name. As a child, he visits Ireland and falls in love with his heritage, and later fights at the University of Maine when confronted with an Irish slur. He rediscovers his long-lost brother Francis on the big screen and follows him to Hollywood, where he works as a stunt double until fibbing his way into directing. As silent movies transition to talkies, Ford befriends the man who would become his friend, his muse, and his enabler, a young football player named John Wayne.

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