Legendary stunt performers Jadie David and Bob Minor go in-depth about their most dangerous stunts, working with Pam Grier, and breaking through as Black stuntpeople in the early 70s.

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Ben Mankiewicz speaks to TCM host and Director and President of The Academy Museum of Motion Pictures Jacqueline Stewart about Pam Grier's star image, the legacy of Blaxploitation, and meeting Pam at the TCM Classic Film Festival.

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More from Ben Mankiewicz’s interview with Quentin Tarantino, who speaks about making Jackie Brown, enjoying Blaxploitation, and first seeing Pam when he was an impressionable 10 year-old boy.

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After receiving a devastating diagnosis, Pam leaves Hollywood and heads home to Colorado. But she’s lured back into the spotlight when the hottest director in Hollywood gives her the role of a lifetime.

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Pam finds love on a movie set when she’s cast opposite superstar comedian Richard Pryor. She sets out to change Richard’s self-destructive ways, and succeeds – for a little while. She then immerses herself in a difficult new role, a role that gives her nightmares but could spark a comeback.

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As the Blaxploitation craze comes to an end, Pam fights for better roles and hobnobs with the biggest names in showbiz. She meets the love of her life, a hot young comedian named Freddie Prinze -- whose personal demons lead to heartbreak and tragedy.

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Pam is almost killed when a horse goes wild on the set of a gladiator movie. But instead of losing her life, she meets a new friend, who just happens to be one of the most famous filmmakers in the world.

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Pam’s career hits new heights as Black-themed movies take the country by storm. She stars in four low-budget films in the span of one year, including two bonafide hits: Coffy and Foxy Brown. Yet her celebrity is tied to controversy, as Blaxploitation gets criticized by the Black community and snubbed by the Hollywood establishment.

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Pam heads to the Philippines to star in a pair of “women in prison” movies, where she endures volatile weather, skimpy costumes, and cobra encounters. She studies acting and learns everything she can about filmmaking, and her raw talent is soon recognized on the set. But Pam’s relationship with Kareem is tested when his religious convictions clash with her feminist ideals.

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Newly arrived in Los Angeles, Pam learns underground filmmaking at UCLA and sings backup for some of the biggest musical acts of the 60s. She also has her first serious romance, with a towering basketball phenom named Kareem Abdul-Jabbar. Then, a chance audition for a low-budget movie leads to Pam’s first opportunity in front of the camera, as an actor.

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