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Jordan and Brooke are joined by Morgan M Page ("One From the Vaults") for a whole month on the films of Lilly and Lana Wachowski, starting with 1999's seminal sci-fi. They chat everything from this film's extensive trans allegories to leather in rain to the sneaky inclusion of bondage clubs to the deep lore of the Matrix sequels. Plus Brooke battles a really fun cold on-mic, Jordan gives us his best Switch impression, and Morgan proves she knows way more about the early Internet than either of them.
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Jordan and Brooke are joined by Bobby Finger (Who? Weekly) to close out the holiday season with 2020's much-discussed Christmas rom-com. They talk this film's queer influences both behind and in front of the camera, international appeal, small town charm, all the elements needed for a certified Christmas classic, and who Kristen Stewart really should have ended up with. Plus, Bobby lends us his expertise for a "whos" and "thems" cast breakdown.
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Follow Bobby on Twitter and Instagram, and listen to Who? Weekly here!
This episode is sponsored by Super Yaki! Use code: SUPERQQ for 10% off
Jordan and Brooke continue the holiday spirit with a cozy, nostalgic trip to Massachusetts for Greta Gerwig's 2019 version of "Little Women." Is this actually the smartest adaptation ever put to screen? Are Louisa May Alcott and Jo March maybe gay icons? How salty is everyone about the numerous Oscars snubs? Plus some classic title sequences, New England history, and the next round of…CINEMA DRINKS BATTLE!
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Jordan and Brooke are joined producer, poet, friend of the pod Liza Wagner to kick off the holiday season with 2015's raunchiest wholesome comedy. They talk favoirte holiday traditions new and old, Seth Rogen's on-screen bicuriousity, the perks of tender male friendship, and absolute king Michael Shannon. Plus, the return/introduction of…CINEMA DRINKS BATTLE!
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Jordan and Brooke hit the vampire world again with a special double bill of both this original Swedish film and the American remake. Tune in for our fave comfort horror films, falling in love with monsters, common threads in American remakes, and some bonus predictions for the "Wicked" movie (of course).
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This episode is sponsored by Super Yaki! Use code: SUPERQQ for 10% off
Jordan and Brooke are joined by writer and friend of the pod Phil Tice for 1969's romantic comedy, er, serious Western. Pick your poison: Newman or Redford? How many classic character actors can you pack into one film? Why did critics originally pan this masterpiece? And do we think the boys secretly escape to Australia and start a life together? (Spoiler: yes).
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Jordan and Brooke are joined by Trace Thurman and Joe Lipsett (Horror Queers) for a great entry in 1999's iconic year of cinema. The gang opens their scandalous leather bound journals to discuss the enduring imagery of coke rosaries, lingerie girlboss fashion, unintentional queer awakenings, and a full dissection of the new "Gossip Girl" reboot.
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Jordan and Brooke are joined by Cate Young (Thirty, Flirty + Film) to discuss 2013's twisty sexy thriller. It's the epitome of a "be gay do crime" movie, a great example of why you should always cast hot people and never put Channing Tatum in a fedora, Soderbergh's fake retirement film, and an all around blast of a plot.
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Follow Cate on Twitter! And find "Thirty, Flirty + Film" here.
This episode is sponsored by Super Yaki! Use code: SUPERQQ for 10% off
Jordan and Brooke are joined by writer Valerie Faye to discuss 1980's erotic slasher. Is De Palma king of the "go to horny jail" kingdom? How does this villain's on-screen portrayal read today? (Spoiler alert: very complicated). And how much do we loveeee all of Nancy Allen's outfits?
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Follow Valerie on Twitter! And find "We Need to Talk About Kevin" here.
Jordan and Brooke are joined by past guest and writer Reyna Cervantes (Fangoria, Bloody Disgusting) to discuss 2018's unforgettable horror. They dive into Ari Aster's themes of gender, family, and religion, memorable horror trailers, some Academy inside baseball, and a truly iconic story from Reyna about her first viewing of this film.
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