Mike and Ari are happy to report that Wrong Turn 6 is one of the most unabashedly horniest movies we've ever covered on the show. Eschewing the traditional hot couples hooking up, this one has more of flair for kink, sadomasochism, and voyeurism. At least, it certainly does compared to most slasher movies, let alone the sixth entry in a long running, straight to video franchise. Is it a great movie? No, but it's a hell of a fun watch marked with some truly cheeky humor, a number of spectacular kill sequences and a standout performance from Sadie Katz as the villainous Sally, it just might be our favorite of the whole series

A movie so bad it made Mike question whether he actually liked horror movies. Luckily he's joined by Ariel, Devaughn, and special guest Kinell to talk this one through.

This week we go back to the beginning with Wrong Turn 4:Bloody Beginnings, Returning guest and queen of the B-movie and culinary horrorSarah Stubbs ((Final Girls Feast) is on Mike’s side championing the merits ofthis blizzard-set, asylum located slasher. Meanwhile Devaughn has recruited firsttime guest Sean Abley (creator and co-editor of Queer Horror: A Film Guide)  to talk about why returning director Declan O’Brienjust doesn’t have the juice to make this anything more than standard direct to-videofare. With a tongue planted firmly in cheek, some forward thinking queerrepresentation, practical effects, real snow, a pretty spooky on-set location,and a show stopping human fondue gory as hell kill, at the very least BloodyBeginnings marks a solid rebound over the dreadful (in Mike’s eyes) thirdentry.

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This week Mike and Ariel reach the nadir of the Wrong Turn franchise, with the third entry, Left For Dead. It's the film that dares to as who one would root for in this situation: a murderous Cartel warlord, a white supremacist, or the cops? Filled with poorly rendered CGI, dodgy acting from a cast that looks like generic versions of much better performers and an overstuffed plot, this one is a tough hang. However, we made the best of it, and talked about the important issues like Stone Cold Steve Austin's filmography, and how John Cena's heel turn is going.

Mike and Devaughn are on hand to talk a straight to video follow-up that just might improve on the original. Director Joe Lynch shot right out of the gate with a nasty, gory, funny splatter film that has the feel of an over-the-top 80s sequel while still being grounded in its own moment in time. Henry Rollins leads a rag-tag crew of wanna be stars into the woods for a survivalist reality TV series, only for the cast and crew to be hunted down by Three Fingers and more of his hillbilly mutant family members. Featuring fantastic practical gore, over 300 gallons of fake blood and some terrific set pieces, Wrong Turn 2 may be the fan favorite of the bunch.

This week, Mike, Ariel and Nichole have loaded up the jeep with our camping gear, a cooler full of beer, some beef jerky and a way out of date paper map as we’re about to break down WRONG TURN as we kick off our latest franchise. This nasty hillbilly horror bridges the gap between the second wave of slashers and the more extreme “torture porn” that SAW would usher in only a year later. Featuring one of the most attractive casts of the period, anchored by Eliza Dushku (Buffy the Vampire Slayer, Dollhouse) Wrong Turn serves as a tribute to the no frills, grimy exploitation and survivalist horror of the 1970s, and was enough of a success at the boxoffice to usher in five straight to DVD sequels and a reboot. We talk the history of the film, our own road trip disasters, and whether or not it’s rude to go through a stranger’s refrigerator if you’re only curious about what they have for snacks and don’t actually take anything. 

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This week Mike, Rachel, Nichole and Devaughn are all on hand to talk about the best movies that features exorcisms (of a sort) that aren't The Exorcist. It's a wide ranging list and as we're prone to do, we get fast and loose with some definitions. This is what Mike loves to call the "notepad" style of episode, because we think listeners will want to jot down a handful of titles they maybe haven't seen or even heard of yet.

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Mike Stephen, and Ariel are back to wrap up another franchise with 2023's Exorcist: Believer. This one isn't divisive as audiences and critics alike hated this one seemingly from the moment David Gordon Green announced it would be his next project after Halloween Ends. What was planed to be a legacy sequel that would launch a trilogy wound up scrapped after the first film failed to recoup anything close to the $400 million (ouch) Universal shelled out for the rights alone. Between lazy callbacks, and an insulting use of the returning Ellen Burstyn as Chris MacNeil, it certainly gave the haters plenty of cannon fodder.

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We’re back to talk about ANOTHER prequel to The Exorcist (afilm so nice they had to tell the origin twice), but fortunately, this week Mike and Stephen are here to talk about the good one. Yes indeed, this week we’re here to talk about the most expensive DVD feature of all time, the completedvision of Paul Schrader’s Dominion: Prequel to the Exorcist. It’s the Gallant to Harlin’s Goofy, and as one might expect from a Schrader jam, it’s a contemplative rumination on man’s fallibility and culpability with regards toevil. It’s certainly not the rock ‘em sock ‘em straight forward horror movie Morgan Creek anticipated, leading to it being shelved for The Beginning. Perhaps a horror crowd that’s been raised on the sort of character studies A24has delivered over the past decade would be more receptive to the quiet character drama and standout performance from its lead Stellan Skarsgard delivered as a conflicted Father Merrin.

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This week we’re talking about Renny Harlin’s The Exorcist: The Beginning because we’re contractually obligated to due to the format of the show. Mike and Stephen are here to talk about hot moms, the 1995 coming of age movie Angus, (featuring not one but TWO Oscar winners), the Angus soundtrack, what makes up the weakest entry in the Back to the Future series, whether or not Paul Schrader directed Clifford the Big Red Dog, the latest addition to our soundboard and so much more. All right, we talk about the movie a little bit, and ask the question whether it is better to be a serviceable, feels like it’s made for television feature, or a wild swing and massive miss like The Heretic? Plus, we ask the question: Has there ever been a successful exorcism in any of The Exorcist movies? 

Ultimately, The Beginning is “The Goofus” to Dominion’s “Gallant”: a big, dumb, spectacle of a movie with poorly rendered, early aughts CGI that passes a couple hours but has all the lasting power of a stick of Juicy Fruit gum. 

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Check out our website for easy access to our full catalog of shows, with hundreds of hours of free content. You can search the catalog, leave a review and even leave us feedback all from the site. Go to www.podandthependulum.com to check it out. 

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